DODO is not pure Stephenson. The personality of the other writer (Nicole Galland) quite clearly changes the atmosphere. It's the first NS book where characters' emotions are actually given some attention, and the first where female characters are described from a first-person perspective (in a way that's convincing).
I have read through Anathem at least three times and still enjoy it with each reading.
Ps: Anathem > Seveneves, unless you ignore the last third. Stephenson is usually weak at the end, when all the pieces are put in place and there is no room left for brilliant tangents. Anathem suffered surprisingly little, Seveneves more than usual.
Come to think, I have the same issue with Snow Crash and Heinlein's Starship Troopers. I remember both of them as nonstop action thrillrides and suppress the endless bloviating over linguistics and ethics, respectively.
Thanks; I'm a little surprised I missed that!