Science Fiction by Scientists
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http://www.rifters.com/real/Blindsight.htm
He also shared his Rifters trilogy, which I enjoyed although it's not as good as Blindsight, as well as several short stories:
Greg Egan. He writes mostly "one big lie" hard sci-fi, but it is always grounded in hard science or math and often extensively cited.
In the preface to Timemaster (which features time travel and various paradoxical events), he states anyone who wishes to argue against his hard science use of time travel must first have a published article in a peer reviewed journal refuting a particular paper.
If you like this kind of thing you may also like Darwin's Radio by Greg Bear. He wrote an article about the science ideas here: http://gregbear.com/pages/newbiology.php
I didn't enjoy this one as much, but the hard-science part was done fairly well.
However, as a non-native English speaker, I found it to be hard to follow at times.
It seems to me that crafting a story is a quite different tool set from being an engineer, physicist, etc., which is why at least seems rare to find a great physicist who is also a great writer. Perhaps the best balance, then, would be achieved by someone who writes stories deferring to actual scientists for review...?
Also, I'm interested in being refuted here. These are unexamined perceptions I'm writing out here.
https://www.goodreads.com/book/show/77711.A_Fire_Upon_the_De...
also my favourite anthologist, groff conklin, put together a collection of sf shorts by scientists that is really good: http://www.goodreads.com/book/show/1179648.Great_Science_Fic...
I think if you're not into sci fi, you've discovered what most call the distinction between hard and soft sci fi. Soft sci fi is the usual boring eternal "human condition" story thats been told a million times before, but maybe if I put space ships in as my gimmick I can sell more copies. Hard sci fi is what if this really thought provoking component datasheet or speculative theoretical physics paper were true, maybe I could sell more copies if I put some humans into the story as filler for my gimmick. I'm personally pretty bored with human condition stories; I've read them all or lived thru the experience myself over the decades, but sci fi still delights me with glorious creativity even if the bolted on characters are sometimes one dimensional cardboard cutouts.
The system you suggest of a human story teller deferring to the scientists is usually screwed up by one side or the other; when it isn't, its noteworthy. One example of an English Lit major not screwing up the science would be KSR's famous Mars Trilogy from around the turn of the century. That's a really good trilogy! Proving that at least theoretically your system is possible, having been successfully implemented at least once historically.
This is a pretty unfair description of the category. Soft scifi is a story that has fantastical tech/physics that aren't completely explained. The tech is usually crucial to the story in some way, but the how of the tech's functioning is left unsaid. I find it unlikely that you've somehow lived through the entire range of events and emotions that can comprise the "human condition", but that aside: a lot of the soft scifi stories out there are focused around hypothetical inhuman conditions for which the fantastical tech is crucial. Do Androids Dream of Electric Sheep? is focused on whether artificial sentience is less worthy than organic, Whedon's Dollhouse on the potential personal and societal ramifications of being able to save/load our brains digitally, Ancillary Justice on what it might feel like to have your consciousness simultaneously inhabiting multiple bodies, "The Measure of a Man" from TNG on what it means to be sentient and if artificial sentience is possible (or even possible to measure once achieved), Her exploring how a truly sentient AI would relate to humans and impact our society. There are a lot of vague stories out there that use spaceships as an attention-grabber, but that isn't what defines the genre.
For me, I usually don't care very much about the characters or excellent prose or a lot of the typical 'literary' qualities of a work. When I go to SF I typically am looking for exploration of interesting ideas, settings, or premises. So I find myself being more forgiving of 'bad fiction' if it's the only place where I can find a particular idea being explored.
The way I see it, "someone who writes stories deferring to actual scientists for review" tends to end up treating science as something to throw onto a story to give it a veneer of legitimacy -- like various fantasy/space-opera shows that have 'science advisers' to supply the technobabble needed to make it sound plausible. Interstellar was probably the best example of this going right that I can think of, with the feedback from scientists playing a big part in how things were portrayed and explored.
In general, though, I think that what makes a lot of good SF interesting is the focus on ideas that may only come from having a writer who obsesses so much about such ideas anyway. It's why I'm frustrated by a lot of recent popular SF TV/movie series that tend to gravitate into the typical "character-driven serial drama" format that everything becomes.
Greg Egan has a BSc in mathematics, but hard to tell how much he works in science, he's so reclusive.
He's even driven me to read his nonfiction for entertainment. A great wit as well, the humor is between the lines on most everything he wrote, even the nonfiction.
Although, which is perhaps egeozcan's point, it doesn't necessarily make it actually better.
They may be great. I dunno.
I was expecting:
Asimov (biochemist), Sagan (physicist), Brin (astrophysics, space science), Forward (physicist), Czerneda (biologist), Watts (biologist), Benford (astrophysicist), Taylor (physics, space science), Brotherton (astrophysicist), Asaro (physics and chemistry), Kondo (astrophysicist), Landis (physics), Rajaniemi (mathematical physics)... those are the ones off the top of my head, I'm certainly missing many.
I can vouch for all of the above authors being able to tell a story.
I also read a lot and I haven't heard of any of them either.
An epic volume 1 Volume 2 - Chasm City - brilliant with a dark and heart stopping culmination
Reynolds is a British astro-physicists I dont know if he is popular in the US as he is in the UK
Chasm City is good but it almost felt like a mediocre action movie. The hero wielding the big guns, flat dialog, an obligatory and passionless sex scene... but the environment and society really make it interesting.