I was surprised and please how much I took to it, honestly; I went in cold and was prepared to not really get a knack for it.

But easy-looking is also a product of writing it up after the fact, and learning under good instruction; it was still a solid 20+ hours of work with a fair amount of cursing and bits of messing up and redoing stuff.

In any case, whether or not I caught on quicker than average, the process itself feels very accessible to me. I can recommend giving it a shot a lot more readily than I'd have guessed before I tried it myself.

Totally feasible! You could probably put a whole one-person workspace into about fifty square feet without getting cramped, less with some squeezing and multitasking, and I'd guess basic toolset would run you less than $500 retail.

The grinder I used is a pretty simple unit with a water reservoir tray under the grill that keeps the bit wet via a sponge feeder; probably about $100 new, used bargains if you go looking, but, yeah, water feed of some sort is key to the grinding working well on glass.

I got to use the studio's supply, so I haven't had to really sort out glass buying myself. And yeah, I was lucky to benefit from access to a really great collection of glass. But there are some commercial firms (Spectrum does very flat, transparent glass; Delphi does stuff with more character) and you can go haunt estate sales, watch for hobbyists getting out from under their supply, check with art schools, etc.