This reminds me of something that Hany Abu-Assad, a Dutch-Palestinian film director[0], once said in an interview. He was asked how it is possible that from countries like Iran, with its oppressive regime, we get such amazing directors as Abbas Kiarostami, who created beautiful humanising movies. After a brief moment of contemplation, Abu-Assad answered "society is stronger than the system."
> Would you say “Dunkirk” is your most hopeful film?
> Well … yeah. “Interstellar” is pretty hopeful. But then again, the whole world has ended. There is that. [Laughs]
Funny how one can interpret that both as "doesn't sound very hopeful to me", and "the more impossible the odds are that were overcome, the more hopeful the message inherently is".
WARNING: INTERSTELLAR ENDING SPOILER BELOW
What makes Interstellar especially tricky here is that on the one hand, saving humanity (and presumably as much other life as possible) from extinction when the entire planet is dying is about as big a challenge as it gets, and therefore makes the film feel very hopeful, but on the other hand the ending also implies that the universe is predeterministic, and that can be viewed as the opposite of hopeful.