Pierre Bourdieu does as decent job as any in breaking down the social topology of class, but his legacy is fraught with his failure to sufficiently account for many economic phenomena that are constantly becoming more clear. It’s hard to elaborat on these in short. The case study of outsider art is a useful case study both in defense of and in objection to Bourdieu’s comprehensions of social class.
The insistence on a distinction so classist as “outsider art” is just another shameful depravity in the name of maintaining a VIP zone for the bourgeois in a world of mass media. Let’s remember “the art world” didn’t exist until the 90s.