Shell scripts to improve your writing, or "My advisor rewrote himself in bash."
matt.might.net
matt.might.net
Adverbs are indispensable to good writing, technical or otherwise. Notwithstanding the claims of a variety of self-proclaimed experts, no good writer will omit adverbs, and no writer can successfully omit all adverbs without at the very least sounding incredibly choppy and awkward. The author of the linked article included quite a few; even just counting those adverbs that end in "-ly", I found ten (fortunately mechanically really genuinely personally frequently unfortunately solely rightfully technically), and there was even an adverb ("so") right there in the sentence where he was condemning adverbs!
As for the passive, the author acknowledges the difficulty of avoiding them, but claims that their removal is still an improvement, though without explaining why. In fact, it makes the writing seem rather choppy (as if the author had to spend too much time paralysed by a set of rules to follow to actually be able to make the text flow). And despite apparently putting in a great deal of effort to avoid them, the author still included at least two that I found in a quick reread: "drawn for them" in the "beholder words" section, and "accepted for publication" right at the bottom. In both cases, the result is perfectly readable, not at all fuzzy, and entirely unremarkable---which shoots a rather gaping hole in the argument that there is anything wrong with a passive voice.
I feel sorry for his grad students, and only hope that when they come out the other end, they will sensibly discard the silly mandates of their advisor, rather than perpetuating the myths....
Also, having seen Matt Might give a talk on a day's notice when he was still a grad student, I think his students are in good hands.
Regarding the passive voice, the author is just providing general clues to good writing and is not imposing a dogma. Certainly the passive voice makes for a boring read.
So I think that his point is: get rid of adverbs for clarity, and change the passive voice to an active one to maintain interest.
I must say I agree.
What?? That makes even less sense than the "no adverbs" rule. Nothing in the syntax or semantics distinguish -ly adverbs from any other. (I only included -ly adverbs in my count because I was lazy and they were easier to search for.)
> Certainly the passive voice makes for a boring read.
You don't read much that isn't boring, then, eh? Too bad. Good writers use the passive voice. Writing that avoids the passive voice is not good writing.
I have no problem with a house style, but the claim that following one particular stylebook makes one a "better writer" annoy me. Worse, the linked article claims that "the elision of all adverbs from any technical writing," and "the removal of the passive voice," "constitute a net positive."
Good writing, technical or otherwise, requires adverbs. Notwithstanding the claims of a variety of self-proclaimed experts, no good writer will omit adverbs, and no writer can successfully omit all adverbs without sounding incredibly choppy and awkward. The author of the linked article included a few; counting those adverbs that end in "-ly," I found ten (fortunately mechanically really genuinely personally frequently unfortunately solely rightfully technically), and in the sentence condemning adverbs he included an adverb ("so").
As for the passive, the author acknowledges the difficulty of avoiding them, but claims that their removal still improves writing, though without explaining why. In fact, it makes the writing seem rather choppy (as if the author had to spend too much time paralysed by a set of rules to follow and had none left to make the text flow). And despite putting in a great deal of effort to avoid them, the author still included two or more that I found in a quick reread: "drawn for them" in the "beholder words" section, and "accepted for publication" at the bottom. In both cases, I find the result perfectly readable, not at all fuzzy, and entirely unremarkable--which shoots a rather gaping hole in the argument against the passive voice.
I feel sorry for his grad students, and hope that when they come out the other end, they discard the silly mandates of their advisor, rather than perpetuating the myths....
Brilliant.
Most of the time, my students use these constructs without thinking about it. That's the real problem.
Perhaps I should have posted a few paragraphs from a recent draft to highlight what I meant by inappropriate (or excessive) use, but I don't think my grad students would appreciate a public shaming.
As I mentioned in the article, there are times when the passive voice and adverbs have their uses.
It would be a net positive if my grad students removed all their adverbs and all passive voice from their recent drafts.
(Of course, the optimum would be to leave only the appropriate uses of these constructs.)
I'm willing to bet this is true for a lot of new grad students in science or engineering first learning how to do scientific writing.
It was certainly true for me once upon a time.
Having the scripts highlight these constructs forces students to ask the question, "Is there a way I can say this better?"
If the answer really is "No," then they can leave it in.
But, I want them to think about it.
/article author
Ah! That bothers me a lot less, then; I still wonder about some of the choices, and I think you underestimate the utility of adverbs and passives, but if you were stating style preferences rather than rules, that seems fine.
Unfortunately, the linked post as written still appears to propagate the dumb Elements of Style canards as if they were absolute rules. :P
Thanks for it though, great tool.
One of the things I hate most about English (and this is by no means a rant on how stoopid English is) is that "that that" can be grammatically correct. It's a minor thing really, but I could swear it's mocking me some days.
Touou wo ooou. (東欧を覆おう。) meaning "Let's cover eastern Europe."I'd go into more detail, but Language Log has discussed it in great depth: http://www.google.com/search?q=site:http://languagelog.ldc.u...
diction finds common mistakes. style gives some metrics (may or may not be useful, YMMV).
they have a similar theme as this article.
In ReWork, the 37 Signals' guys mention that if they have the choice between two potential hires of equal ability, they'll choose the one who's a better writer.
There's a modifier missing in "equal ability" to make that sentence logical. Writing is an ability itself.
If you are unable to choose between two candidates, pick the candidate
who is a better writer (as opposed to a better lumberjack).
It assumes that your original method of choosing did not take into account writing proficiency, and that one candidate is a better writer than the other.The really interesting thing is _how_ much they are willing to compromise; would they prefer a mediocre programmer with flair for writing? If not, it is just meaningless platitudes.