George Orwell: Politics and the English Language
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> “Big Brother” and “doublethink” and “thought police” are frequently cited as contributions to the language. They are, but they belong to the same category as “liar” and “pervert” and “madman.” They are conversation-stoppers. When a court allows videotape from a hidden camera to be used in a trial, people shout “Big Brother.” When a politician refers to his proposal to permit logging on national land as “environmentally friendly,” he is charged with “doublethink.” When a critic finds sexism in a poem, she is accused of being a member of the “thought police.” The terms can be used to discredit virtually any position, which is one of the reasons that Orwell became everyone's favorite political thinker. People learned to make any deviation from their own platform seem the first step on the slippery slope to “1984.”
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> Orwell wrote many strong essays, but “Politics and the English Language,” published in 1946, is not one of them. Half of the essay is an attack on bad prose. Orwell is against abstractions, mixed metaphors, Latinate roots, polysyllabic words, clichés, and most of the other stylistic vices identified in Fowler's “Modern English Usage” (in its fourth printing in 1946). The other half is an attack on political dishonesty. Certain political terms, Orwell argues, are often used in a consciously dishonest way. ... Fowler would have found nothing to complain about, though, in the sentences Orwell objects to. They are as clear as can be. Somehow, Orwell has run together his distaste for flowery, stale prose with his distaste for fascism, Stalinism, and Roman Catholicism. He makes it seem that the problem with fascism (and the rest) is, at bottom, a problem of style. They're bad, we are encouraged to feel, because their language is bad, because they're ugly.
> This is not an isolated instance of this way of thinking in Orwell. From his earliest work, he was obsessed with body odor ... Smell has no relation to virtue, however. Ugliness has no relation to insincerity or evil, and short words with Anglo-Saxon roots have no relation to truth or goodness. Political speech, like etiquette, has its codes and its euphemisms, and Orwell is right to insist that it is important to be able to decipher them. He says that if what he calls political speech—by which he appears to mean political clichés—were translated into plain, everyday speech,