I think skate photographers got early exposure medium format and to the Hasselblad brand itself. Growing up watching Atiba and Blabac creeping into video frames with their Zeiss 30’s – and all the square framed iconic shots made the hassy almost requisite.

It looks like you cut your teeth a little bit later than my generation. When we were shooting, digital was just dawning, and all of us couldn’t wait to stop paying for film and processing. I was talking to Grant not long ago, and he said Transworld spent about 400k on film servicing. We hated film servicing so much that we even settled for the sub-par digital bodies (1D anyone?) with no steroid crops.

Anyhow - ever since I bought digital, I couldn’t ever understand the desire to shoot film. It’s only very recently that I’ve had the desire to get a 645 film camera (with optional digital back) – I’m rambling.

Great shots. Always happy to see a new skate photographer.