The Most Misread Poem in America (2015)
theparisreview.org
theparisreview.org
This line in particular:
"A role too artfully assumed ceases to become a role and instead becomes a species of identity..."
Edit; and
"It isn’t a wolf in sheep’s clothing so much as a wolf that is somehow also a sheep, or a sheep that is also a wolf."
This is to me the spirit of America and can be seen in so many ways it projects its power.
I feel more and more like this as I grow older, man I should have trusted my own judgement right then and there.
Funny enough, not long ago a friend who attended the Iowa Writers' Workshop (considered the best MFA in writing in the country, if you're not familiar) said, out of the blue, "about that Frost poem" and I replied, "about the same." We both laughed. Apparently that misreading is widespread, even among the most promising new writers.
Just make sure you have a way out when they give you a failing grade.
https://zenpencils.com/comic/60-robert-frost-the-road-not-ta...
So basically don't damage your body too much and you'll have all the happiness you could ever have being you. And even if you don't. Don't worry. It'll be over in few short decades anyways.
This poem has an extraordinary story, Blake was not famous in his time and only thirty years after his death did someone come along to write a biography of him. There were many other happenings that had to happen before Jerusalem became what it is today.
The words appear to be patriotic but on further examination and with the right education the poem can be understood. It is an anti-capitalist, anti-church, anti-establishment masterpiece. Yet vast crowds of people can sing along with it, knowing all the words. It is in a different league of being misread to anything else. Study it.
I think it is both patriotic and also your thesis. That is the British Way.
The other interpretation comes from carefully reading the whole poem.
Regardless, most humans who come across a non-trivial number of paths will eventually converge on an important truth that is revealed by either of these contrasting interpretations.
Someone who regularly rationalizes a choice between two indistinguishable paths as highly individualistic will eventually come upon a path not taken. At that point they will either fess up to their prior self-deception or carry on deluded.
Alternatively, someone who regularly avoids the beaten path will eventually be faced with indistinguishable options. At that point they will either admit to themselves that not all choices are individualistic, or they will start deceiving themselves.
Consequently, one ought to accept either reading of the poem as a reasonable starting point for a responsible adult to learn a valuable lesson about branching processes.
Finally, all responsible adults who have learned the converged truth should be wary of anyone who in casual conversation dares utter a sentence starting, "Actually, you are misreading that poem..."
I humbly offer the following canned response: "Wow, sounds like somebody is revved up like a douche."[1]
[1] Most misheard lyric from "Blinded by the Light" by Bruce Springsteen
Actually...it's the Manfred Mann [0] cover of the song that contains the lyrics in question; Springsteen's original version [1] uses slightly different words for that line and so it's perfectly intelligible.
The meaning is perhaps still ambiguous in that a number of people I've discussed this with stick to the traditional interpretation. But I'm at least convinced that "The poem isn’t a salute to can-do individualism; it’s a commentary on the self-deception we practice when constructing the story of our own lives."
It's kind of like Every Breath You Take by The Police. People hear the full song plenty of times but they only think about the ones that match the happy love song pattern. Everything else is in one ear, out the other.
In some ways, the "misinterpretation" bringing about an oppositional meaning is poetic in and of itself.
EDIT: also, I'm not really trying to argue whether it's "unread" or "misread" (I could attribute selective memory to either one). It's that I think there's more to it than "misread" often warrants. Maybe everything I've said is what you meant by misread.
A single scene in the Netflix show "Daredevil" taught me more about the arts than anything else in my 34 years. An art dealer tells a man "I tell them it's not about the artist's name or the skill required, not even about the art itself. All that matters is: 'How does it make you feel?'"
So you might say that the meaning is not as important as how it makes you feel. But unless you're going to just come out and say that words have no meaning (and what would you say such a thing with?), the meaning of the poetry is somewhat independent of what the reader wants it to be.
If a person reach some original enlightenment trough a poem words doesn't necessarily mean the word have an hidden meaning, it's likely that the poem meaning plus the reader baggage construed composed or concurred into an original thought that's derivative but independent from the work itself and attributing that specific enlightenment to the work alone seems inappropriate first because the meaning isn't there and second because it diminish the reader turning it's originality into passive dissonance
An apple is an apple, if it moves to eat an apple because it reminds of grandma's apple pies then it's not that the apple itself has an universal meanings of grandma's. It has to you, but at face value it's still an apple for as much the eater wished it was grandma's pie, it still remains an independent thought formed from the apple but not what an apple is, the apple is still an apple.
To completely ignore original intent would be like using "exception proves the rule" at face value (one of my personal pet peeves).
[0]: Directly interpreted from "all that matters".
[1]: I'd also agree that people get caught up in the who/how and lose sight of just enjoying things, which is clearly what the quote was trying to convey.
It's surprising how this sentiment was frequently demonstrated by Frost himself. He'd frequently claim how important some life changing moment was in his life and then later walk that back and It's been a long time back now so I can't completely remember all the examples I found but I think an uncle or such paid for part of his education. Frost would go back and forth about how this relative left him high and dry and making it on his own was very important. Then on other occasions he'd opine about how important this relative was and how it made a difference in his life.
Here’s another set of opposites: making a difference vs. not even making a difference — I’d argue that these are both possible (it’s not that one is a “popular misreading” as claimed by the article). The speaker is acknowledging that he has no really good reason, after all, for choosing one road over the other at the moment of decision; he is recognizing the bit of self-delusion he had to exercise in order to rouse himself to a decision...but that certainly doesn’t mean that it won’t indeed turn out to have “made all the difference” in the end. He and we just don’t know.
But, taking a step back, I’d argue that it isn’t even clear that the chosen road really did turn out to be “equally well traveled” (as the commentary of the article hinges on). This itself could be another bit of mild self-delusion. The speaker suffers from grass-is-greener-itis, always pining for the road not taken (it’s even in the name of the poem!). He did not choose the road he was last looking down (until it “bent into the underbrush”) because it looked too well traveled to him and he wants to be independent... but once he chooses the other road and sets out, this “other road” also begins looking too well-traveled for his taste. Chronic dissatisfaction coloring his perception? After all, his perception would have been more objective when pondering both roads equally, before investing himself in the decision. Perhaps the road taken really is less well-traveled. Again, we just don’t know the underlying reality; the poem deliberately prevents us from knowing.
This isn't anywhere close to being true. Mass audiences routinely recognize poems; we call the phenomenon "popular music".
Most middle class kids live a very scripted lives, but are constantly hammered with the idea that soon they will be called upon to make their own decisions - usually characterized by a binary to continue the scripted path - college, corporate job, marriage in late twenties or thrities - or a second, riskier outlet into 'there be dragons' land. In this context, it's not surprising that the poem has become a concise stand-in and beautiful articulation of contemporary middle class social consensus.
If I'm remembering this correctly, I came across this poem in the wake of a solo startup disaster. And I instantly got the second meaning without any need for literary deconstruction or critical nudging. I vividly remembered the excitement of the choice at the start. I now knew about how we tend to ponder what might have been. And could list many "founder success stories" told ages and ages hence of how I - I chose Angular2, and that has made all the difference.
And that is genius of this poem, that it can (only?) be read differently by those with a certain amount of lived experience. It hides its meaning in plain sight and straight forward vocabulary (unlike Wasteland) and let's the reader insert himself and his entire life into this tiny vignette.
----
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
----
to be perfectly clear ... and suited to the 'common misreading'...
A poem is more or less ink spots on a piece of paper; it means what the reader finds in its deliberate ambiguity ... not what some 'expert interpreter' insists it means.
Though as for that the passing there / Had worn them really about the same, / And both that morning equally lay / In leaves no step had trodden black.
If those experts find meaning in a poem the author did not write into it, they failed at their job.
If however a poem is found to mean something the author did not intend to say, the author failed.
There is an apparent contradiction in the poem (which is what the question there was about), which disappears on a closer reading.
However, after reading the wikipedia article [1] it makes a pretty compelling case that this poem is poking fun at the type of person who projects too much meaning into "mistakes" from the past.
Does it not say "desire (fire) is the most powerful and potentially destructive passion, but hate (ice) is not far behind?". Disclaimer: never read any analysis about the poem, that's just my take.
From what I’ve tasted of desire I hold with those who favor fire
by saying he holds with those who favor fire, he says in fact that he favors desire, which he has experienced in the past. He would like the world to end in desire.
So he subtly changes the question from how do you think the world will end to how do you want it to end. But then being Frost, and somewhat ambiguous, he changes it back, deciding that hate will also suffice (to destroy the world).
I mean obviously it is just very playful.
Yet I can sing a few of the Vinicius de Moraes poems by heart.
Personally I'd have expected 'The Raven' by Poe to be more well known, but that might just be my bubble. :)
The sentiment of this poem is expressed extremely clearly, which is why it's so popular. We're not all idiots, illiterate or suckers. The last stanza clarifies and reinforces the rest of the poem. Any alternative interpretations of this poem are from 'smarter-than-thou' morons who want to show off how they are more educated and intelligent than you.
1. https://www.theatlantic.com/technology/archive/2014/09/every...
Also, the last stanza, and specifically the last line states the opposite of the meaning. It does not "clarify" it. "And that has made all the difference." In actuality, there was no difference. So it's not clear, especially not if someone isn't paying attention to what they read. A lot of people don't pay attention to this sort of stuff, and again, it doesn't mean they're idiots or they did something wrong. I didn't get it the first couple of times I came across this poem.
But go on, anyone who tries to explain something commonly misunderstood is some kind of a jerk or whatever.
The argument in this article isn't some sophisticated take on the poem. It's just a straight literal reading of what the poem says. The only bit that's in any way fancy is recognizing that when the poet says he's going to say something (instead of just directly saying that something) you might have to think about why the poet is putting things in that very roundabout way.
The sentiment of this article is expressed extremely clearly... we're not all idiots, illiterate, or suckers...
> Any alternative interpretations of this poem are from 'smarter-than-thou' morons who want to show off how they are more educated and intelligent than you.
I'm not sure how you could get more narrow-minded and "smarter-than-thou" than this very statement.