Early images of Netflix.com show how far it has come in 20 years
qz.com
qz.com
Still a happy subscriber, just a little less so.
A show can still have a lower match for all people (similar to having fewer stars). But I think I still like the (assumed) transparency of stars better.
Netflix used to want to give people the "perfect movie for them", expecting that eventually they would run out of perfect movies, and move onto just "pretty well-fit movies", and then run out of those too, and probably unsubscribe at that point.
Nowadays, Netflix seem to want to keep people subscribing by making them feel like they have a chance of finding the "perfect movie for them", but only after Netflix has recommended a bunch of those "pretty well-fit" and even some "not-so-well-fit" movies. This is "better" (from Netflix's perspective) for two reasons:
1. it gives people the impression that Netflix's library still has plenty of "perfect" movies to offer them (by stretching them out);
2. it gives variable-scheduled rewards, rather than constant rewards, making people more addicted.
I'm betting the new algorithm works much better at keeping people subscribed, despite seeming to work worse. Netflix is a very data-driven company, and wouldn't have switched to an algorithm that could be observed to hurt.
Netflix basically wants to be a black box where people enter and are entertained for two hours a day forever. mind-expanding or emotionally affecting movies don’t really do that.
Now, that rating only makes sense given the clustered group of people with similar taste. It's also adds complexity of the clustering said group.
Furthermore, I think people generally are not always the best critic. I totally can picture people being precise in their rating getting the most of the the recommendation engine, and the sloppy getting poor recommendations.
In that case, I can't blame Netflix for wanting to trim down the complexity for making it easier for the audience and themselves.
Alt right people were giving Amy Schumer's standup 1 star. I remember watching it thinking it was good, not amazing, but certainly not 1 start standup compared to most of the filth out there.
Edit: way back they even used to have a page that was in essence a table of movies that was sortable by rating. That was so useful. Unimaginable today!
Edit 2: I'd love it if someone knew and could explain what the Netflix UI is actually optimizing for. I can't believe that it's that they cannot do better. Are they trying to hide lack of content? Are there different money implications of I watch movie A instead of movie B?
It is almost impossible to find the foreign movies I care about.
Sometimes I find them by language, other times by the name, and worse just scrolling hoping that they get suggested again to me.
For the public at large? https://en.wikipedia.org/wiki/Functional_illiteracy#Prevalen...
In fact, the text is more likely to spoil the show. "A space freighter has to take refuge on a desolate planet. Little does its crew know that their temporary shelter is infested with horrific parasites. But you do!"
I might as well be picking my next viewing from a selection of pictures and illustrations.
It's just television.
What I get from this is that when it comes to success in language learning, technical difficulty is mere rounding error compared to other factors.
I don't know how licensing works with these streaming services. I'm beginning to think that because these companies license content from third parties, they have an incentive to discourage people from watching anything. Maybe if you don't watch, then they pay less in licensing fees. The ideal profit scenario is for you to subscribe to Netflix's service, but not consume any content. If you pay Netflix, but never watch anything, they don't have to expend the costs to deliver content to you (licensing and bandwidth). This gives Netflix an incentive to create algorithms that obfuscate content rather than a smart algorithm that suggests relevant content.
Does anyone else get this feeling? Does anyone know if licensing agreements are set up on a pay-per-play basis between studios and netflix?
The impression i had of Netflix from back when was that it had all this weird and wacky stuff reaching back to the straight-to-VHS rental era.
This because at that time the big studios allowed Netflix to digitize a crapload of their back catalog for a song, because they didn't have the first clue if anyone would have any interest in it at all.
But in recent years the studios have learned, and wants to cut out the middleman. Thus Netflix has moved on to producing their own stuff, while what used to be on Netflix may be on any number of studio services (if said services ever get off the ground, thanks to their paralyzing fear of pirates).
I for one pine for the days where I could find an individual with similar sensibilities - or better yet NEW sensibilities that I did not know shared, and follow their curation...rather than having some engineered algorithm suggest music and movies to me.
Thankfully there are many wonderful radio stations and bloggers who still exist. I find SV has done a terrible job replacing them and for that I am grateful.