I'm sure it's an awesome book, but I really need a copy where someone did a find-and-replace and changed the hero's name to something other than Hiro.
I'm sure it's an awesome book, but I really need a copy where someone did a find-and-replace and changed the hero's name to something other than Hiro.
I would have expected suspension of disbelief to have been broken somewhat earlier, if that's an issue.
Suspending disbelief is not the problem. The problem is when the author writes something so unbelievable that there's never a chance to suspend. It's all disbelief, all the time.
Again maybe I'm ruined by years of reading bad sci-fi and fantasy, maybe I would have been better off if I read it 20 years ago. But Snowcrash and The Way of Kings both start their story with all of the hallmarks of every awful book I've ever read.
I'm sure the durian fruit tastes great, but unfortunately I've smelled a dumpster before and now durian is ruined to me forever.
Is that a requirement for that book? Stephenson's Anathem starts off with a word-dump full of vocabulary that you as the reader will not know, but everything slowly becomes clearer.
On the other hand, I gave up on Stephenson's Baroque Cycle for much the same reason you mention.
I had a hard time with Game of Thrones for the first few seasons too, because of the absolutely massive cast of characters. It became easier when most of them died off. It's one of the reasons I don't read a whole lot of fantasy novels, every author considers themselves a Tolkien and has to show off how much work they put into world-building.
That's really freaking awesome!
>the protagonist is named Hiro Protagonist
Super lame.
That's why it tears me up. I really want to like it.
Hiro: "But you'll never forget it."
But I don't exactly remember stellar plots from Gibson (earlier works) or Ridley Scott either. The cyberpunk-influenced genre is essentially defined by everyday troubles, draped with techno-decoration.
Personally, that's one of the reasons I like it. The fusion of slice-of-life pedestrianism w/ in medias res pacing always came across as more believable than any grand opera.
Statistically, significantly rare interesting events are far more likely to happen to a janitor than the King / Queen of the Universe.
I do remember disliking the hyperbole of exaggeration (In a few of his early books) - the fractal heatsink, the sharpness of the obsidian blade, the politeness of the tea, etc.
Chloë Grace Moretz ("Hit Girl") would make a great YT. She's convincing as a snarky tough girl.
The Raft would be quite do-able. After all, there was Waterworld. (I met the guy who did the Softimage water shader for that. It worked out much better for him when he did the water shader for Titanic.) Worn-out ships are easily available. Chase scenes in open water are easier than ones near land, and you can add all the background ships in CGI.
There are ways to get the cost down. Watch this trailer for the Blade Runner remake.[1] Nothing expensive there, except old Harrison Ford. A smoke and fog world brings the costs down.