CDs Curated by Steve Jobs and the iPod Team (2016)
nobi.com
nobi.com
Quite nice to see Miles Davis' "Kinda Blue" and the Dave Brubeck Quartet's "Take Five". Those were the two albums (along with Coltrane's "Blue Train" and Thelonius Monk - [don't remember the record]) that gave me an entry door into jazz back in the mid-90's and ever since jazz has been such a joy in my life. Davis' "So What" still stands up the hairs on the back of my neck even after 25 years each time I play it.
That said I have a fairly wide taste in music ranging from Napalm Death to Philip Glass, from 60's psychadelic to 21st century analogue electronica.
That's a really good point, and well spotted. I'm amazed I hadn't noticed that being a fan of NWA et-al from that era.
[edit]
Upon further thought, I'm also wondering if there may have been objections from certain artists and/or they couldn't get contractual releases for this purpose - up until then I guess the rights were for CD/Tape/Vinyl/SACD etc, digital music may have been viewed with suspicion by some bands - e.g. Metallica. Just a thought.
But it's not beyond the possibility that given the new format (yeah I know), there were possibly contracts explicitly for certain mediums (CD/vinyl) and some artists either didn't respond to contractual updates, or just plain said "no way".
Fuck the police! Comin' straight from the underground
A young nigga got it bad ‘cause I'm brown
might not go down well with NYTimes, publishers of "N.W.A.is deliberately provocative, and the songs on ''Straight Outta Compton'' are vicious, sexist and stupid;" You try so hard
But you don’t understand
Just what you’ll say
When you get home
Because something is happening here
But you don’t know what it is
Do you, Mister Jones?
https://www.bobdylan.com/songs/ballad-thin-man/> Video unavailable
sigh.
It includes a song by Snake River Conspiracy about polyamory! Bet you no one expected that from Apple back in 2000.
https://open.spotify.com/user/rezmason/playlist/0mWEVPaZDH2Y...
Shipping iPod with Beatles content would have been a really nasty legal knot. Or it would have made the universe implode. One or the other.
> When new sounds for System 7 were created, the sounds were reviewed by Apple's Legal Department who objected that the new sound alert "chime" had a name that was "too musical," under the recent settlement. The creator of the new sound alerts for System 7, Jim Reekes, had grown frustrated with the legal scrutiny and first quipped it should be named "Let It Beep", a pun on The Beatles' "Let It Be". When someone remarked that that would not pass Legal's approval, he remarked, "so sue me". After a brief reflection, he resubmitted the sound's name as sosumi (a homophone of "so sue me"), telling the Legal Department that the name was Japanese and had nothing to do with music.
Amazing?
FWIW, I'm also a Kobo user, and I've never heard of anyone complaining about the 100 public domain eBooks that were preloaded onto early Kobo devices.[1]
The problem with the U2 tracks is that 1) they were delivered automatically by surprise and 2) you couldn't refuse them. They were just dropped onto your phone without warning. This is especially egregious when you consider the fact that Apple has been charging an arm and a leg for storage space on phones, so people were left without storage as this album auto downloaded. (see https://www.dailymail.co.uk/sciencetech/article-2794347/oops...)
Preloads are fine, especially when done tastefully or unobtrusively. Apple didn't do that with the U2 tracks.
All the other are available (at least in France).
Not to mention the cringe worthy Bono/Jobs relationship:
https://blogs.wsj.com/speakeasy/2011/10/07/bono-calls-steve-...
One of these things is not like the others :) Yes, there's some great music included but it's a very cliche and unsurprising collection. Certainly not "think different" style.
The more interesting relationship, IMO, was the Joan Baez/Jobs relationship.
This was the assumption through the later half of the 20th century, but I don't think it's the case at this point. I haven't even heard The Beatles in a commercial context in about a decade (something unthinkable as early as 2000). Hip hop clearly had a large influence on the pop culture of today and (totally unrepresented in this collection). Plus there's really no excuse for including The Dave Matthews Band :P
This is to be expected of course, I just think it's humorous.
You can be on the cutting edge of music without liking hip hop or electronic music. The problems wasn't the genres he picked, but the incredibly generic band choices within those genres.
I do like hip hop (and electronic is slowly growing on me), but that doesn't mean that everyone that doesn't is out of touch. There's interesting music coming out of nearly every genre in 2019. That's the way it always is.
Just for reference, these are the top 100 songs of 2000. The year before the iPod was introduced.
None of the hip hop songs that were popular were groundbreaking - mostly just bubble gum rap. I doubt very seriously that Apple would have been willing to put any socially conscious rap on iPods.
Not really, hip hop / rap was fairly mainstream by the late 1980s / early 1990s.
I would ditch those three and consider replacing them with:
* Johnny Cash - At Folsom Prison
* Michael Jackson - Thriller
* Wu Tang Clan - Enter The Wu Tang
Some punk and metal representation would be good too. And, honestly, Play hasn't held up well over the years. If you want something more representative or influential, maybe Orbital's brown album or Underworld's dubnobywithmyheadman.
Though I thought it was actually a pretty well-curated set of albums. "Best" isn't always the... well, best, thing to aim for in a collection.
Apple was not exactly at the top of their field before betting on the iPod. The curated collection was not only personal, it was also as iconic as the device it was meant to show off. You would probably balk at the idea of Karlheinz Brandenburg's choice of Tom's Diner too.
So?
I think the article is just a geewiz kinda article that looks back and lists the CDs. It's interesting, I don't think it is declaring Jobs or anyone else some sort of status as defining music in anyway. Most of that music is highly thought of by lots of people anyway.
The rest of your post I think says more about your preferences than anything else.
As a matter of fact, that's how just about everything apple works. They are "for the rest of us" and they don't pander to professionals (no matter if they name their products "pro")
Ed Colligan former CEO of Palm in 2006 on rumors that Apple was releasing a phone.
“We've learned and struggled for a few years here figuring out how to make a decent phone, PC guys are not going to just figure this out. They're not going to just walk in.“