Also they introduced a "blank media" tax on everything (CD, DVD, SSD, HDD, USB flash drive etc.) as a compensation for the presumed losses.
The whole copyright thing is just a US export thing, as soon as it becomes a problem for them, they'll force the EU to make it a problem for you too.
you're kidding right?
after brexit the EU has lost 70 million citizens, its second biggest economy, its largest city (which also happens to be the world's financial capital), and its main military/cultural power
whereas Trump will be gone in a few years
Brexit took that rent and tore it open, but if/when Scotland secedes from the UK and rejoins the EU, that might affect things.
Trump being gone doesn't necessarily mean the US is going to suddenly regain it's former prominence. This discussion, of course, is ignoring the Elephant/Tiger in the room (China).
It's made clear to me every time I want to go watch something and am willing to pay money for it but it's not available on any of the platforms (read: middlemen) I pay to subscribe to; I have to subscribe to yet another one just to see that show. Or it was there until yesterday, then it was removed without warning.
I found myself in a position recently where the only way I could watch a particular show would be if I went down to the store and bought the box set on DVD. But I don't own a DVD player, haven't needed one in years, and wasn't about to buy one..
But it's totally necessary; back before it existed no one ever made any money for their creative works, so with no incentive no one ever made anything creative before copyright law. OH WAIT.
Seriously, I tire of this notion that discussion must be dry and boring. Holding discussion hostage to "don't say anything that might offend, police your tone, and say everything as plainly and factually as possible"-type rules allows intellectually dishonest participants to game the system, i.e. bullshit asymmetry. Clever use of rhetoric is an effective tool for highlighting disingenuous arguments. In this age of information overload, we need it.
Who, specifically, is that 1928 copyright still encouraging to create new media? How does it benefit society more to have insanely-long copyright terms than it would to free up creations earlier for riffs, remixes, and so on?
The original idea was that copyright is a compromise that maximizes the social welfare, people give-up their natural right to copy and share for a limited time so that more culture is created. Of course, once the system was set in motion, the holders of valuable works had a very strong motive to exert political pressure to extend the copyright to absurd lengths and push the notion of "intelectual property" at face value, instead of the original social compromise. No one was left to fight for the public domain and now we have these huge dynastic corporations that are strongly anticompetitive, using warchests of past works that new creators haven't yet amassed. If not for the internet and long tail consumption it enabled by lowering entry barriers, a few companies would own all comercial culture.
2. this is disingenuous. it is already the case that the massive majority of artists have a very hard time generating a sustainable revenue stream from their work, and this has always been the case. the goal of a copyright system is, amongst other things, to try to help with that.
2. So with copyright it's super hard for artists to live off their work. How is that defending copyright? If you're claiming "Well, it'd be even worse -without- copyright!", you haven't actually made a case for that. Certainly, if we want to fix the fact artists have a hard time, perhaps an alternative monetization scheme, irrespective of copyright, is the right answer?
The main issue is that "Artists to get paid for their work" seems to work against copyright in many respects. Consider CD Project Red, which has DRM-free downloads on Good ol Games. Basically all modern copyright protection schemes are effectively outlawed on the GoG platform and yet "Witcher 3" manages to do incredibly well. (As well as many other games on the GoG platform)
In contrast, the heavy-handed approach with DRM and Lootboxes on Steam and whatnot seems to be failing hard at capturing audiences and letting people feel like they're actually contributing to the artists / creators of various works.
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Another model: the Patreon model, seems to be the #1 source of new upstarts around the internet. Youtube Stars and high-quality content like "Smarter every day", and also lots of... unsavory... lower quality content... gets paid through the Patreon model (which is wholly independent to copyright).
You can destroy copyright tomorrow, and ALL Patreon stars (comic-artists, Youtube stars, minor video game developers) will continue to be paid for their work.
Even in the music industry: it seems like "gigs" are the main way for bands to make money. Some money is made from iTunes / Amazon downloads, but most of that money goes to Sony (or other Publishers). Not the artist themselves.
As such, the general feeling is that "copyright protects the Corporations", not the artists. Corporations deserve a cut of course: middle men are necessary in a lot of fields. But I think almost everyone feels like the current copyright system provides too much benefit to the middle-men, and not enough benefits to the artist.
- Company hires a bunch of artists to make something, pays them one time, keeps gathering checks decades after the artists are dead, and even longer after they're getting any payment for the work.
- Artist collects money from their work, dies, and the estate continues collecting for decades.
The purpose of copyright should be to encourage artists to create works for the enrichment of society as a whole, by giving them a monopoly on sale of those works for a limited time, followed by a release of the work into the public domain.
Instead, we've got constantly-extending terms, slim-to-no chance of something still being culturally relevant by the time its copyright expires, and people besides the artists receiving the most benefit, in many cases.
Copyright itself can be a good thing, but the current U.S. implementation of it sucks.
patents are largely unrelated to discussion of copyright. the durations are separate, and in fact, patent durations are largely harmonized to be 20 years, now. https://en.wikipedia.org/wiki/Term_of_patent that's nothing compared to the ~75 years of copyright.
If Disney keeps copyright of Snow White the government can tax Disney's extra profit to pay for cancer research. Isn't that more socially useful than giving everyone the right to watch Snow White on YouTube for free?
Why stop there. Wouldn't it be ever more socially useful to hire vandals to break windows and graffiti houses so the government can collect the taxes on the repairs. See also: war.
Just because something generates economic activity, doesn't mean it's a net benefit to society.
With vandalism the costs clearly outweigh the benefits. With copyright extension it seems to me the benefits outweigh the costs.
Not to mention the fact that the Snow White character itself was pulled from the public domain.
This is an appeal to emotion. It's not very honest to cherry pick a nice sounding example. How about taxes spent for wars and so on?
> Isn't that more socially useful than giving everyone the right to watch Snow White on YouTube for free?
The money that people saved by not paying disney do not disappear. They will be spent, perhaps on cancer research, or something else.
In some countries petrol tax must be spent on building and maintaining roads. Similarly, can't we have an 'expired IP tax' which must be spent on cancer research?
> The money that people saved by not paying disney do not disappear. They will be spent, perhaps on cancer research, or something else.
Some people might decide to work less because they no longer need to pay for the movie. Hasn't the money 'disappeared' in this case?
Are you trolling?
You're comparing a petrol tax used to maintain roads, to an "expired intellectual 'property'" tax which hypothetically would be used to fund a completely unrelated activity, one which cannot be argued with, because how could you be against cancer research, you heartless bastard? What about the children with leukemia? You monster!
I will therefore raise you a "let's put a cancer research tax on EVERYTHING! No disposable income until cancer is cured! You have to be in favor of it, or you are a cold, emotionless hater!" You can't disagree with me, because "no enemies to the left, no friends to the right."
Do you see how this goes? All I have to do is out-extreme your extremeness, and you can't disagree with me, because emotional appeals to child cancer research. It's an intellectually dishonest form of argument, so please, knock it off.
Seriously, do you not realize that you are proposing to give the government ownership of all expired copyrights? What part of "for limited times" and "public domain" do you not understand? You actually want the government to own everything in our culture?!
No, you don't generate money out of thin air by working. It's a transfer from somebody else.
Besides, for many people working less is obviously valuable, otherwise you'd see a lot of people working 100 hours a week.
But if that doesn't happen, then next January will finally see works start entering the public domain again, starting with ones from 1923.[1]
[0] https://en.wikipedia.org/wiki/Copyright_Term_Extension_Act
[1] https://arstechnica.com/tech-policy/2018/01/hollywood-says-i...
http://www.independent.co.uk/news/world/europe/eu-trade-deal...
How do you actually mean by this? It seems to me that the vast majority of big Hollywood movies are of US origin and not European. For example see here, http://www.businessinsider.com/highest-grossing-movies-of-20... where only Beauty and the Beast could argued is "appropriation of European culture". If anything, it seems like the EU not enforcing copyrights is an attempt by the EU to itself commercially appropriate US culture. The US populace generally isn't spending its money on imported films from the EU. The reverse on the other hand happens quite a bit.
No-one can sell derivatives back to the US. The US can use elves, orcs, dwarves, vampires, werewolves, Repunzels, Thors, Lokis, fairy godmothers, Romeos, Juliets, etc. commercially all they want.
But we can't use Supermen, Wolverines, Mikey Mouses, etc. commercially.
I'm not saying it's a bad move from the US pov, but let's not claim it's done for the sake of artists, it's done for $$$ tax revenues and keeping US entertainment as a dominant export.
It's basically an extremely effective one way, heavily US favourable trade embargo that they've codified into international trade law.
It seems to me that you may be more opposed to a seeming US monopoly on entertainment than you are to the effects of copyright law. You don't argue against the merits or lack thereof of copyrights but rather make distinctions about the US vs Europe. Don't fall victim to mood affiliation.
The term is from England, but many of the rules are from France. Because in France they came up with "rights of the creator" that included things like the estate being able to deny someone the use of a play or song after the creators death.
Then these two got merged via the Berne convention on copyright. But USA didn't sing that one until the 1980s(!).
So for a long long time, USA used a variant of the English copyright law, that only concerned itself with the printing of books (then as the tech came online, they expanded it to cover the likes of recorded music and computer software).
One thing to keep in mind is that the Berne convention requires that the signatory nations respect copyright duration of the nation of first release. And thanks to France we have this whole thing about death plus X years.
And like i said, USA didn't sign any of that until very recently. And thus we had situations like Tolkien becoming popular with hippies because an American publisher picked up a copy while visiting the UK, and went on to print a pile of cheap copies back in the US.
Anyways, thanks to global media corporations, lobbyists, and the whole Berne thing, we now have a constant ratcheting of the whole death+X duration thanks to the lobbyists playing on national fears of being out-competed by others with "better" terms for the corporations.
IANAL and all that.
How do I know it's deliberate? Because some twenty years ago it was me who informed the Hungarian public about downloading being legal if no income was generated -- even if upload was not --- in a series of articles in Chip Magazin after a very long interview with Artisjus (the Hungarian collective rights management agency) and they have had at least a significant role in wording the copyright law then (if you would want to be a less careful journalist you would even accuse them writing it) and I'd bet anything they have had ... some ... input into the current law as well.
Do note the tracker sites themselves are illegal, this has been established last summer by the highest court in the EU. http://curia.europa.eu/juris/document/document.jsf?text=&doc... (change the doclang argument to HU to read it in Hungarian).
Why I, who never use my CD/DVDs for copying anything but homemade content, have to pay for someone else's illegal copying is not clear to me. Especially since the tax doesn't change anything for the person who is making the copy - it's still illegal.