The Parker “51” (2018)
richardspens.com
richardspens.com
I've recently started using fountain pens again, after a... long break (secondary school, I think).
The way they glide on the paper and the pleasure of holding such a beautiful (well, arguably, but I love both how nibs look and how they work) device made me improve my handwriting, and I started to take more notes just to use the pens.
I highly recommend the experience, if you're not familiar with them. Some good modern ones are also pretty cheap.
Like with vinyl records, there is a certain satisfaction in taking care of the pen, cleaning it when switching to ink or a different color, and so on; and it's a mechanical object that helps me detach from the digital world. Unlike vinyl, it is actually a practical thing to use everyday :)
Having nice pens makes me want to use them more, and writing more has helped me organize my thoughts better, especially when writing code. I'd highly recommend it to everyone.
Only downside is no cartridges (not that I find this a downside)
I have a Lamy 2000, Pilot Vanishing Point and some other highly recommended pen (can't remember the name, it was a few years ago) and they are all scratchy as hell. Absolutely not as nice as even a cheap ball point...
If you're sure you're holding them correctly, so the problem is not the posture, try to buy either pens with a guarantee from the manufacturer (so you can get it fixed), or a pen in a shop that will let you try it first. Not all nibs are manufactured equal...
A good pen should glide much better than a gel ballpoint.
My vintage 146 M nib is incredibly smooth on some heavy papers with Iroshizuku Konpeki ink. So smooth I was tempted to look into details. It turns out Konpeki ink has tons of lubricants. Even different ink colors from the same manufacturer make a difference. And some alternatives make the setup not smooth at all, quite scratchy indeed.
Try changing inks and paper. Worst case, you might need to send your nibs for adjustment if you want different behavior. If they are small, particularly the VP, you may not be able to get a really smooth experience.
I also like the pocket-pen format. I seldom lose a pen since it lives with my keys and wallet. That pen, plus a thin crosshatch notebook I keep in my back pocket means I can take notes much faster than on my smartphone. Then I photograph my notes. Google Lens is getting scary-good at recognizing my idiosyncratic writing.
Ink and paper do make a difference; coated papers make things glide but the ink may run. Some papers soak too much ink making globs. Some inks tend to dry out in the nib or flow poorly.
So, I've had bad experience with each of the above, but I also have now set my expectations to a better level. And sometimes you do get surprised (I got a Pelikan Stola III somewhere in Europe for around $40 and it was really nice; some info at this random site: https://www.penchalet.com/fine_pens/fountain_pens/pelikan_st...).
So, yeah, low end stuff varies. But worth experimenting because when you find a good one, it makes writing fun again.
>their steel nibs
It has a gold nib...
I have a Lamy Safari F, which is super smooth and glides. My Pilot Metropolitan also has F, but not only is it thinner/smaller but it is not as smooth. I won't call it scratchy but it could be construed as such.
Also, paper matters. Fountain pens generally prefer a smoother paper, especially one that doesn't absorb much ink.
You will also need to see how you are holding the pen and the angle the nib strikes the paper. You may want to search online for some advises on that since that can make a world of difference.
Edit: Almost forgot, the more you write the better a fountain pen gets since the nib adjusts to your writing habit. I had an old Waterman when I was in high-school, which I don't have anymore, and so far no pen has come close to it in smoothness.
If you look into fountain pen communities you'll find the VP in particular is popular because of its quality at an approachable price point. It's the equal of many more expensive pens in my collection -- and nobody would confuse any of them with the experience of using a disposable ball-fed pen.
In general, there's three reasons why a fountain pen would be scratchy: it's got a very fine point (European EF or Asian F or EF), it's a broad stub or italic with a sharp corner that requires changes to your writing style, or there's something wrong with it.
The short answer is that there's probably something wrong with them. If you want to make the effort, YouTube has some instructional videos on improving them; you'll need some very fine abrasives such as very fine micromesh. I recommend SBREBrown.
Not to mention that carrying around piles of splotchy papers and notebooks and having perpetually ink-stained hands really helps to sell the "eccentric professor" aesthetic I have going. Which is key to making my lack of charisma seem charming and idiosyncratic rather than lame and boring.
For anyone who is interested in seeing what these are like, I can heartily recommend the Wing Sung 601 - it's a very respectable $15 Chinese homage to the P51. You'll need some bottled ink as well. I use Parker Quink plain black (<$10 on Amazon).
eBay link: https://www.ebay.com/itm/Wing-Sung-601-Steel-Cap-Vacumatic-F...
I recommend trying the noodlers inks, I'm quite fond of them.
https://www.ebay.com/itm/Jinhao-51A-Acrylic-Wood-Fountain-Pe...
They write just as smoothly as any fountain pen I've used, and are much more robust.
They're not refillable, but a pack of 12 costs less than £10 and lasts (me) for years.
I was using those for few grades, I have some hand deformities so writing was hard & I didn't like the pen much.
Then by 10th grade my sister gifted me a Parker. It was a new experience, smooth & helped me write much better. 10th grade has board (public) exams in India, I spent a year before the exams in bed rest due to surgeries. So, writing the crucial board exams with the Parker pen was a remarkable experience; I scored good.
This was before ball pens, and eventually, gel pens became the norm.
Quick edit: One thing that's oddly enjoyable is going back in and adding media queries, so the sites still _look_ the same and seem a bit more elaborate than more modern sites in their way, but mysteriously adapt well to different screen sizes.
Richard for a while sold printed copies of his "Anatomy of a fountain pen" pages; I've got them framed. :-) He also has (what I believe to be) the best current book on pen repair and restoration.
The "51" is a loose successor to the most beautiful and pleasant to use pen ever made, the Parker Vacumatic. Unlike the Vacumatic (and the vacumatic-filler "51"s), the aerometric filler 51s (screw it) have latex (?) sacs, which last much longer than rubber sacs common in other pens; quite often an unrestored vintage 51 will work fine once cleaned. When Parker closed down their Chinese factory, which made 51s, they left the machinery in place---leading to the initial pens from Chinese pen companies to be 51 clones.
This concludes today's random pen facts.
I've always preferred writing with a fountain pen, but can't see myself having one again (or at least a good one). I have the same problem with them as I do with sunglasses: they always get lost or broken.
I've progressed to the slightly pricier Lamy Safari now. Excellent experience and good to see my handwriting improve, while being a soothing, gratifying experience.
The vintage P51s are priced all over the place from $60-7500 depending on the features of that pen....$7500 was a pen that Cartier commisioned to sell in their stores.
Their past popularity makes supplies of low to mid ranged models pretty plentiful.
P51 is "out of print." I find reliable P51-inspired writers for $2-4 a pen so I have no desire to try and buy a vintage one that might not work.
They’re a pain to clean thoroughly, though, so they’re best used as a pen for someone who doesn’t change inks very often. That person is not me :)
You wouldn't believe some of the gunk i've gotten out of pens that sat in a drawer for 20 years....
The capillary filler is still a beast to clean, though. It's not so much a matter of it getting crusty with dried ink as it is that it's designed to hold the ink inside.
I've built two things to address this: the first is a rubber bulb with a length of clear medical tubing that just fits over the back of the reservoir. This lets me force water and cleaning solution through the reservoir with a modest amount of pressure, flushing it out. The second is a felt-lined holder with a spot for a rag or paper towel in the end. I can chuck that in my lathe, put the pen in it with the nib facing away from the chuck, and turn it on low for a few minutes. Centripetal force forces the ink (or water) out of the reservoir, through the feed, and into the paper towel - aided by capillary action, of course.
But it seems I'm not alone here in being a pen geek, so maybe it's a good place to share a discovery that has been revolutionary for me: Erasable gel and ballpoint pens!
Bright colours, no sharpening, easy and effective erasing of my mistakes. Yayyy. I've tried quite a few, my favourite at the moment are Pilot Kleer.
Now I'm no longer afraid to write in a new moleskin!
[1]: http://www.penhero.com/PenGallery/Parker/Parker51FantasyPart...
[2]: https://www.ebay.com/str/arielkullockpens/Parker-51/_i.html?...