My personal rule is that I read most of the books in digital, and then buy a hard copy if I end up liking the book a lot. This way I don't have shelves filled with a ton of dead tree books that occupy precious space in my dwelling, I have all the books I care and love in a physical format that will never go away or get DRMd, and the authors (of the books I ended up liking) get rewarded more than if I just bought a single digital or a physical copy.
P.S. Same for me with music. Listening to a ton of stuff in digital, buying vinyls and concert tickets for artists I end up liking a lot.
https://bubblin.io/cover/ladakh-by-satie-sharma#frontmatter
Disclosure: I'm the developer behind the project.
I can keep my hand between two sections and flip between them, insert colored post-its, or bokmarks or index cards. Dog-ear pages, make marginal notes, star, underline, or (shudder)highlight.
The one thing missing is full-text search, though a good index is a 90% solution (and so: not optional).
Text and other element placement is static, so spatial memory works. Fluid layout is great for screens, but lousy for recall.
And the interface is consistent across books, authors, publishers, and centuries. Whilst, yes, various ebook formats offer facsimiles of many of these features, they are just that, and mediated to bot. Want to highlight? Better hope that's a rendered or OCRd (and reliably) PDF, or you're SooL.
Source; A tablet with over 5,000 epub-type docs, of various sources and provenance, from single page to multi-volume book length. I appreciate the weight and space savings, but miss much physical books deliver.
Exactly! This results in _referential accessibility_ [1].
You might want to look up for the Superbook format [2] perhaps? Though not everything physics is required to be solved with it.
[1] https://bubblin.io/blog/referential-accessibility
Disclosure: I'm its creator.
I remember roughly how far into a book, or chapter, passages are. Where on a page, or with relstion to other elements, how or where a line breaks (especially if that's awkward). Where the book itself lives within my collection. Where I was when first reading (or later re-reading) it. Etc., etc.
Spatial associations.
Consistent pagination is useful, but it's a small subset of the whole.
E-readers suck for poetry. They are often incapable of maintaining the same graphic layout that the poet had in mind when creating the poems. Even when the poet is not one of those poets who intentionally makes the visual formatting a part of his work, e-readers cannot display the text according to the conventions for breaking lines that have been around for ages. Some poetry ebooks are in fact preceded by a publisher’s warning to this effect.
It's nice although our preferences are reversed to find someone else who has preferences for both in different circumstances.
I really like the books that include an eBook with the print copy.
Any other kind of book and I'm reaching for print. It's much more satisfying to bang out 50 pages in a novel and see the bookmark move deeper into the book than to scroll scroll scroll through an ebook.
There are a few cases where a PDF/djvu textbook with strategic bookmarks can also be used. When I'm on the road I have a decent reference library in a rooted Kobo H2O running koreader. Not an ideal solution; something with an 8x12 screen would be much closer to it, but nobody makes these any more, and if I need to look something up in Golub, it can be done.
FWIIW the only thing that makes this doable is koreader does reflow on columnated text.
And yes, experience of relaxed intake with page turns in between does open a portal to another dimension!