New Guitar Game with Real Six String Controller
engadget.com
engadget.com
I have great hopes for these sorts of products, and think teaching instruments via games is simply the low-hanging fruit of a bigger idea. I think using technology to improve learning is a woefully unexplored area, and that learning is a sector that is ripe for some serious disruption. I don't think textbooks or lectures are an good or efficient way to learn, but we're still using those same methods that have existed since time immemorial without strong emperical evidence simply because it's the status quo. Meanwhile, technology and our knowledge of neuroscience and psychology have improved beyond all recognition, yet they are massively underutilised in terms of helping people learn. I can't help but feel that one day all these dots are going to be connected and it's going to dramatically change how we learn and educate for the better.
I'm not sure what the interface will look like, but imagine the possibilities of displaying tablature along with musical notation along with what notes you're actually hitting, perhaps even with a photo of the desired hand position for a chord, all simultaneously (or easily accessible).
Then, add training modes, (like guitar hero but with a full metronome range), technique exercises for scales/arpeggios, etc... and you have a powerful training system.
In short, it makes the learning process easier from the start, and less boring for younger ones who might not have the patience and stick-to-it needed to master a normal guitar.
http://globalnerdy.com/wordpress/wp-content/uploads/2007/07/...
I'd also suggest this gedankenexperiment: imagine buying a game controller, owning it for three years, and getting good at the game. Then imagine buying a guitar, owning it for three years, and getting good at it.
How does this suggestion make you feel? Do those feelings come from my words, or from somewhere in yourself?
Please don't blame me. I'm not making you be anything.
Your comment about impoliteness is baffling, since I never said anything about your tone.
To paraphrase William Gibson: "My songs are of time and distance. The emotion is in you."
More directly: am I trying to coerce you into feelings, or talking abstractly about people's feelings now and in the future?