The Linguistic Evolution of ‘Like’
theatlantic.com
theatlantic.com
Edit: I suspect there's something deeper going on here, which is that many of us have forgotten how to tell a story. Instead, we're just relaying what we remember of our own thoughts at the time. Instead of telling others what happened, we're reliving our own perspective of the experience in real time.
Related, I think, is this weird new way of writing in which people tell us that they "decided" to do something before relaying each thing that happened. For example:
"We decided to go to the beach for the day. After a while, we decided to grab some food. After lunch, we were all tired and decided to go home."
Just tell us that you went to the beach, ate some lunch, and then left. I understand implicitly that you had to decide to do each thing before you did it.
As always though, context is everything.
But, I would probably stray from saying "and I was like, omg lol yes I will happily take your money" when I'm telling one VC about my last round of funding from another VC ;)
How many kids books -- or novels of any kind -- have only passive descriptions of what people said, as opposed to actually quoting the characters' words? Quoting is certainly a form of storytelling, and can often convey emotion more succinctly than needing to spell it out.
"He was like 'okaaay...'" vs "He said it was ok, but in a sarcastic manner that implied he was not happy with it."
But, distinct from an actual quote, ("And I said to him, 'What are you doing here!'", per the other poster), the quotative-like allows narrator freedom in a way that a direct quotation doesn't. The listener doesn't expect the words to be a literal quote, rather, the sense of what was said is enough, allowing the narrator to simplify, or to exaggerate for emphasis or comedic effect.
I should clarify that in the first case I was talking about oral storytelling. My second complaint more generally applies to the written word.
This is entirely subjective, of course, but my choice of the word reenactment was deliberate. Often, I'm not told what happened; I'm given a tedious play-by-play of both sides of the interaction.
so I was like do you wanna see a movie
and he was like I guess
and I was like, what do you mean you guess
and he's just like, I dunno, I guess
and I'm like just tell me if you want to or not
and he's all like get off my back
and I'm all like I'm not on your back
10 minutes later what I've learned is that you had a fight about indecision; but I also got to see a horribly-acted one-man play!That's what I'm complaining about, not, more generally, the use of quoting as a literary device.
Reference I just found: http://staefcraeft.blogspot.com/2010/09/english-like-can-lik...
For instance, I was out with my best friend disc golfing recently. He had just thrown his favorite disc when a dog that was off leash ran over and grabbed his disc. As the dog approached he started exclaiming. The dog was kind of paying attention to him, and went for his disc several times before grabbing it. I can't relate exactly what he said. It was something similar to "Hey! No! Don't! Don't grab my disc! No! For the love of God, NO! WHY!?"
Despite my best efforts, that quote is wholly inaccurate. When I related the story to his wife, I used the following syntax:
"And he was like 'No! NO! Nooooooooooooooooooooo!' as the dog grabbed his disc."
Had I claimed my friend had "said" that, he could have rightfully objected, as it wasn't a true representation of what he said. However, my recollection accurately captured the panic as the dog ran over to his disc, and the despair that was immediately apparent as the dog grabbed his disc.
Using the quotative like allows me to acknowledge my unreliability as a narrator, while also conveying my interpretation of the events more truthfully and quickly than would be possible if I were actually quoting what happened. A long argument could be related using the following syntax and everyone would still have an idea of what happened, without losing any of the emotional impact that a more dispassionate non-quotative telling would have: "I was like 'yes' and they were like 'no' and I was like 'but yes' and they were like 'but no' and I was like, 'I'm not going anywhere until this is resolved' and they were like 'well OK'."
Anyways, I think the author kind of missed the boat on that one, since I think it's the most versatile use of the word like, and the one that is most easily misunderstood.
I think or is more appropriate here than and, which undermines its utility: "I was like, what are you doing here?" does not indicate whether the protagonist actually said this, or communicated it in some other way, or even just thought it and didn't communicate it at all.
"this bad looking dude came in and I was like, 'What the hell are you doing here?'"
"whoa, you said that to his face?!"
"well... no... I more sort of thought it at him"
E.g.: "You bet! He did this, then that, and so... yeah!" (sometimes another word like "yeah" follows "so")
I'm guilty of it. ;)
"To be fair" and "In all honesty" (and combinations thereof) come up quite a bit.
I used to pepper my comments with phrases like "to be honest" but I never use it in speech. I've tried to eliminate it recently because it usually isn't needed.
For me, I think phrases like "however" and "to be fair" may come up a lot because I actively try to remain objective in conversations, and now I subconsciously add those into what I say as an indicator of considering different viewpoints. Then again, I may just be over-analyzing it.
(While we're at it, add "then again" to that list, haha.)
* Korean has a handful of useful verb forms that can signal, let's say, the role a sentence should serve inside the dialogue: do you want to tell something the listener should know, or something that they're not expected to know, or to reassert something already said, or say something expecting an answer? In English, such distinctions usually disappear, unless you want to be really explicit, in which case you say stuff like "I mean"/"I can see that"/"Did you notice"/etc. However, when I want to make such a distinction I'm already halfway into a sentence, so it's too late for me to go back in time and attach the "proper" English phrase to the beginning.
This is not surprising given how close the grammar is said to be for this pair of languages and it's a nice feature for people learning both.
> Ellipses have their place, but they are also abused a lot…
This is a vague, non-committal statement. It looks as if the writer is afraid of the consequences of having an opinion!
Now the same sentence again, without the ellipses:
> Ellipses have their place, but they are also abused a lot.
A firm statement that shows you where the writer stands on the topic. Much better.
An ellipse in or at the end of a sentence means something is omitted, but it is also (unconsciously?) abused to try to make utterances less direct. Have you ever received a paragraph or two of text littered with those ellipses of avoidance? If you are well-read this likely conjures an image of some bored teen responding to a neighbour inquiring after the whereabouts of their parents:
> Yeah they're probably at home… I guess… Maybe not… Dunno…
…whereupon they promptly return their attention to their smartphone. Only it isn't a teenager; it is an adult colleague (not quite) giving their opinion on some topic.
> Ellipses have their place, but I get the impression that they are also abused a lot.
> Ellipses have their place, but aren't they also abused a lot?
> Ellipses have their place, but maybe they are abused a bit too much.
I agree, sometimes a statement needs to be softened to indicate uncertainty or just to be diplomatic, but there are many ways to do that without resorting to ambiguity. Perhaps, maybe, seemingly, ostensibly, surely, evidently; there are so many words that can help soften (or harden!) a statement, and each carries a different connotation. The ellipse on the other hand simple conveys its meaning of omission — but there is no indication of what it was that was omitted (uncertainty? rolling-my-eyes sarcasm? fatigue?).
It can come across as laziness on the writer's part — as if they couldn't be bothered to formulate their thoughts.
I don't know why.
The ellipsis also seems to soften the tone compared to a regular period.
They also covered what is, to me, an even weirder linguistic phenomenon, the common and growing use of "yeah, no" at the beginning of a response to somebody: http://www.slate.com/articles/podcasts/lexicon_valley/2013/0...
I use this "yeah, no" construction myself quite a lot. I have a strong instinctive understanding of how to use it, and what it means. But I don't think I could consciously provide a decent explanation of why I'm saying both yes and no about something.
Think of it as an informal but intimate way of speaking. If you just answered "No." it could come off a little bit cold or professional. By taking the time to use a few extra words you are showing more warmth to the asker.
"yes I have heard you, but I disagree with your point"
Something like: "did you try it this way?" "yeah, no that didn't work"
My grandfather uses "like" often, but only in this way (he grew up in Depression-era semi-rural Canada). I've always found that interesting since I rarely see that usage mentioned.
Anyone else have older relatives who use "like" this way?
The -lig/-lik suffix appears in all Scandinavian languages with similar usage: https://en.wiktionary.org/wiki/-lig
I tried to stop myself.
I think it was a great idea, not because I'm worried about the new usage of the word like, but because it forced all of us to think carefully about our word choice when speaking in that class.
Like a buffer period for me to make sure I'm saying what I'm thinking. Otherwise my words become oddly jumbled and nonsensical. Maybe it might be better if that buffer period was just silence.
Maybe it's an introvert thing.
That was what I was expecting the article to be about. But it was overall a good read.