In fact, many (most?) of the works printed by Caxton himself actually do feature a distinct <þ> glyph, though it is limited in use to sigla (it never appears without a superscript <e> for <þe>, <t> for <þat>, …). His first printed English work [3], printed c. 1473 while he was still stationed at Bruges in what is now Belgium, has a distinct <þ>; his later works printed at his own press in London do also, such as [4] (which is printed c. 1480 in the typeface characteristic of his press).
For some related discussion, see [5].
That said, I share your dismay that we no longer have a <þ> (or, honestly, an <ð> or a <ȝ>, though [ð] and [θ] are allophones and the <gh> once represented by <ȝ> is now often silent). I just wouldn't be so quick to blame Caxton.
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[1]: http://medievalwriting.50megs.com/scripts/examples/chancery6...
[2]: https://upload.wikimedia.org/wikipedia/commons/e/e0/Ellesmer...
[3]: http://lcweb2.loc.gov/cgi-bin/displayPhoto.pl?path=/service/...
[4]: https://upload.wikimedia.org/wikipedia/commons/b/bc/Brut_Chr...