Spinal Tap vs. Hollywood
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Voice actors or visual actors in the ever-increasing hollywood-ized titles get a royalty paycheck every time a box of software is sold at retail or on Steam. They may be paid royalties for a decade or more, with a successful A title.
Meanwhile the artists who generate content are paid only while doing their work, and the programmers who bring that content to life are paid a salary only while doing their work. There is typically no lasting financial commitment after the weekly paycheck. The could be laid off the week after release, and when the $$$ rolls into the studio, the team is home sleeping, fixing bugs, or looking for a new job. Starting anew.
The difference? Unionization.
The original line, from Generation Of Swine, is as follows:
"The TV business is uglier than most things. It is normally perceived as some kind of cruel and shallow money trench through the heart of the journalism industry, a long plastic hallway where thieves and pimps run free and good men die like dogs, for no good reason. Which is more or less true. For the most part, they are dirty little animals with huge brains and no pulse."
Granted, you did not attribute the quote to anyone in particular, and by definition it is a quote from someone, somwhere, but it seems worth correcting nonetheless.
Feel free to email me if you'd like an MP3 you can mux in. It's a shame they didn't include this with the Criterion release.
The difference is the developer can wakeup and immediately change jobs but the musician that is signed is basically held hostage.
The contract was also very unfavorable to the kids, basically putting them completely at the mercy of the record label, for way too many years (and probably a lot more - not my circus, and it's been awhile).
I don't remember how it all turned out, except that the specific kid my friend was mentoring through all this went on to win.
That same friend has his own troubles with his original label. After making it big, he started to change direction, and the label just stopped putting his stuff out. Really put a damper on his career, since he basically dropped of the map until he got out from under them.
This could describe a lot of people, but makes me think of George Michael. A lot of people followed the turn, and felt like it had enormous impact, even if the label wasn't pumping it to the top of the charts. Sales are great, but not all sales have equal impact on people's lives. Michael's later work really connected deeply with the people who followed it, I hope he knew that. If by any chance he was your friend, deeply sorry for your loss.
This is why I discount "profit sharing" and heavily discount equity when evaluating job offers.