This happens in most Netflix shows; jarring and obvious product placement that disrupts the flow of the story.
So it's not that they are ad free, they just featured reduced ads in most episodes.
This happens in most Netflix shows; jarring and obvious product placement that disrupts the flow of the story.
So it's not that they are ad free, they just featured reduced ads in most episodes.
Bringing up a pack of Oreos and waving it around the screen so everybody can really see it's a pack of Oreos is one thing, but the endless trudge of scenes like this is something else:
X: "So you got the brief from the NSA?"
Y: "The National Security Agency, they monitor all the communications in the US to prevent terrorism... yes I got the brief. You bring in Mr Snucklebum for questioning?"
X: "Snucklebum, the man under suspicion for trading classified secrets? Yeah he's in interrogation, right through here."
- alarm bells, ad break -
Y: "Snucklebum's escaped! Lockdown!"
X: "Snucklebum, the guy under suspicion for trading classified secrets to the NSA?"
Y: "The national security agency. Yeah"
There are a ton of shows that let you discover the show along with the characters though; Breaking Bad, The Wire, Carnivale, etc. Those shows tend to be well regarded, and most people don't realize that it's just the lack of exposition making the people pay attention that they like.
It was a good year for Ferrari sales, too :-) The Testarossa was one of the stars of the show, and nobody minded it. Probably the best product placement ever!
I don't know if the Oreos thing was a product placement (though it seems likely), but if I'm writing a script or a screenplay, I probably have fewer mental gymnastics to hurdle through to inject Oreos into a script than I do to have to accommodate a show-break.
On the flip side, it's worth pointing out that it isn't either/or, as shows with commercial breaks may still include product placement, and not all of them are going to be as mightily integrated as Snyder's of Hanover was to Psych.