The emotions we feel may shape what we see
medicalxpress.com
medicalxpress.com
I have friends and family on both sides of the political debate here in the US, and I see a lot of theatrics and narrative building.
How much of the political theater is affected by this?
I am thinking, a lot more than we'd care to admit.
IMHO the political theater is not affected by theatrics and narrative building. Theatrics and narrative building are the very backbone of politics. Want to push a bill you consider appropriate? Nope, you'll have to generate outrage, participate in a couple of speaking engagements at conferences click-baity names, tweet a snarky remark that simplifies an otherwise complex topic to a petty "exchange", pander to the demographics most likely to agree with you.
You're pro-gun rights? Hope for a terrorist attack! You're pro-gun confiscation? Hope for a school shooting! It's so disgusting, it's utterly worrying, sad, disgusting to see us engage one another in this way.
Theatrics, opinion shaping, narrative building is the backbone of public spaces, therefore also of our media, of course also of our culture and definitely of our politics.
If I had to coin a snarky sentence to shape the future for years to come I'd plaster the following everywhere as a warning to everyone regarding the very dystopian future we are building:
It's about emotions, stupid! Oh, and they know.
Social media, online communities, memes, viral content, Machine Learning all are very useful tools in furthering the feedback loop that lead our emotions to only spiral more and more out of control.
There is a lot of thought put into policy and governance -- of what to do when the group of people are too large for everyone to know each other. Further, when I was introduced to the book Crucial Conversation, I realized that resolving conflicts among people without shared narrative does not have to happen this way. The book talks quite a bit about the typical reactions to crucial conversations -- violence and silence. That's exactly what I keep seeing when I see people talk about politics now, in the Trump era.
So I disagree: the theatrics and narrative building is not the backbone of politics, though I will agree that those theatrics and narrative building is one of the core tools people typically use to gain and wield political power. There's the tool -- which may have alternatives -- and then there is what you are trying to accomplish with that tool.
And thus, I come back to: How much of the political theater is affected by this? Isn't there a way for people to be inclusive and respectful of individuals?
There are a lot of good studies on this, they're all pretty technical, but seem very well done. I can't find with a quick Googling the one I came across (in the context of researching VR and potential consequences of 'virtual embodiment') a few days ago, but this is in a similar vein (though more focused on pain than on general emotion): https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4529956/
So, what they're saying is that pessimists have been right all along!
In seriousness, though, I consider myself a very logical person, I've often wondered I am simply good at rationalizing away emotions that truly drive my thinking. Begs questions on the origin of cognition.
Are we rational beings experiencing emotions, or are we emotional beings hiding behind a facade of rationalism?
It's my experience that most people don't recognize when emotion is coloring their otherwise 'rational' thinking.
In the clinical world, there is a strong coupling of psychopathy-the-neurological-architecture, and anti-social personality disorder, which is defined more along the lines of behavior rather than genetics or neuroscience. On Quora, there is a community of people with psychopathy that writes about their experiences, advocating for the decoupling of psychopathy and anti-social personality disorder -- and if you think about it, that kind of advocacy is very rational. It's not because they want people to understand them, but because the misunderstanding people makes dealing with non-psychopaths more inconvenient, and sometimes irritating.
One Quoran whose posts are a good starting point to read up on is Athena Walker. Reading Walker's posts and others like her's, is a great exercise in finding out just how much emotions and narrative you project onto the things you read. There are a lot of things we neurotypical people think is rational, but they are experienced through the lenses of emotions coupled together with social bonding and shared narratives with other people.
Just as an example ... Years ago when I was just starting out in martial arts, I found myself in the company of combat veterans. None of them are psychopaths. One of them, a senior student, was talking about having to clean up a friend who killed himself. He shot himself in the head with a shotgun. When the senior student went to go clean up the house, he had scrape the pieces of brain and fragments of skull into the bag. I winced and made a face, and both my teacher and the senior student said: that isn't a person anymore; it's a corpse. They had read my face and knew what was going into my head. That I was feeling the mutilation of a living person, that the person is suffering and in pain, because _I_ am simulating that suffering an pain as if it were my brain and skull fragments blown out. And the disgust with flesh and blood.
This is pretty typical of how neurotypicals feel and think about death if they had not spent some time seriously examining their beliefs, thoughts, and feelings about death. At some recent point in my life, I realized I would not give up my empathy -- it isn't so much that it makes me human as it is a part of who I am, just as the lack of empathy is part of who Athena Walker is -- but I can have empathy and be rational about it too: that's a corpse, and someone suffered and tried to end that suffering.
Also highlighted in the press release is the fact that this was robust for unconsciously presented happy faces -- it is unusual for positive stimuli to have a stronger effect on most psychological measures. This is usually due to negative stimuli causing higher levels of arousal (as far as I know, though I'd need to confirm this in the literature), so it's really due to a confounding of valence and arousal.
My main question from this article would be how they controlled for low-level visual properties of the stimuli presented. The hope is that their upside-down face experiment was able to account for any possible confounding of face emotion with something like spatial frequency characteristics influencing the participant's subjective judgement of the neutral face, but there will never be a way to fully claim that it was the emotion of the face alone. If you fully control the underlying visual properties of the stimulus, you remove the emotion!