Full Trailer For Facebook Movie ‘The Social Network’ Hits The Web
techcrunch.com
techcrunch.com
Why is this an oversight? Fincher is one of the smartest directors in contemporary American film. Seven was a brilliant critique of how visual media feeds social violence. Fight Club turned a stylish but shallow nihilist novella into a meta-recursive critique of nihilism itself. Zodiac was a narrative masterpiece created out of nothing. The Game was an ambitious attempt to turn The Magus into a film that succeeded so well no-one seemed to notice. And even his lesser works, Panic Room and Benjamin Button, were still films that tried for something and are worth watching.
Yet not a single mention. Amazing.
However, I've read through this blag post http://scriptshadow.blogspot.com/2009/07/social-network-face... and it really seems good enough. That blog is truly great for screenwriters btw, lots of great tips and stuff.
Replace Greece with San Francisco and the sexual crimes in the novel with the film's emphasis on corporate greed. Still not convinced? The icing on the cake for me is the fact that both film and book end identically, hanging on a moment of choice in a situation which leaves it ambiguous if "the Game" is still ongoing.
I don't think Fincher really nailed the movie the way he did with Seven and Fight Club, but the connection to the Magus seems obvious for another reason as well: the weak points of the film start making sense if you think about it as an adaptation. The major point of the Fowles novel is in its Eliot quote that, "the end of all our exploring will be to arrive where we started, and know the place for the first time." I don't think the film is as convincing as the book in part because the romantic relationship it uses to do this is incidental to its preoccupation with corporate greed and is not very believable. But the intended structure helps explain some of its weaker dramatic moments, the biggest of which for me was seeing Michael Douglas running around a corporate cafeteria with a gun shouting about the need to protect his employees and their pensions.
As an adaptation, the film was quite good. As an (alleged) original work, it was a total failure.
Tortured genius, or lucky asshole with a lot of money? You decide.
Nonetheless it does have the tortured genius cliché attached to it. As shallow as this sounds it actually makes it cooler. I like messing with people by writing poetry (Keats, Byron, Frost...) on it. I would recommend it to anyone who is sick of pretentious people who judge others.
I keep a few whiteboard markers lying around the house for when ideas strike. The shower and bathroom mirror are also good places.
Though I especially like Regi Penxten feat. Scala - I fail[5] an awesome mix between Scala's choir singing and Regi Penxtens dance/trance.
[1] http://www.youtube.com/watch?v=h9ZJcP5EDIQ
[2] http://www.youtube.com/watch?v=wpsroKKLapw
[3] http://www.youtube.com/watch?v=NsGy-A5SOPU
[4] http://www.youtube.com/watch?v=uZ5VNXIiv1c
[5] http://www.youtube.com/watch?v=3mRwX7PGi9E (EDIT: the live version is more awesome)
Yahoo Video is awful. It doesn't show you how much of it has actually loaded, and once it's done it has to load all over again to play a second time.
I'm inclined to believe this is going to have a huge impact on the masses and their perception of Facebook.
I remember listening to an interview with Michael Douglas one night(I have insomnia), where he remarked that people actually came up to him and said that they wanted to be Gordon Gekko. This will in fact add to Zuckerberg's appeal and people will use Facebook to tell other people on Facebook how cool the guy who made Facebook actually is.
Other than them the others simply won't care and will go right back to playing one of those Zynga games.
The only thing that will kill Facebook is another fad, which gets embraced by the "cool" brigade.
Economics overrides everything else.
You really need to know bottomless despair to see where he came from. Think of this you are a teenager with no contact with your bio parents, struggling to make sense of who you are, and you cannot get rid of the nagging feeling that you have no future and then you hit the big time. No The Big Time.
Would that not go to your head and exaggerate your flaws? He is just human being with limited resources to cope with what life thrust upon him. I don't worship him anymore, but I won't judge him either.
There is a quote from the studio somewhere talking about it. He basically says that any advertisements that are about Facebook the company have to be approved by Facebook. He said once the studio found that out they didn't even bother submitting advertisements.
I'd watch the film because it's David Fincher but I'm put off because I know a number of the people in real life who are portrayed in the film.
Rightly or wrongly, no one (as I understand it) involved with Facebook chose to take part in the writing of this so I have no idea if this is going to be an accurate portrayal or somewhat off-from-fact but will go down in everyone's mind as how it happened.
Mind you, Parker's head has probably exploded with the knowledge Timberlake is playing him.
I also think it's funny he's playing Sean Parker, co-founder of Napster.
Which is saying a lot because that movie is awful in such a unique and special way.
Just wondering - what if this new facebook movie is really just a marketing ploy by facebook, designed to LOOK like it's attacking Zuckerberg, yet not REALLY attacking him ??
It would make perfect Machiavellian sense to do this, since it's now being advertised as an attack on Zuckerberg pre-release ... this could be just a distraction tactic from his real crimes such as, oh I don't know... that of selling every piece of you that he possibly can to advertising and slowly chipping away at your privacy bit by bit...
</conspiracy theory>
that, by the way, is a conspiracy theory, not necessarily something I believe, just something I believe is possible ...
I think the book fills in a lot of gaps with fiction and the movie will probably do the same. The author, Ben Mezrich, tends to incorporate a lot of fiction into his "non-fiction" books and embellishes quite a bit in order to create a more compelling story.