How “Pet Sounds” Invented the Modern Pop Album
theatlantic.com
theatlantic.com
http://www.soundopinions.org/show/546/#petsounds (It starts 11 minutes in; skip the annoying ads.)
There was also a recent three part BBC documentary series about recording technology, and the second episode, which focussed on magnetic tape, featured Pet Sounds heavily.
http://www.bbc.co.uk/programmes/articles/37QlHzXTkLzC45fdx8w...
* Caroline, No - upside-down water bottle for intro drums * You Still Believe In Me - Avant-garde piano played directly on chords
Also, I believe the main creative guy (Brian Wilson) in the BB's had a breakdown trying to keep up with the Beatles, which is understandable.
It's hard to imagine two albums that were recorded so differently could emerge at the same time; I imagine the common thread was that both musicians were struggling against the shackles of the recording industry at the time.
Good retrospective on the recording on Blonde on Blonde:
http://www.nashvillescene.com/nashville/looking-back-on-bob-...
They certainly seem to inform the sound of certain genres of 'music,' which sound more like the grunting of animals than Euterpe's uplifting tunes.
Pet Sounds Invented the Modern Pop Album
(Perfectamente!)