How Podcasts Became a Seductive and Sometimes Slippery Mode of Storytelling
newyorker.com
newyorker.com
I started listening to podcasts back around 2008 I'd guess. I don't remember exactly what the process was for getting them onto my iPod, but I don't remember it being laborious.
I wasn't exactly a geek either. This was from a shared family computer and I was pretty clueless about computers back then.
Suggests that Ben Hammersley coined the term in 2004
I thought the Rio was a great little player it's a shame Apple wiped the field of competition so quickly.
But I remember getting some MP3s to show up on my MP3 player using a Desktop would sometimes be stressful (some files played nice, some didn't..) And when I got an iPod, iTunes and Windows would occasionally attack each other outright
The other audio I listened to at the time was either downloaded/burned or purchased. I even bought a few audiobooks, which came on multiple discs. How barbaric!
For me however podcasts are good things, a natural evolution of TV, a potentially free and "distributed/decentralized" youtube&c alternatives since they can be distributed by individual subjects with well-known and open standard RSS/Atom, users can listen in streaming but can also download for offline usage and personal archives. So well, I like them, and as any instruments I know they can be used for good, bag, etc.
I do think, it wasn't necessary to plug that in the article, pod casts being popular without Apple having to release an app for it.
And whole article does seem like the old media('Gatekeepers are good' is a common theme at New Yorker) whining against the new.
I got the same vibe. The "manipulative" implications the author is making could be applied towards print journalism just as accurately.
Yes - and it does apply. Editorial control and fact-checking are the two MOST vital aspects of good journalism. Any idiot - I mean, any Fox news anchor - can make up facts and report them.
Apple was arguably the MOST important distributor of podcasts, given that they had millions of devices (including iPods - you could download/sync podcasts onto the classic iPod) in the market.
I am also not picking up the "old media is better" vibe here. Non-fiction/investigative podcasts need quality control, editorial control etc. It's hardly a gatekeeper thing.