Lawyers who won Happy Birthday copyright case sue over “We Shall Overcome”
arstechnica.com
arstechnica.com
I also believe it makes sense to have international IP protection to the degree that The IP metaphor actually promotes useful arts and sciences. But I am really displeased with the fact that the TPP makes the 70-year copyright term a (likely permanent) fixture of international law.
You can find the full text here: https://ustr.gov/trade-agreements/free-trade-agreements/tran...
The offending language is Article 18.63 within the Intellectual Property section.
It's yet another case of a motivated special interest.
[1] http://www.theguardian.com/media/2011/sep/12/musicians-copyr...
This will have to be fixed before China can start producing its own export-quality cultural products.
My reasoning is this. If I publish something, and claim copyright on it '(c) yyyy' for example. Then, after yyyy+a years it could be known by all to be copyright free, because you have the original published document in your hand which states the start date and the term is known. With the possible +b included, it becomes difficult to determine what the copyright status is because you don't know if it has been 'extended' so you really need to wait until after yyyy+a+b. With the current system of life+b then its even harder to know if a published work is out of copyright unless the author is well known, and because this suits the entrenched interests I believe that it is at least partially intentional.
If pirate parties or anybody else want to campaign for copyright reform, then my utmost wish would be that they fix this issue at the start. Lets have a fixed term please.
The main principle is just that if you no longer care about something enough to do a little work to keep it, then the time has come to release the rights to that thing into the public domain. A bit of paperwork every ten years may be good enough for that.
Registration could also clarify ownership. Problems like what happened with NoLF [1] or Google Books might be less likely.
[1] http://kotaku.com/the-sad-story-behind-a-dead-pc-game-that-c...
But copyright does make sense "for a limited time". I think the big issues is that the current time limits don't make sense. Let's say that you interpret that having a government-enforced monopoly on creative works is what lets you make money off them, and that making money is what promotes the initial creation of those works. In reality, most of the market value on the vast majority of instances of several classes of works is much shorter than "life of the author plus 70 years". For example, a new hit song may sale quite a bit in the first year, a bit more over the next few years, then it dies out into obscurity. Long copyrights keep such works dead (no one will continue to publish it if it doesn't make money, and nobody else is allowed to publish it). So this is a net loss to society.
Now what what really makes sense, and feels more fair, is that if you as an author want to use my government's force to maintain an exclusive monopoly on your work, then you should pay for that service. This could be a per year fee (doesn't have to be a lot), so that if the work becomes abandoned then it doesn't become lost to society.
What may be natural, is the human feeling of ownership. But that isn't always aligned with the legal definition. For example poor people feeling that their gentrifying neighborhood is being taken away from them, even when they didn't "own" any land in it. Plagiarism too - we don't like to see others take credit for our work or ideas (which aren't copyright).
For-pay copyright sounds like a good idea. I wonder though if it would prevent many lucky great work getting off the ground. You'd have to predict in advance that it might be successful before paying the fee. Poor creators of work would lose their right to copyright because they didn't want to take that gamble on everything they produced.
Grant a decade for free. After ten years, you probably know if it's successful or not. Then you could choose to register for more (or not) with a good understanding of its value.
Let's say I am the first one to find a star. Should I be able to stop other people from looking at it? Maybe, but the burden is on me to convince a lot of people that such a law is justified; not on stargazers to justify why they should be able to look at it.
...thus protecting the nation's citizens from having their jobs exported overseas. How is that not government protecting the nation's best interests?
Headline should be adjusted to indicate that Happy Birthday became public domain thanks to their work.
http://arstechnica.com/tech-policy/2016/02/happy-birthday-is...
"The most important part of the whole case was having the song in the public domain."
Basically the judge found that Warner didn't own the song. But didn't go so far as saying nobody owned it.
The order says: " Because Summy Co. never acquired the rights to the Happy Birthday lyrics, Defendants, as Summy Co.’s purported successors-in-interest, do not own a valid copyright in the Happy Birthday lyrics."
There are real questions to whether the song is actually in the public domain. The date of authorship is unclear and some the actions undertaken by the alleged authors might have sent the work into the public domain.
Maybe the situation is that the putative copyright holders of We Shall Overcome hired the same successful legal team from the Happy Birthday case — a very rational thing to do.