Free, Open Spaces: Brian Eno’s Favourite Records (2016)
thequietus.com
thequietus.com
Reverend Maceo Woods And The Christian Tabernacle Choir – The Dynamic Reverend Maceo Woods And The Christian Tabernacle Choir In Concert
Farid El Atrache – Farid El Atrache
Arif Sag – Umut
The Golden Gate Quartet – 'Go Where I Send Thee'
Sly And The Family Stone – Fresh
Me'Shell NdegéOcello – Plantation Lullabies
The Velvet Underground – The Velvet Underground
Steve Reich – Early Works
Fela Ransome-Kuti & The Africa '70 – Afrodisiac
My Bloody Valentine – Glider
Owen Pallett – Heartland
Chœur Bulgare Svetoslav Obretenov – Grande Liturgie Orthodoxe Slave
Joni Mitchell – Court And SparkDid not expect to ever see these names on HN!
Weirdly enough, despite already being a jazz listener, I found him because the software I used was renamed to Odoo, and someone on Twitter made a joke with Fela's O.D.O.O. Serendipity ftw.
I enjoy making different playlist of people I really admire their works. I couldn't find several works but I did that best I could.
https://play.google.com/music/playlist/AMaBXym_owacCnlnJw0um...
There should be a way to (economically) punish websites that force you to do this.
Edit: the article turns out to be really good, better than the usual list of favorite records, because he talks quite emotionally about what he loves about them and why. Eno is always a great raconteur but I don't think he's usually this personal.
Nils Frahm's is another good one:
http://thequietus.com/articles/18741-nils-frahm-favourite-al...
Afrodisiac is fantastic and I'm sort of dying to mix it up with Remain In Light to see if the influence is as obvious as Eno suggests it is.
Glider is just an MBV EP, and the one song Eno likes on it (Soon) is one of the "hits" from Loveless, the album that followed it, which is one of the most famous and influential modern rock albums of all time and, like, you should already know this and go fix that if you don't.
To anyone listening to Loveless for the first time: I encourage you to put on your headphones before pressing play. Most of us probably don't have CD store employees to help us with this any more. Maybe you've already learned the "trousers before shoes" rule of listening to music from another album yourself?
Steve Reich came and did a workshop with us when I was doing my degree (based on "Electric Counterpoint") and it was fantastic.
You've got me listening to "Different Trains" now....
I recently had to drive to Pristina, Kosovo and experience the endless misery of the border crossings on the way. I spent more total time in the lines waiting to cross the border than I did driving from Austria.
And that cloud had a silver lining, because at each border, I discovered new music belting out from the hundreds of other drivers also waiting in the hell of border crossing. Nothing would Shazaam, however. The licks and melodies and clear synth lines, or strumming chords of quaint (to me) nearly unrecognisable string instruments that were belting out over the fields were very enticing, and I could really only get a taste of the music these folks were listening to.
On the way back out (the hell was repeated) I noticed the stalls on the side of the road at the Kosovo border, selling cheap CD's of local artists .. so I took the swing and bought a whole, random set of them. Artists I would never have known. And, while a lot of the Kosovo rap is irksome and mundane (at least of my selection), there are a number of gems in the mix - stuff that I really, really like for some reason. And I'd never, in my life, have encountered it if not for those border crossings.
Music really transcends mans banal nature and turns us all into angels.
I am an older guy that never got stuck into the just one genre nor one era of music. I find a lot of new music here.
It's sort of a default title for a long-running series on The Quietus. It's not uncommon that a featured artist qualifies "favorite" somehow.