Why 42? - Douglas Adams Explains
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BRANDON: Commander, as I was saying... In "The Quasar Dilemma", you used the auxiliary of Deck B for Gamma override. But online blueprints indicate Deck B is independent of the guidance matrix, so we were wondering where the error lies?
JASON: It's a television show. Okay? That's all. It's just a bunch of fake sets, and wooden props, do you understand?
BRANDON: Yes but, we were wondering-
JASON: There IS no quantum flux and there Is no auxiliary... THERE'S NO GODDAMN SHIP, YOU GOT IT!?
I highly recommend the movie for anyone who hasn't seen it.
His answer on why 42 is as disappointing.
Actually I think it's quite brilliant. With all the religions, myths, legends, verbal stories, calendars, moon phases, planet alignments, mathematical projections, physics... these things of complication, what if the understanding the universe is just as simple as 42!?
That's not really fair - there are plenty of very good motivations for writing (and reading) fiction other than immersion in a sustained imaginative world. By that criterion, "Avatar" is a better film than than, say, "Casablanca," because James Cameron knows more about the flora of Pandora than Michael Curtiz does about Morocco.
Adams is a great writer precisely because of his lack of pretension, his humility, and his irreverence -- I'd be disappointed if he didn't regard his own work with the same outlook he had for everything else.
Some writers would consider their characters to have some kind of additional existence inside their (the writer's) own mind. They would "know" things about their characters which they never put into print; not to the level of what sort of computer they used, but certainly a more fully-functional mental model of the character beyond the words on the page.
Douglas Adams wasn't one of these writers, he was a writer for whom the characters were always to a certain extent subservient to the joke and the narrative. And Arthur Dent is a particularly strong example of this since there was never all that much to Arthur's character; he's essentially just an unidealised version of Douglas Adams himself who travels around the universe reacting to things in pretty much the same way that Douglas Adams would if Douglas Adams found himself with no home planet and no tea.
The answers to certain questions have value in furthering the story you want to tell. Other kinds of questions do not. Focus on the former, ignore the latter.
Obvious, I suppose. But I also imagine it's vital to keep this in mind as you write a piece of fiction, in order to keep yourself on track.
Homer: [to Doug] Let me ask you a question. Why would a man whose shirt says "Genius at Work" spend all of his time watching a children's cartoon show?
[pause]
Doug: I withdraw my question. [takes a bite from a bar of chocolate]
6 == what comes short of divinity, i.e., humankind (the number of man)
666 == emphatic rejection of the influence of the divine in humankind's affairs
42 == 6 * 7, the product of interaction of the divine with humankind, being the most elevated object in creation -- the understanding of this interaction is the ultimate answer, Douglas Adams stumbled on it
Not really related I suppose, but in Judaism 666 has exactly the opposite meaning. The three sizes represent: the number of days it took to create the world, the 6 cardinal directions (NSEWUD), and the numerical value of one of the letters of gods name.
So in other words 666 is a number that represents the creation of the world.
I'm working on simply saying "that'll do. The end."
I'll get so much more done.
Its the same kind of humor as "a duck!" weighing more than a witch. There's no "ooohhhh" of deep understanding, just a delightful WTF!?
Check out this wildly entertaining speech by Adams published last month: http://www.ted.com/talks/douglas_adams_parrots_the_universe_...
Mr. Adams, with due respect, I don't know what the Tibetan Monk explanation is but it sounds way more interesting than your garden.
Perhaps I'm reading too much into it though...
If only we'd read the little laminated form they stuck up.
Maybe this is just an English thing but I suspect it isn't.
Arthur Dent: With a torch. Prosser: The lights had probably gone. Arthur Dent: So had the stairs. Prosser: But you did see the notice, didn't you? Arthur Dent: Oh, yes. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign outside the door saying "Beware of the Leopard."
But whatever the collective wisdom says...