New Logo and Identity for Library of Congress
underconsideration.com
underconsideration.com
I mean... a close cousin of Impact? Black and orange? A second, unnecessary copy of the word 'library' that's so large it's hard to make out the name of the institution by comparison? This smacks of designers being so in love with their own process that they abandon the basic principles of good design -- i.e., it has to be immediately recognizable and look aesthetically pleasing -- entirely in favor of some weird brutalist experiment.
Which might be a good idea for an avant garde institution in Manhattan, but is entirely inappropriate for the Library of freaking Congress.
The difference is night and day. Imagine how fantastic that kind of modernizing light touch could have looked for this client, too.
The surreal thing is that, as important as continuity and timelessness can be for financial services firms, it's even more fundamental to the LOC's roles. If you've ever been to the Thomas Jefferson Building, to walk its halls the first time is to almost be overwhelmed by a sense of connection to millennia of human thought and achievement. There are libraries out there with modern-looking identities (as an example, Carnegie Library of Pittsburgh--though I really hate the combined i/l mark).[0] I don't know of any that are as in-your-face as the LOC redesign. A lot of these kinds of "make it modern" updates are because companies are trying to better connect with consumers. The really crazy part about this is just how irrelevant that is to the Library of Congress' mission. The LOC isn't trying to reinvent itself before the internet kills it, as with so many other libraries across the country.
It's really hard to imagine someone actually visiting, well, any of the LOC buildings and coming away with the impression that Druk Condensed feels right. Pentagram has an impressive body of work, but their work for the Library of Congress comes across as the sort of pitch an intern might make prior to being fired before they might accidentally stumble in front of a client.
0. http://www.landesbergdesign.com/projects/carnegielibrary.sht...
The problem is (a) the print layout, while nice, is neither innovative, nor suitable to the brief (it's a carbon copy of every cultural/avant garde/art magazine I've seen recently) and (b) it's very restrictively print-oriented. The iPhone X screens look like lazy afterthoughts.
Can someone with a graphic arts background explain why the LoC is so attracted to this new design (after only 8 years with the previous one)?
The current librarian (confirmed in 2016) is a bit of a new broom, and is the first to serve under a term-limit. Previous librarians served for life, and the last one refused to understand computers.
But I agree they phoned this in. Unnecessary and uninspired.
The new one is hideous and redundant, as are all of the alternatives (which look more like positioning/alignment errors in Microsoft Word).
1. "LIBRARY Library" -- really?
2. The colors don't evoke a library OR Congress, but a construction site.
3. There's no "logo" here, strictly speaking: just a bunch of words.
The article even explicitly says "Our view here at the Library of Congress is the image of a treasure chest, filled with limitless information and services, ready to explore and amaze if you open it up."
There's absolutely nothing in this new logo that communicates "the image of a treasure chest" filled with anything at all.
Similarly, the "bookshelf" examples look less like a bookshelf and more like someone having issues putting clip art into text in Word.
I really hope feedback about this logo influences all involved parties to reconsider this design.
Looks very similar, and while I strongly dislike the Library of Congress redesign, it almost works for EFF.
The identity in this case will not come just from the logo or the colors or a rigid manual that says what pantone codes to use and how many `x` should be around the logo (where x is the dot of the i or whatever) which everybody will ignore anyway. This identity seems to be designed to be misuse-proof.
We're used to the logo being the centerpiece of an identity system but this "flexible identity" trend has the order of priorities backwards.
I'll gladly concede that there could be a better logo than what previously existed, but this isn't it.
When I look at the old logo, I think "professional and clever". When I look at the new, I think "WE'RE SHOUTING IN A LIBRARY! A LIBRARY LIBRARY!"
If this places me in among the unwashed masses that "just don't get it", so be it. I see regression, not improvement here.
http://www.pewresearch.org/fact-tank/2017/06/21/millennials-...
Blech.
“If I don’t get it in the first crack, I get it in the second. And if I don’t get it in the second I almost never get it.”
"I’ve never been a refiner"
This is not identity design—this is ego.
My reaction after mulling it over for awhile and reviewing some of the material is.... contempt and disgust.
So there's that.
That's like trying to rebrand the White House as HOUSE.
This is another symptom of Idiocracy becoming a documentary?
Not sure I like how they did that, but I get the idea.
The new one is also not great. But I guess the directive was to maximize "library" and minimize associations with "congress."