It’s Time for Silicon Valley to Disrupt Its Toxic Asian Stereotypes
wired.com
wired.com
"Meanwhile, Pakistani immigrant Dinesh spectacularly screwed up both a CEO position and a relationship."
Dinesh is perhaps the most likeable character on the show. Yes, he messed up in the CEO role. Just like Richard, and Gavin Belson, and the other CEO of Pied Piper. Just like Erlich and Big Head in running their incubator. Has the author actually watched the show?
Regarding Dinesh's relationship, he ended it, for good reason. Contrast that with Richard's recent experience.
Jian Yang is an immigrant, and Erlich's frequent references to that fact can be grating. But the argument that Jian Yang's bad app idea is racist is ridiculous. People in SV pitch bad ideas all the time. Is the author suggesting that non-white characters can't be shown failing?
An expat is a person temporarily or permanently residing in a country other than that of their citizenship sent abroad by their employers, who can be companies, governments, or non-governmental organisations, often with specially monetary incentives to make the (allegedly unwilling) move.
I thought that because H1-B VISAs tethered one to their employer, then your situation was understood to be impermanent since if you lost your job and didn't quickly find another then you would have to leave the country.
This seems onerous compared to a green card.
To my ears it has some colonial connotations.
That's more or less the undertone of every vaugeposting, clickbait article on "representation in media."
As such, the show takes reality and amplifies it—often to the level of ridiculous caricature.
To suggest that Silicon Valley must censor itself for the sake of people's delicate sensibilities, is to suggest that the show must cease calling out the fact racism exists in the real life Valley, and instead paint a willfully disingenuous picture.
To quote Geogre Carlin:
"It’s the user. It’s the intention behind the words that makes them good or bad. The words are completely neutral. The words are innocent. I get tired of people talking about bad words and bad language."
Silicon Valley's writing is no different. The context is that it's a show which mocks the absolute shit out of its real-life counterpart, and does an excellent job of it.
This is simply a case of wannabe censors bent on cutting off their nose to spite their face. Silicon Valley is playing for their team, they're just too stuck up to realize it.
This show opened with quite a lot of racism and sexism in its first episode. Why not just avoid the show entirely?
You could make the argument that the show (despite being a comedy show with caricatures as it's characters) should include more Asians and cast them in as positive a light as the other characters. I'd still disagree (you're trying to dictate how someone should create what-might-be art) but it wouldn't be as distasteful.
Instead of doing that, the writer chooses to try and tell us that the "white" characters are "grappling with the difficulty of translating genius into profit". Despite being presented as hugely flawed episode-to-episode. Despite half of them being presented as simpletons that are faking-it-till-they-fail-spectacularly.
All fiction is artifice. Conversations about how good/bad representation in fiction creates an underlying assumption that it's not crazy to expect prioritization of accuracy in modeling humanity. Fictional characters are cogs in a rube goldberg-ian machine designed to elicit an emotional response. Similarities to reality exist to make it so the set-up for the emotional punchline doesn't feel artificial.
That is my primary problem with articles like these. The presumption that ethnicity is more often explored by media, rather than just new contextual framing and stereotypes programmed into the brains of the viewer.
Creators trying to "get real" in their fiction are just using "real" as shorthand for "exploring emotional themes that are relevant to me and/or to the zeitgeist" and "reducing the uncanny valley feeling of characters that are inexorably two-dimensional."
Also: In b4 I'm called autistic for thinking cookie cutter meta-conversation that follow one of a dozen "Look for X, feel Y about Z" criticism patterns only serves to obscure, not clarify, our understanding of works of fiction.
I don't know if being foreign born is a good a reason to not be in an executive position, but I seriously bet it's a factor.
While I think it's incorrectly worded, I do think cultures encourage behaviours that in turn affects ideas like creative output, but that's not race, only culture.
Example: My native country, Sweden, has a culture of municipal music schools that are relatively cheap. Tons of kids are encouraged, and do, take up some instrument at some point. Very few take it further, but Sweden has a disproportionate number of #1 international pop hits compared to its tiny population. This is obviously also part of that pop music is something that is globally in demand (some countries produce many classical musicians, which may not be as commercially viable).
Kids in the US are encouraged to live the American dream, that anyone can make their own fortune (totally unrealistic, given class structures), and are encouraged to innovate and try things out. Clearly that culture of "self made man" produces a lot of innovation and creative output, which in turn is globally very in demand.
The only asian country I had a little insight into is India. As an outsider, I can't at all claim to understand it, but there appears to be widespread culture of learning a trade, perform that trade the way you learned it, get a good job with a big company and then focus on your family. I trained some outsourced IT staff, and no one there wanted to "stick out" or perform better than the group. People were much more inclined to take collective responsibility for solving a task than individual. I speculate that India as a consequence of this culture, isn't using its full potential for dominance globally, be it creatively, musically etc. Though there are signs of it changing.
You have to remember there are cities in India with populations larger than Sweden. With histories and traditions older than anything you will find in Europe.
There are so many different schools of art/music/dance/architecture/textile/food etc that teaching an Indian kid about it all in an education system geared towards economic utility is a complex issue.
Which is why most people, most Indians included, have a very simplistic and often times misguided understanding of Indian creativity.
My pockets were mostly southern india and a bit of delhi and kolkata. In work contexts of IT, I (thought) I saw similarities, but I'm sure there's many subtle differences that just eluded me.
I do think that, humor aside, reinforcing stereotypes is unnecessary for Silicon Valley to be a successful show so they should try exploring other themes.