Of course as I'm practicing, I am deliberate at working on both the technique and playing expressively. If I'm not deliberate about it, it's too easy to just focus on nailing the technique - it's a lot easier than the musicality.
Of course as I'm practicing, I am deliberate at working on both the technique and playing expressively. If I'm not deliberate about it, it's too easy to just focus on nailing the technique - it's a lot easier than the musicality.
In terms of piano, GP may have been referring to rubato, or holding notes for longer/shorter than notated for artistic effect.
Classical has phrasing.
IMO it's the same phenomenon. It's one of the most effective ways to add expression, and it's mostly taught aurally. There's very little in books for beginners about it.
If you're taught to play metronomically, you may never understand why it matters. Someone who is naturally musical will feel it without being told about it, but may still struggle to bring it out of their playing.