Longreads is increasing reporting
niemanlab.org
niemanlab.org
1) Personal anecdote from the author
2) Description of what the weather is like outside the diner where they're meeting for an interview
3) What the two people ordered for dinner, with a long description of how they stir their coffee
4) Excerpts from the middle of the interview which are meaningless out of context
5) Another anecdote
6) Jump-cut to something tangentially related on the other side of the country
7) Back to the original interview
8) THE LEAD, conveniently buried 2 pages in, where I finally learn what the stupid thing is about
9) Not sure what comes next, because after wasting 10 minutes of my time I've lost interest.
So many of them are a standard 800 word article padded out to 5000 with no extra substance.
The point of "Gonzo Journalism", as I understand it, was that the narrative around certain subjects (politics, drugs, America, etc) had become so toxically self-referential that there was simply no way to approach them objectively. Even if you could apply some strict journalistic standard, the reader would read it through such a noxious filter of propaganda that nothing would get through.
The only sane response in that case, from his perspective, was to simply throw one's entire self into the fray, indulging your neuroses, compulsions, and desires in and amongst the people you were reporting on, then to pour your whole self onto the page and simply allow the reader and you, through the sacred bond of reading and writing, to commune in some kind of spirit plane above the propaganda and doublespeak.
This leads to an (at the time) shocking blend of personal experiences and "on-topic" reporting. Of course decades later this kind of intermingling has become common and no longer shocks people.
I think the essayists you are complaining about are adopting the "Gonzo" form, blending the personal with the topical, but without actually throwing their full selves into the world they are reporting. Thus the personal bits don't really bear any connection to the topical, and don't aid the reader in seeing through the subjectivity to the subject, the way Fear and Loathing did.
Let's take, for instance, The Guardian's article about what will happen when the Queen of England dies[1]. The article is quite long, but that's because there are so many things that need to happen. The lack of personal anecdotes doesn't make the article any less entertaining.
[1] https://www.theguardian.com/uk-news/2017/mar/16/what-happens...
The promise of modern long form journalism was deeper, more detailed reporting on complex subjects. Instead it's typically the same depth of reporting with a whole pile of details about the reporter's life and how the researched the story.
I know people like that style or it wouldn't be as common, but when I hear "long form" I want to leave far more informed than the typical newspaper article. Unfortunately there doesn't seem to be much of that style out there.
You can imagine news reports containing all the facts about Anne Frank, but none would help you understand her nearly as well as reading her diary. Similarly, longform can be a valuable medium for learning about the life of a cybercriminal[1], an indigenous leader[2], or a stowaway at sea[3]. If the main thing you're missing is a description of what the piece is about, you'll probably like https://longform.org.
[1] https://magazine.atavist.com/the-mastermind
[2] https://www.themonthly.com.au/issue/2016/july/1467295200/gal...
[3] https://www.nytimes.com/2015/07/19/world/stowaway-crime-scof...
I've come to hate the... I won't even call it an essay, because a well-written essay doesn't do this. There's a word for a short-form sort of (auto)-biography, that might apply; it escapes me.
Anyway, I've come to hate this form of "news". Even as story-telling, it blows, particularly when it becomes an all-pervasive form.
I usually send the articles to my Kindle (with a Chrome extension). It makes for comfortable reading.