When someone posts about a GPL violation, people are quick to decry it, and rightly so. But this repo demonstrates, right in the first image, this tool being used to violate copyright, and we applaud that. Why do we have this double standard?
Gpl violation is a violation where the person didn't share information.
Torrentting 'illegally' is the act of sharing information.
If you're all for sharing an free flow of information.. I don't see how these two conflict I my ethical point of view.
Their property might be in the form of information, sure.
But one product being more widely distributed does not make any ethical difference. The fundamental is that the information/property has been stolen in both cases.
People break the GPL in order to steal from the public. People break copyright in order to steal for the public.
With material theft, the person that is stolen from looses access to what is stolen. This is true in the case of a GPL violation. But not in the case of classic copyright violation.
You might argue that copyright violation prevents extracting profit - but it doesn't mean the victim loses access to their property.
Its a matter of preventing the economic systems that support sound engineers, voice actors, grips, actors, and makeup artists from earning enough of a living to produce art.
Consider what has happened to journalism since smaller papers lost the ability to support professionals.
Edit: I'm not trying to be snarky or overtly pedantic, and the list of supported sites does suggest that this might be intended to facilitate piratism. Still, this is interesting and potentially useful technology, and seeing it merely as a tool for copyright infringement misses an important point.
If the content of the sites are the problem, well why would Google get a free pass on that point too?
The goal of the application itself, just like Google's, doesn't have anything to do with copyright violation, it just can be used that way.
Edit: Removed an irrelevant addendum.
If the image weren't a suitable representation, then the author wouldn't have chosen it. You're trying to downplay that these sorts of decisions are intentional.
Gun ownership is not a crime. But the gun is shown in a scenario where a crime is about to be committed.
At first I didn't have any issue but this analogy seems to have convinced me it's a bad image to use.
But I'm sure the maintainer will be happy to modify the picture with a search for "big buck bunny" if you ask nicely.
Some of the people decrying GPL violation also decry this kind of copyright infringement.
But, also, GPL has a clear purpose and limits itself to that purpose.
The traditional rights protection organisations have sought to extend copyright laws in weird ways.
In the UK "format shifting" (eg ripping a cd you bought to mp3) has gone in and out of law. I think it's currently unlawful to rip a CD that you have bought to mp3.
Backing up my purchased media should not be a copyright infringement, and I have no problem breaking the law to do so.
And why are you bringing up backups? What does that have to do with torrenting?
The industry has lobbied so hard that the good will of the younger generation is gone. (It gets better now with Netflix and offers like this). But I don't feel that somebody broke the law when he downloaded music/videos and I am part of this younger generation that grew up like this.
Instead, when I buy their albums on Bandcamp.com, that particular artist gets 85% of what I'm paying! Also I get to own an actual copy instead of the ridiculous deal streaming offers. Storage is so cheap these days! But don't tell the consumer or we can't sell them streaming services on one end and data bundles on the other.
Unless you listen almost exclusively to modern commercial "pop" music--though calling it "popular" has been a misleading term ever since people have been able to listen to music via channels that the "pop" industry turns a blind eye to. Still it's a valid choice, of course, if you enjoy that music! And honestly quite a lot of "pop" music is pretty good. And I presume that the people who produce Justin Bieber's songs are reasonably well-compensated for their work, but not fairly if you look at where the money is going. So you're not really paying to support the content producers here either, a lot of your money is also being spent on unnecessary infrastructure designed to keep out the other content producers and to shove the music into the ears of people that don't even really enjoy it.
Someone elsewhere in this thread said to look at the news agencies and journalism doing badly and dropping in quality. The battle here is over advertising versus adblockers. Well here's some news for you: They're supposed to be a mirror of society, a big factor is living in denial of the horror that it can't possibly really be that bad. Another one to think about for a bit: All those poor blocked ad networks, who do you think profits most from those ads? The quality journalists or the listicle clickbait writers filling the web with attention-slurping crap?
And at least for the pop-music industry I can kind of understand why the big labels and rightsholders are very quiet about the unfair distribution and very vocal against anything that challenges it (because they profit very much from the listicle-equivalent of music). But for news agencies I think it's strange or just plain stupid to cry about adblockers. People running adblockers hurt the listicle clickbait writers way more than they hurt quality journalists, like disproportionally so. So it's killing off some dead weight competition. On the income side, news agencies, even smaller ones, have sufficient brand identity that they don't need a 3rd-party ad network, they can 1st-party direct sell their ad-space to an advertiser. Adblockers don't tend to block 1st-party ads (and if they do, THAT is something I'd be willing to add an exception for). Cuts out the middle-men, who also royally screw the incentives of being intrusive or not. Can you imagine a direct sale of ad-space going like: ".. and could you please cut up the article in four pages so that people have to click through, so that they load up my ad more often?" Of course not, it hurts both the advertiser as well as the publisher. But add in a middle-man, with a sufficiently clever cost-per-impression scheme, and suddenly the incentives are against almost everybody else: publisher, advertiser and consumer.
TLDR; The idea of copyright is badly broken, the industry doesn't understand this yet, advertising is not the answer, the current state of affairs is suboptimal for just about everybody.
https://www.ted.com/talks/larry_lessig_says_the_law_is_stran...
"This war must end. It is time we recognize that we can't kill this creativity. We can only criminalize it. We can't stop our kids from using these tools to create, or make them passive. We can only drive it underground, or make them "pirates." And the question we as a society must focus on is whether this is any good. Our kids live in an age of prohibition, where more and more of what seems to them to be ordinary behavior is against the law. They recognize it as against the law. They see themselves as "criminals." They begin to get used to the idea.
That recognition is corrosive. It is corrupting of the very idea of the rule of law. And when we reckon the cost of this corruption, any losses of the content industry pale in comparison."
http://www.wsj.com/articles/SB122367645363324303
Possibly of interest, Lessig lost a US Supreme Court case regarding the constitutionality of the a copyright extension act in a split decision 14 years ago.
https://www.legalaffairs.org/issues/March-April-2004/story_l...
He authored the Creative Commons license and is currently a possible candidate for the Supreme Court himself. Note that he's not arguing for copyright infringement, but for a reform of copyright law.
If someone truly believed in the moral aims of the GPL then they probably wouldn't pirate media either. That sort of pure and consistent philosophy is an increasingly rare and admirable one.
The FSF believes that all software should be free. The GPL was created to attempt to establish such freedom by leveraging the copyright system. If the copyright system were to be abolished right now worldwide, the GPL would be obsolete, since all software would be free.
Piracy is thus not antagonistic toward the goals of the GPL; rather, it's complementary. Piracy does not reduce access to information, and neither does the GPL; thus, neither are at odds with the other. They're simply different implementations of the same goal: one implementation ignores copyright entirely, while the other interpretation uses copyright against itself.
Richard Stallman and the FSF would encourage you to not engage in restricted media if you don't believe in it. . .not disregard the laws that keep the media restricted.
Piracy and the GPL are NOT implementations of the same goal. The GPL grants a framework for sharing and encourages others to do the same. . . Piracy is availing yourself of something against the wishes of its author.
To say that the GPL and piracy implement the same goal is to suggest that sharing your home with a friend is the same thing as having a stranger squat in your house against your wishes. The sharer and the squatter are not implementors of the same goal.
All earthly art is influenced or derived from previous art. Some is outright copied, then modified to produce something "new". Sometimes this is considered valid, but sometimes it's not. Either way, that is how art (which includes music) works.
But in the US (and other countries with similar corporate influences), copyright is used both to prevent derivative works and to control the consumption of the art.
I could give numerous examples, but with this HN audience I doubt it's necessary. We've all experienced some unreasonable negative related to copyright.
So circumventing copyright puts the ethical control back into our hands. Those who are thieves and freeloaders will always exist, but the rest of us will contribute to supporting the art that we consume - even if we download that art "illegally".
This has nothing to do with the fact that in my country there is very limited access of original content, especially purchasing it legally. I watch almost everything in the cinema that I can and keep torrenting (that is perfectly legal here) to the minimum. However, I think the ultimate solution is here, just like in other cases (like music) that distributors get the hell out from the deal going down between a producer and a consumer. Most of the torrenting is coming from the inability of distributors to keep up with technology and have a reasonable distribution mechanism that works globally.