How the New York Times critic writes the reviews that make and break restaurants
newyorker.com
newyorker.com
Hearing this guy say "my body is not my own" made me twitch and I had to stop.
The difference between them and rabid football fans is a matter of degree, not quality.
Once you admit there is, then by definition someone's job involves a lot of eating. I think that's pretty much all he meant by saying that his body is not his own. If anything, the better comparison is with football PLAYERS, who also make bodily sacrifices in the practice of their chosen profession.
The remark about "my body is not my own" seemed unduly melodramatic.
IMO bay area fine dining cuisine is #1 in the nation right now (NY might have even be #3, had Chicago not have some unfortunate chef deaths in the last few years)
If you look at new york times's 4 star restaurants list:
Le Bernardin/Jean Georges (old french cuisine, tons of sauces, boring)
Per Se << French Laundry
Del Posto (mario battali's strong/strange flavors are either love/hate) Quince (sf) is much more consistent and tasty.
Sushi nakazawa - very good nigiri, but lacks decent cooked seafood. Yoshizumi (sf) is much better in both nigiri/cooked food, taste great, is cheaper, and the place has a great minimalistic japanese feel.
And there's no direct answer from NY to Benu (out of this world Chinese), atellier crenn (if she only did desserts for all courses), saison (highly innovative), californios, mourad
SF might be in top five cities in the world right now for great food (low end and high end)
If you're not willing to post your opinion under your main account, I can't say I'm terribly interested in those opinions.
"The restaurant offers guests one multi-course tasting menu inspired by the agricultural bounty of New York"
"Daniel Humm's cuisine is focused on the locally sourced ingredients of New York"
Or especially for Eleven Madison Park (missing above), another continuous innovator.
I agree about Benu and Saison, though, both exemplary. SF has come along way the past 7 years or so.
Now one could certainly argue the merits of those places, but pretending that NYC fine dining is defined by midtown and expense accounts just makes it seem like you don't spend much time here.
Not to mention the real money types go to Eleven Madison Park, which is still stellar and curiously absent from your list.
You really have to investigate the 1/2/3-star places to see what's really exciting and up-coming. If you do that, almost every major city (hell, even many 'burbs and rural) has something special and worthwhile to offer.
Stack-ranking stuff like SF>NYC or #1,2, 3 or whatever is kind of pointless, as is saying that a sushi place is lesser because it lacks "decent" cooked fish. Much more fun to consider each restaurant on its own terms and in the context of the city and population it serves. All the great critics do that and while some may "stack/rank" their reviews, there's a lot to say about 2-star places (and no, 4 is not "greater" than 2, it depends on the occasion and the intent of the diner).
I imagine most regional papers today, if they even have a food critic, probably don't wield that much influence what with Yelp. I figure a good review by the NYT will cause a restaurant to skyrocket in popularity. I don't know how busy Dirt Candy was before its 2-star review (it's mentioned in the OP and was the first vegetarian restaurant to get 2-stars in some 10+ years), but I remember it being booked for months. I had to walk by it every night just to check if they had a cancellation to get in before I moved out of New York. But even if the NYT doesn't weigh in, there are so many blogs that cover the food scene in New York that there are plenty of ways to build buzz.
(I still used Yelp to find most gems when I lived in New York though)
If you invite someone to an expensive restaurant that's just had a bad review, your invitation must mean either cluelessness or defiance. If you don't mean either of those two things, you should not choose that restaurant.
You can't "opt out" of this system. It doesn't matter whether you believe the reviews are accurate. It doesn't matter whether you believe the other party believes the reviews are accurate. Because the review constitutes shared information, the logic of pluralistic ignorance applies. It's not clever to ignore shared information. It just leads you to communicate badly.
How about you like the restaurant or you have recommendations from people whose tastes you share that like it? If I like a restaurant I really don't care what the newspaper or Yelp says. It's not so much defiance as disagreement.
(Sure, if "the reviews" are bad for a restaurant, a movie, etc. the betting money is that it is, in fact, not that great barring other data to the contrary.)
anything else? meh, never enjoyed crowd sheepish mentality, no reasons to start with this. especially when things work like they do
WAT????
Reminds me of how UK banks have no charges and just hope you make a mistake so they can earn money off you.
With respects to waste -- it's pretty obvious -- not everything can be made to order so every restaurant has prep-work. Some are better at predicting volume than others, so they waste less, but every restaurant wastes. As a concrete example if a restaurant wants to serve lasagna the whole day, they have to continually make lasagna the entire day, or risk disappointing customers. The pan they make at the end and at the beginning tends to go unused.
Also with respect to waste there are everyday products we take forgranted that a restaurant probably uses anywhere from 100 to 300x more than your average household -- soap, towels are overused, water is constantly running, multiple thousand dollars of water and power bills are not uncommon, waste disposal fees for grease traps and recycling and cardboard. All of these are factored into the cost.
Labor is obvious too -- you have to pay people to prepare and make the food. A basic restaurant that seats 100 people will have at least 1 prep cook, 2 line cooks, an expediter, a dishwasher, and a busboy. All are critical to ensuring the kitchen runs to acceptable speeds. All of this is on top of the executive and sous chef salaries you pay.
Logistics and well trodden path: Logistics is what you have to pay for raw food products to get delivered to you and depending on your menu and what season it is things will be cheaper at certain times of the year -- restaurants do this better than others. What I mean by the "well trodden path" is -- the big restaurant food distributors (Your Syscos, PFGs, US Foods) really try to funnel you to their cash cow offerings and they tend to not be the good stuff - the organics, the grass-feds, etc. Ordering anything else is considered "premium" and comes with a hefty markup. Not using the big food distributors comes with its own laundry list of risks and considerations -- now you become a salesman and you have to advocate your restaurant, negotiate price, schedule deliveries, ensure your supplier is reliable, what if they go out of business? What if the local harvest is bad that year? (For this I truly admire those "farm to table" type places)
I grew up in a restaurant. I have a passion for food and cooking and interacting with people. I would never want to be a restaurant owner. Restaurant failure rates are the absolute highest because the margins are so small -- upwards to 80%, and even 90% (NYC). It's crazy, not worth it. I became a software engineer instead.
There is some truth that having more practice with fine dining aids in better distinguishing flavours and textures, but most of it has to do with practice in identifying what Other Important People Tell You are desirable qualities. For example, in identifying fine wine, the average, untrained population cannot, study after study has shown, discriminate. One study(1) even showed that perceived quality and neurological response could be manipulated by simply mislabelling bottle price, regardless of actual price.
Should you like or dislike food because of what someone else told you to think? Maybe being told what to think is a sign of inept judgement and a lack of resolve--a different interpretation of having a "sophisticated palate."
Besides, different qualities--textures being particularly notable--can be desirable in one culture and entirely undesirable in another.
My advice: Just enjoy what you like and explore whichever foods you so desire. Take time to really absorb the quality of the food, and try out reasonably priced family owned restaurants. Stop reading the NYT to tell you what to think.
Particularly ridiculous addendum: This critic ordered, in the review in question, gluten free noodles even though less than 1% of the world's population has Celiac disease. If I went to work and addressed the problem I was given by tailoring it to 1% of my clients, I would be fired for being an idiot. Probably you would, too.
1) https://www.gsb.stanford.edu/insights/baba-shiv-how-wines-pr...
This is an amazingly uncharitable read on the reason that food critics exist. How about this version? There are thousands upon thousands of restaurants in NYC. Constantly opening and closing. No human in the world has time to try them all, and going to one that sucks is a wasted opportunity. So having outside sources to turn you on to good places is really valuable. If you find a restaurant critic whose taste you agree with, taking his or her recommendations can drastically improve your ratio of good to bad meals.
It's no different than looking at reviews when going to a movie. If there are 15 movies playing, I'm a fool for reading reviews to help me decide what to watch? I suppose I should just try them all and then decide for myself what I like, rather than "being told what I should and should not like"?
That's a reasonable reason to take advice on places to try, but does that justify the influence food critics have (which is the topic of the article)?
There's a host of review sites with a democratized review process--anyone can write a review, and reviews are accessible to everyone. For that reason and others, to me the answer is no.
>If you find a restaurant critic whose taste you agree with
You can also find reviewers whose tastes you agree with. Or friends, family, etc. There are even prolific reviewers, who may have reviewed more restaurants than you have time or desire to try.
Edit to say this: Perhaps there's some space in the market for food critics, but by and large I don't believe they should have the influence that is the discussion of this article. That is not to mention the host of other problems food critics bring to business.
If there are 15 movies playing, 12 of them will be remakes/reboots/rehashes/sequels, two of the others will be superhero movies, and the last one is an animated children's film. Stay home.
If you restrict yourself to a particular area, a price range, a type of food, there are already many less options (even in NYC). You can also make a good opinion just by looking at the place from the outside. Personally, I much prefer to find some good place to eat by myself rather than go to the same place as everybody else just because it has a good review.
For movies, it's not different. You can tell from the genre, the director, the actors and so on if you may like this movie or not.
> You can tell from the genre, the director, the actors and so on
New directors? Unfamiliar or upcoming actors? A desire to experiment and try a genre you're unfamiliar with? > You can also make a good opinion just by looking at the place from the outside.
Ehh, isn't this textbook "judging a book by its cover"? It tells you nothing about the quality of the food, service, etc. unless you waste a bunch of time scouting out the restaurant. > Personally, I much prefer to find some good place to eat by myself rather than
> go to the same place as everybody else just because it has a good review.
That's cool, and I don't think you're alone in that. Much of the time though, I don't want to experiment. It feels bad to waste money on a restaurant I don't like. It feels even worse to tell a place their food is so bad that I'd like a refund. There's no winning scenario for me in that instance.Worse than just being a bad outing, it's an opportunity cost: I have $X and Y hours to spend eating out. Because I wasted an evening at Thai Noodle Place #3, I didn't get to eat at Ethiopian Restaurant #2 that's supposed to be incredible. Especially in NYC, it's not a given that said Ethiopian restaurant will be around next week.
Wasting money and/or time on an awful meal is much less likely if I'm going to a place with good reviews. Still possible, of course, but less likely.
> For movies, it's not different. You can tell from the genre, the director,
> the actors and so on if you may like this movie or not.
Except in this instance you probably don't know the director, the actors, or even the synopsis. You're seeing the movie solely based on the genre, the title, and who else is in line for the movie. Not a strategy I would consistently recommend.I've read a better algorithm: look until you find an acceptable choice, then reject it and keep looking. When you find a better option, keep it. Works for shoes, cars, spouses etc. Might work for restaurants. The statistics say it should usually move you 1 std dev above where you would have been.
Unless you've run out of new great places to try, I can't understand why the former is "better".
In NYC, people go to restaurants all the time, it's part of the experience. If one restaurant isn't good, you'll go to an other one the next day.
What distinguishes a food critic from everyone else is their ability to WRITE about the food, wine, place, and experience. This means they describe the restaurant by comparing it to other experiences, putting it into a context. "Eating out" may very well just mean grabbing a bite to eat to some people at some times, but it ALSO can be a central cultural activity. It absolutely is worth writing and reading about.
"Breaking a restaurant", as dramatic as it sounds, doesn't happen with all reviews. Bad things can happen (because of reviews) when a restaurant tries to fake its way into being something which it is not, or when a formerly spectacular place starts "phoning-it-in" as far as service, food or innovation is concerned. Far more common, however, is that the reviewer will identify something really unique and thus create a buzz that causes a rush of business (as seen with "Dirt Candy" in NYC). Sometimes, its "sophisticated palate" sometimes its "simple pleasures".
A good reviewer will generally advise you to do exactly what you said "to explore, take time to absorb the qualities and try reasonably priced family-owned places." And if you want to read about it as well... that's their job.
Food critics in "food cities" still have a lot of influence (and I would count some blogs as worthy food criticism as well). Philly is a prime example with our well-respected critic, Craig Laban [http://www.philly.com/philly/columnists/craig_laban/].
the sole reason fashion industry exists (I don't mean buying stuff that looks timelessly nice, quality is good etc. I mean stuff that was "in" 20 years ago, is 99% same and is hip now and will be "in" again in next 20 years with very minor modification).
It is sort of like driving -- the best way to avoid a speeding ticket is not by having a keen eye, understanding the cop shifts and hiding spots, and when its "quota" time, the best way to avoid a ticket is to just always drive safely. Then you don't even have to worry about being pulled over.
Similarly, the best way to avoid having a bad review from a fancy columnist, is to just always treat every customer as if they are special, and not have to catch yourself up in the worry of always looking out for the right people. My father was a restauranteur for 35 years, and myself for 8, I found that even if you don't get it right the first time, if the service is exceptional and you build a rapport with your clientele, you will be given a chance to make it right. Focus your efforts on the important things.
I hate spending any time reading them. I just want a list of great dishes.
Explained here why: http://www.paulgraham.com/love.html
And the ones who do, do because of prestige, biases, and inability to understand they were being manipulated (into liking/not liking sth). Not to mention, that statistical difference between all this life important eating out, is not worth your attention.
The article further states that Wells is actually uncomfortable with this dichotomy and has been throughout his duration at the Times.
This is not true; in fact, Wells is somewhat famous for reviewing more blue-collar restaurants, in contrast with previous Times critics. For example, here is his review of Guy Fieri's restaurant in Times Square: http://www.nytimes.com/2012/11/14/dining/reviews/restaurant-...
I assume this is a new york thing?
Yes, he does review cheaper places occasionally (the comment about Senor Frogs being one).
However, the article does point out that there is a different NYT critic who mostly does the cheaper restaurants.
No, I don't think everyone is. A lot of people, maybe. Certainly not most. Definitely not everyone.
And this is HN where I would be pretty confident that most who aren't students make 2x the median household income themselves, and the vast majority make 2x the median individual income.
And even my parents who are objectively working class people will still splurge for special anniversaries and go to a very, very nice restaurant for dinner. And if you're going somewhere that you can only afford once every 5-10 years, you are probably going to read every review you can get your hands on. They become extraordinarily important.