What do you consider good hearing skills to practice, except echolocating?
No bat species are blind. Microbats have poor visual acuity but their vision is on par with a human's.
Reference: Tuttle's work
Thank you.
I must now ascertain the veracity of the “as poor as a church mouse” trope.
I didn't even know about that trope? Is that even a real expression or did you just make it up? Makes zero sense.
Puritan, poor, pure, you get the gist. Actually, these are not said to be related, with peh₂w- and pewh₂- reconstructed, respectively. But in my humble opinion, "humble" could semanticly connectboth. peh₂w-, whence poor* and few, is also the root to pupil and puberty, via Latin pūpa/pūpus. On that note, words for orphan have been surprisingly productive, orphan supposedly giving German "Arbeit" - work, its origin unsure but perhaps connected to orpheus. Maybe orphans nominally under the care of the "father" are the mice in question. Mouse is a humbling diminutive, at least in German. In the pied piper, children are compared to mice. Boy can mean male servant (it's root is not compare to these here, though, might still be in an older layer of the languages' roots). Spanish puta is still unexplained, but Portuguese has puto (boy), Italian puttus (child) - said to be cognate with, no not pupa, but purus. Spanish and Portuguese also have moço, moço (boy, girl) of "unknown origin". But they do use rat related words for mouse instead, while muro is archaic. Baltic languages have instead pele (mouse), from pel- (grey, alternatively pelh), whence also pale. Surely, grey mouse is a synonym for plain, which is one of the glosses found for poor. Plain again is from pleh₂-, which derives several words for thin, flat, further tame* and perhaps also plague. Plage, Blage is a dysphemism for children in German. A page is a young servant in French and a page of paper is plain and flat. mew- also derives a sense of small, but whether that pertains to mouse or not is debatable. There's also mey which could be confused, meaning e.g. to change. Another spanish word for boy is muchacho, from mocho (mutilated, incomplete; hornless; having a hypocritical and ostentatious faith; cut short; bald headed), of uncertain origin). Then compare patch, patchy hair to page or Russian plóskij (flat, plain, level, tame, trivial). I mean, chico (boy) probably relates as much to chick as mouse to maid. Mouse rather rhymes with house (the house mouse), therefore compare house, husband and husbandry. I have no idea where this might lead, possibly astray, though.
I love music, and the best I can do pitchwise is remember a few references. So, it is like one or two perfect pitches. I worked at recall on those... hard. It takes an immersive memory to do, and it is like a little movie of that time and place. When I do that, I can get a note from a song I know well.
And I know what that note is on the scale. Good as it gets. Strange, I can often tell same or different too, even whem some time has passed, but mapping notes to pitches heard is hard.
The other one, btw, is 1khz. The Apple 2 beep. Similar memory. And both are fond ones.
Otherwise, I have great discrimination. Can pluck parts out a total mess, usually no problem. And I hear technical details well. Production, essentially, or signals in the noise.
I knew a girl with perfect pitch. Her recall of things and a conversation encouraged me to try, and it worked, but so much effort! And only for a couple, and those are shaky at best!
But, I have just a taste, and that is enough to validate what you put here. No way can I just pluck chords out of something without first getting some references. It's a sort of build up. Do a listen, tag some notes, do it again, tag some more, and over some iterations note values, chords become clear. And that sticks while I have the head space. Let it slip, and a lot slips. In that space, I could play, improvise then.
She could often just listen and write down whole phrases! Of course it was pretty great having her around. I could just ask for one, and she would nail it. Thanks!
A lot of how people manage is by feel and other cues. Or, they just do not improvise to the degree possible. Or, they do not care, instead just working from where things are at. Say, a fifth up would be good... doing that only needs a sense of the scale in play.
In any case, I do not agree relative pitch is intrinsically more useful. I would not value it that way.
What is generally more useful is being able to really listen. I do that and it comes in very handy for testing, various electromechanical tasks. Over time, I have gotten really good at being able to play sound back in my head that I have heard in the past.
On odd artifact is playing that radio snippet game. If I have heard the tune, I can often get it in very short, sometimes sub second bits of audio. All comes down to what is in that snip. Vocals are easiest. Even a bit, and the map to the person lights right up.
Or, a mechanism. If it is doing anything odd, I hear that and know what normal is to good precision.
Discrimination is broadly useful, maybe most useful in the broadest sense, I would argue. At least there is a strong case for it.
YMMV