Why stop there? Do you also churn your own butter, milk your own cows, shave with a straight razor?
Personally, I think it's just silly hipster bias.
One of the consequences is less compression/clipping, better dynamic range, etc. for the vinyl version. This can have a huge positive impact on sound quality.
You don't have to be a nutbar audiophile to appreciate it, either - you can even hear the difference between old rock albums and their heavily compressed re-releases.
http://www.soundonsound.com/sound-advice/q-how-does-masterin...
The manner in which the album is recorded (analog vs. digital) doesn't matter, it's the limitations of the format for which the master is intended. The physical limitation of a needle tracking a groove measured in microns places a hard limit on the amount of compression which can be applied to the dynamic range. You can't make a needle follow the kind of narrow, jagged, shallow groove that would be the result of using a "loudness wars" era master meant for the CD format.
That said, the number of "got to have it" albums which were caught up in the loudness war isn't enormous. The biggest victims were re-releases of classic rock albums during the 90's but the original records with the true mastering are widely available in the used market. While there are some classic albums begging for a vinyl focused remaster, there aren't too many people clamoring for Limp Bizkit's catalogue to be rereleased without all the trickery employed on the CD master. There are also a ton of garbage "vinyl remasters" out there cashing in on the trend. For example vinyl rerelease of the early Modest Mouse catalogue is just garbage. I seriously think they lied about finding the original masters and just took the CD master and added "crackle and pop" on top to mask the obvious half-assing. That or they used the worst pressing supplier on earth.
"...because of the limitations of the vinyl format, loudness and compression on a released recording were restricted to make the physical medium playable—restrictions that do not exist on digital media such as CDs—and as a result, increasing loudness levels never reached the significance that they have in the CD era."
I think with vinyl people are looking for more of a sense of ownership. It doesn't feel like you own an album, and don't get the feeling that it contributes to some part of you, when you click "save" in Spotify. It doesn't take any effort or any sacrifice (money) to do that, so it comes with no opportunity cost. But buying a record is more deliberate and usually means that your ownership of it comes at the expense of something else you'd instead buy with that money.
I admit it's a pretty wishy-washy argument, but for most people, the prospect of buying a vinyl record has to be rooted in something psychological because objectively speaking there aren't very many good arguments for it.
My deal is, that goes both ways. I've owned record players in the past, I've grown a sizeable vinyl collection, and I ended up selling it off because I'm living a much more mobile lifestyle now.
If the OP gets a more "active" experience (whatever that means to them) out of listening to a record instead of putting a CD in a cd player, great, but what bugs me is there's always an undercurrent of "it's better this way".
No, man, you just like it more. It's not "better" than listening to songs on an ipod or putting a CD on.
And all this talk about "it sounds better" or whatever, it all boils down to assigning objective measures to an experience that is, at its core, subjective. No, it's still just your preference. (Some people actually like the analogue tape sound. To them it's "better".)
Let people like what they like.
Personally I prefer records for these reasons:
- If I want to share a record with a friend, theres a greater chance they'll just let it play as opposed to a bluetooth connected speaker, where everyone decides they want to be the DJ.
- Having records often starts conversations. Its much more likely someone will see my records or ask to flip through them than say "Hey, can I peruse your Spotify library?"
I like music and it's nice to connect about it without having to force a conversation with everyone I meet.
That being said, I've often thought of living a "mobile" lifestyle like you mention, and if I do records would not be on my list of necessities.
Yeah, it can seem annoying when someone does that to what you like, but all humans do this at some level. Its same thing as when someone insists that a $7,000 bottle of wine makes you sit down and have a personal experience with the wine, makes you appreciate the weight of the wine, its powerful robust swirling texture, and its assertive character. cue: eye-rolls
>Does everything have to be about efficiency and logical superiority?
No, but I bet you don't consult tarot cards before choosing your next job.
>People enjoy the experience more and are spending money on it. How horrible.
Agreed, leave people alone, people !!
I think any hobby will have its fair share of smugness at the top.
Also comparing listening to records as consulting tarot cards is a bit extreme don't you think?
I was part of the smug audiophile brigade. Still bitter about buying those $700 headphones!
>Also comparing listening to records as consulting tarot cards is a bit extreme don't you think?
Hehe, yeah maybe a tad bit :)
Ah, but you don't know! On Beck's Odelay Deluxe Edition release, for example, there are at least two tracks that came from a lossy source.
I don't think it's something that happens often. But through some combination of factors it has happened before, and probably happens more often than people might be aware.
When I buy a vinyl, it's because it's a physical representation of music that I enjoy. A lot of time, there's a extra items included with the vinyl, like a small poster.
Discussions about music on vinyl is always interesting to observe.
Collecting artifacts is such a prevalent part of nerd and geek culture that it's no wonder many of us love to collect and play records.
At the same time, many of us are super focused on efficiency and specifications that listening to less than perfect reproductions where you have to physically manipulate the media makes no sense.
I had a lot of records when I was younger and was happy to move on to CDs and now mp3 and streaming. If I had more space to devote to yet another collection, I would in a heartbeat.
I consume most of my music digitally essentially in the background but if I want to have a music listening session, alone or with friends, I reach for vinyl.
From a purely technical perspective I'll pick a typical lossy file over vinyl every single time.