The World of Subversive Garfield Spinoffs
theawl.com
theawl.com
Most of their work is online: http://fatalfarm.com/
They have a series of "alternate TV intros" you need to watch right now:
https://www.youtube.com/playlist?list=PL92CAF6B8AE655C2C
The "Ducktales" one is the best. Probably NSFW.
The Robocop one has got to be the absolute boundary of what is allowed on YouTube.
The mere fact that somebody did it is more amusing than the final result.
Maybe its a side-effect of being a novelty seeking species. Who knows.
Zen koan are anything but meaningless. They are in fact purposefully designed to evoke certain meanings...
http://garfieldminusgarfield.net/
Wonder which came first?
The thread in which it was invented became a big deal and "went viral". I think Garfield Minus Garfield was also invented later on in the same thread, as well as some other variants. But Silent Garfield is funnier and has a better rationale than Garfield Minus Garfield, so it's always to my chagrin that Garfield Minus Garfield is better-known. (That "better rationale" being the fact that in the original, Garfield's "speech" is always shown in thought bubbles, so removing those thought bubbles should theoretically how the strip's events would appear to an outside observer/Jon/anyone without access to Garfield's internal monologue.)
Source: I was there. The PhpBB for the old forum seems to be busted, and I don't think the thread is accessible any more.
This article is awesome, by the way. I was so addicted to dealing with garfield strips programmatically a few years ago. I wanted to work on a library which could analyze the images, reconstruct the layers and extract the text in order to do things such as removing specific characters, lines, randomizing extracting every single Jon/Garfield sprite and constructing animations out of it, etc.
I feel like Garfield is actually a very cool platform for this because there is a lot of data and not a lot of variations (garfield is extremely formulaic). Maybe this inspires someone to work on it.
(PS: Hint: If you are interested in working on it, scraping every garfield strip off the official website is extremely easy)
http://www.bgreco.net/garfield/?panel0=1988880216&panel1=199...
http://www.bgreco.net/garfield/?panel0=1983830415&panel1=198...
http://www.bgreco.net/garfield/?panel0=1994941217&panel1=200...
http://www.thereverend.com/barfield/index.html (kinda NSFW)
https://www.youtube.com/playlist?list=PLHKuF51aPFaq-2UvU-HkS...
As well as all the follow-ups and side stories by the same person (check their channel for the rest).
Scott Adams didn't take too kindly to it.
I know this because I read them when I was younger, pre-internet. Peanuts can't compete in a world of abundant webcomics. They range from the top to the bottom of quality, but given their sheer quantity, that means there's an awful lot of the "top" out there. The only syndicated strip I know that can stand up next to the top webcomics is Calvin and Hobbes.
(And even then, while the line art stands up, many webcomics' coloring blow away what Mr. Watterson was capable of doing in newspapers. Please note my phrasing on that; I'm blaming technical limitations, not Watterson's ability. IIRC he had some watercolors or something like that he'd done in the back of some of his books... his skill was beyond what newspapers of the day were physically capable of showing.)
A few of them still manage to do some good work, but great work is almost physically impossible now.
And if what you want is merely good work, there's probably a dozen "good" webcomics now for every "good" syndicated comic out there. In fact I think I stumble on a "good" webcomic every three months or so, only to notice that it has 5+ years of archives available. (I do this on purpose; in many cases, the webcomic that is "good" when I find it really wasn't particularly good in the first couple of years.)
Also, the collection Chip Kidd designed is a great doorway into understanding how it could have become so popular. [1]
I love the remixes. Garfield minus Garfield is fascinating..
The strip's mediocrity is a secure source of income for two dozen people in a struggling town, and thus also a source of income for everyone who pumps their gas, buses their diner tables et cetera.
I'm not sure, and I have other things to think about right now, but this smells of a broken-window fallacy.
You have a point there. I think what I'm getting hung up on is that it's not so much a creation of value as a redistribution of value (from the comic strip workers to the gas station attendants, and to the government collecting taxes). Of course, there should be _some_ creation of value involved for the buyers and sellers of the gas pumping service, other wise they would abstain from it, and maybe it is this value that the parent comment referred to, and all is well.
> This is pretty much the basis of any discussion on jobs creation.
Actually, I'm uncomfortable with many discussions of "job creation". It often seems that the number of people hired, i.e. the number of "jobs created", is all that is considered, even if the work done is not useful, meaning that a job-creating action is seen as a success even if it comes at a cost greater than that of just gifting the same people the money and leaving them available for useful work.
For comparison, blacks on Chicago's south side have a 25% unemployment rate and a median income sometimes far below average. A south side neighborhood called Armour Square has a $10,000 median household income. That's $28 a day in income.
(Garkov is very HN, I admit)