You hear a voice in your head when you're reading, right?
digest.bps.org.uk
digest.bps.org.uk
Turns out that people have varying degrees of ability to mentally imagine things, where the range seems to be from "purely abstract" to "number of stripes on a tiger".
Also; Feynman noted that people keep track of time in very different ways[2], either visual (imagining a clock) or symbolic (counting by talking to yourself inside your head).
And that whole internal monologue thing? Turns out that some people report not having that...
If anyone has more examples, please add them. This stuff is endlessly fascinating :)
[1]http://lesswrong.com/lw/dr/generalizing_from_one_example/
[2]http://generallythinking.com/richard-feynman-on-thinking-pro...
I think the way it happened was that as I read lots of books, I realized I need to stop processing consciously every word if I want to read faster. Additionally, I started to spend lots of time interacting with English language (which is not my native), and I was sometimes thinking in English before I stopped thinking in words altogether.
I developed a speech impediment because of that: whenever I need to speak, I need to synchronize my mental state with the words coming from my mouth, which requires a little effort.
Monday is red, Tuesday and Thursday are green. Wednesday is a light blue, Friday is red (feels a bit warmer, maybe slightly orange than Monday). Saturday is yellow, Sunday is black (I always associated Sunday with church, and either dread of going or formal wear).
I do this with other things too but days of the week are the most obvious and have been with me my whole life (I'm 30 now).
Oh, I guess I do the inner monologue when estimating time. Something like "Lets see... is it 8 minutes? No that's too fast. 12 minutes? Maybe. Let's go with 11". Didn't even consider it as part of the process until your comment.
Associating colors with days of the week is another well known example, described in the book "Wednesday is Indigo Blue" ( https://en.wikipedia.org/wiki/Wednesday_Is_Indigo_Blue ). You might find it interesting.
I only know about this because I had a friend in middle school who was a synesthete. We thought he was making it up until we gave him a list of (long) random numbers to describe the colors of. We then mixed up the order and gave them to him a week later and he provided consistent descriptions. It was pretty cool actually, I've always been a bit envious.
Thanks for sharing, I've got some reading to do.
I love to read, actually. As far as I know I haven't noticed any difficulty in colors. I can definitely see a word "red" that may have been written in blue color really screwing with me, but maybe not more than it would screw with any other person.
However, I found Feynman's example very compelling, where the self-report (visual vs. auditory counting) matched up with how visual or auditory side tasks interfered with time keeping.
Don't know if it's related but in one of my first classes as a kid (where we learned to count), we had some sort of banner on the wall that listed the number from 0 to 100. Maybe picked it up there.. Sometimes I also think this makes the more abstract math concepts harder for me to understand. If I can't visualize it, it won't stick (easily).
Asked some friends how they saw numbers, and they don't have anything like that. Wondering how this is for other people.
Aaaaand having to actually explain it seems to have completely messed the whole visual up. At this point I feel like I'm inventing a system based on childhood memories...
It does stretch back to my childhood though. I have strong memories of visualizing numbers in class, even specific problems like when we were asked to add all the numbers from 1 to 100. A problem in which I mentally drew half circles from 99 to 1, 98 to 2 and so on. I solved it almost instantly and thinking back I'm a little disappointed my teacher didn't investigate this more and help me explore this skill.
If only that extended to the size estimation part of my brain. I've gotten pretty okay at eyeballing kitchen measurements, but I'm completely useless at determining what will fit in the back of my car when shopping at Home Depot without a tape measure.
I've got a cursor in my head that I mentally move around and click and select things with. When I go insane, I'll probably experience somebody else moving my cursor around, instead of voices in my head.
I wonder if people used to think like typewriters, and heard a right margin bell as they thought, and then had to mentally hit carriage return every 87 characters before they could think any more...
In contrast, I can imagine music very vividly, with different instruments and their timbres fully defined. It's very close to the sensation of hearing music, to the point where I sometimes have to stop myself from dancing to music that only I can hear, definitely not something to do in public! (The music never has lyrics btw. Even if I'm imagining a real song that has words, they just end up as wordless vocalizations.)
The closer to being in the "flow" state I am, the less of an experience of inner speech I have. When I've been programming or doing music for an hour, I don't really think in words at all, the concepts just seem to flash past, going almost directly from the unconscious to motor actions. With art especially you don't have words for most of the things you're doing anyway, so how could you possibly think in a monologue?
However when I need to think carefully about what I'm doing, when I need to use deductive logic or it's very important that I make absolutely no mistakes, I do veer more towards inner speech. The other major one is rehearsing possible social interactions, or having hypothetical conversations, which is something I actually do quite a lot of (I think it's quite common) and obviously that involves speech.
Finally, at times of emotional stress or fear (but not panic), I'm forced into a consistent inner monologue. It's very similar to the way you can't deliberately give up conscious control of your breathing once you take hold of it, and I can easily see how it could be scary for some people. Sometimes it does feel like a step down the road towards madness, in comparison to my normal state. If I woke up one morning and was stuck like that, I would 100% be going to a psychiatrist.
Don't get any of that stuff about being able to see numbers unfortunately. I have very poor imaging ability. I can't really see pictures in my head at all.
Whenever the book turns into a movie, my friends all say, "Yeah, that casting is exactly who I imagined." That just never happens to me. I don't have preconceived notions of what characters look like, even if I read their descriptions. But I'm very spatial and good with layouts and furniture. I keep thinking that because I'm spatial I should be visual but... not so much.
EDIT: Oh, almost forgot! Despite all that, I'm great with faces. If we've met before I'm going to recognize you. But I'm embarrassingly bad at names, forgetting them almost instantly if I don't concentrate for a long time.
On the other side of things I've got great relative pitch. If I can get the first note on the piano I can pretty much just play the rest of the melody. And, same thing, music is pretty finely textured for me when I concentrate.
This is something that has always concerned me in general. I was worried for the first year I dated my now-wife that I would not be able to recognize her when meeting her at a crowded place. I wouldn't go so far as to say she would turn around and I couldn't recognize her, but the permanence just wasn't there.
With dialog, or a narrator's voice, I often imagine them speaking it or provide a voice for them in my own head. With action scenes, especially engrossing ones, I sort of just spend the extra mental energy trying to picture the scene rather than "hearing" the words. I have a very hard time paying attention to what the characters look like or are wearing. Usually imagine it briefly as it is being described and move on.
Oddly enough, when I'm reading aloud, sometimes I sort of stop imagining what is going on as I'm too busy trying to sort out how to speak the dialog (especially in some different voices) that I no longer pay complete attention to the scene.
For non-fiction, I generally spend more mental energy trying to visualize the concepts being described and stop "hearing" the words. Or if I'm merely skimming and want to get a sense of what is being said without the details.
So I think a "voice" is something I can and do switch on and off depending on whether my brain thinks it is important and probably on the difficulty of the text itself.
In narrative fiction, I often hear the words spoken by distinct voices, though this too wanes as I focus on reading quickly or become tired.
Why not?
With re: music, I find I can go to full blown auditory hallucinations with a quiet room and relaxation - one moment you're imagining the orchestra, the next you're hearing it - and when I say hearing I mean it - indistinguishable from being in the pit. The moment you pay too much attention it slips away, like trying to look at a floater in your eye. I have absolute pitch, if it's on any way relevant.
For more reading on this topic I throughly recommend Musicophilia by Oliver Sacks.
This week I started to experiment writing dialogs to untangle complicated situations where I don't know where to start from. It helps me to overcome mental blocks, when the situation becomes overwhelming.
One character is more logical, the other one is the one performing the actions. It's like a coach talking to a player. After a while coming back and forth fro the dialog and the code editor, I find myself in a deep flow, and then I don't need to write but I can "imagine" the conversation.
I was wondering if dialogues have a special properties for driving thinking, then I remembered Plato the philosopher, he use to write his "Plato dialogues" although I never read them.
When reading, I have an internal monologue. I find it hard to hold a definite train of though when walking, though, because there's too much too see.
So, I'll go for a walk to think about some algorithm, or whatnot, but can't really consciously thing through the algo because of all the visual input. The visual input does tend to drive visual or tactile thinking, but there are no words for this.
In the past, I've resorted to speaking out loud to think through concepts, carefully. Somehow spoken (not subvocalized) words are more concrete (and limiting) they don't flap and fray in the wind of my mental music video.
But I don't actually hear a voice when reading and hence no detectable accents or tone. However, if I try to remember a line from a movie or a visual, like a scene, I can actually hear and see it, as if temporarily my brain routes my memories through my visual and auditory path, and sometimes it's unsettling even though I'm expecting it. As for the visual, I seem to have two distinct sense of vision, one from my eyes, and the other one that is so called the "mind's eye". For me, it lacks color and even shades.
As for remembering things, I can instantly tell a movie by a single frame of it even if I've watched it once and I'm yet to come across someone who can do that.
My internal thoughts also seem to be expressed this way, though not necessarily all the time. Doubts or alternate viewpoints are often alternate voices and I can "hear" the arguments.
I can glance over text quite quickly to understand what it's saying, but can only "read" it is as fast as the voice can talk.
Typing prose is the same, even if I type text without looking at the screen the voice still speaks to me and I can only type as fast as it speaks.
I've typed full emails while talking to others, I can't imagine doing that while sub-vocalizing what I'm writing.
hello friend, I can do that too. 1 frame will tell me if I've seen something before, though it sometimes takes several more to get a title. I like to call it cinematic memory, it's like photographic memory but shittier because if I try to reconstruct a photographic memory it comes out blurry :v)
If I try to mentally visualize something I'm not looking at, even if I'm very familiar with it, it's usually impressionistic at best - rough outlines and swaths of color.
http://slatestarcodex.com/2014/03/17/what-universal-human-ex...
Update: apologies if this came off as rude. One theory of humour is that comes about from a benign violation of expectations, known as the "benign violation theory"[1]. Using this model one can see the title as humourous.
For one thing, if a real voice was speaking at the speed I normally read, it would be virtually incomprehensible. I can't be simply "sounding out words" for that reason.
I imagine people come in at different places in the pipeline and that probably explains the difference. There more phases of the pipeline than there are common words to try to explain our experience.
I've heard it claimed that the reason some people think they dream in black and white is that there wasn't any color content at all (not even grayscale). They think back and can't remember any colors, and assume it must have been grayscale, because their waking consciousness can't imagine what it would be like to see something without color.
Similarly, it's hard to imagine how you could hear words with no voice speaking them (at least it's hard for me) even though we're experiencing it right now!
When I was a teenager I took elocution lessons, read poetry and acted in plays. I would read through a piece imagining where I would pause, where to put emphasis, etc. So I know I subvocalised then, but don't know if I did before or if that's when I learned to do it.
I know it takes me much longer to read a book than my brother or father or many of my friends. I can read a book once and remember small details from the story they have completely forgotten and sometimes they've read a book multiple times when I have far better recollection of it from a single much slower reading. I'm wondering if subvocalisation plays a part in that.
Edit: another factor is that I remember words from their sound, not their spelling, so have always had difficulty with spelling. I can't visualise the word, and often need to actualy write a word out before I can figure out how to spell it. Just spelling out words letter by letter vocally is very hard for me.
I don't read without vocalizing in my head much anymore. I found that without hearing that, my EQ in relation to communicating with a person drops. On the other hand, if I'm visualizing some systems interactions in my head, it's not going to be verbalized. Until maybe, I try to explain it to someone.
I'm also an impeccable speller and I attribute that to my brain somehow leapfrogging past sounding out words to recognizing them by shape. Not certain if I subvocalize, but I do have an internal reader.
So I end up using a ton of Google and obsessively taking notes/making lists. Quip has been a lifesaver.
How do you use quip?
For example, I've been working on a security primer for internal consumption. The output will get turned into a presentation eventually. Quip makes it easy to invite a colleague to collaborate.
I'm really curious to hear other people's answers to this.
When I'm writing _english_, that is. No voices, no language when coding.
Then I realized the same thing. I don't hear a voice when I'm coding or reading code. Odd.
I mean, consider reflex actions in response to pain: Plenty of people will (quite honestly) tell you that "it hurt, so I pulled my hand back" but the lower-level neurological evidence suggests we're fooling ourselves.
What would be a good experiment to test your hypothesis?
I hear a voice when I read, and it's always the same one, but I don't think of it as my own voice. An interesting side effect of that is, even though I read posts from hundreds of people on the internet every week, they're all in the same voice, so I basically imagine all of you as, like, one person.
I have the "voice when I read" thing too; I've actually always thought of it as some kind of "true voice." I haven't perceived that it's changed since kindergarten (though, of course, change could be so slow that I don't notice it, since it's not like I have any external recordings to compare it against).
2.7 is the speed I can jump in any time, if I speed up incrementally I can easily go to 3.2 or something.
(i use windows media player for the speed up, best real-time sound stretching I found)
It wasn't like that for me. I used to speed up the voice speed in my head when reading and occasionally drop them all together (so it's a stream of concepts, not voice). Then one day, I noticed that I would drop a lot of emotional nuances when I do, or misread/misinterpret emails and messages from other people. I started to try to slow things down, to even read it in the voice of the person sending the message (assuming I know them well enough to have heard their voice). My reading speed had dropped but it feels like I get a lot more out of what I read now.
I've been dying for a audio/video playback program that would speed up faster between pauses (breaths, breaks, etc.) while slowing down to ~1.6 speed for words. I don't even really know what search terms to use. Here's my SE question:
http://softwarerecs.stackexchange.com/questions/27175/video-...
Would love more info here.
For audiobooks, Listen Audiobook Player on Android does the same, though for some reason I find it distracting for audiobooks.
Thanks for the suggestion, though. I never tried Overcast since I'm on an android, but I suspect it's similar to Pocketcast.
I really wants something that ups the average speed to ~2.5 while maintaining intelligibility.
It also depends a lot on the source material. This for example is sooooooo slow: https://soundcloud.com/diezeit/auf-ein-fruhstucksei-mit-aus-... (german, but I think you can hear the speed)
This is what I listened too a lot, maybe I'd should have claimed lower speeds for the other podcasts :) But your native language (german for me) is also easier.
I've always assumed that this is because I'm a very audible learner. When I'm paying attention to somebody who is talking, I tend to have a hard time focussing on anything else. For example, I'll miss turns driving if my wife is talking to me in the car unless I'm just actively ignoring her. As a result, she knows if we're following directions not to talk to me about anything because if I don't miss the turn, I wasn't listening to her. :-)
The side effect of this is that I don't read particularly quickly. I can if I make myself but it's like the voice in my head becomes the Micro Machine guy. I read at about the speed I'd expect somebody to talk.
I tend to write the same way. If it doesn't "sound right" I have to keep editing the sentence.
I've also always been a pretty good speller; at some point, my brain started caching two copies of each word---how it sounds, and how it should sound based on how it's spelled.
Oh, man. This happens to me all the time. Glad to hear I'm not alone.
https://en.wikipedia.org/wiki/Subvocalization
Or is there a separate notion of hearing a voice over and apart from subvocalizing? (If I had to try to think about them as different concepts, I'd probably say that I never subvocalize, and usually don't hear a voice when reading quickly, but perhaps do hear a voice when reading slowly or focusing on individual words.)
> If I had to try to think about them as different concepts, I'd probably say that I never subvocalize, and usually don't hear a voice when reading quickly, but perhaps do hear a voice when reading slowly or focusing on individual words.
Since the involuntary muscle movements that are the other part of subvocalization are generally undetectable to the person doing the reading, what is your basis for saying that you never subvocalize, even though you do hear a voice when reading slowly?
I guess that's a totally unsubstantiated intuition. Can I test it effectively with an EMG?
I think a good illustration of this internal dialog is learning a new language. At first you (verbally) translate each word in your head into your native language. But as you gain fluency, you begin to understand the new language directly.
Many decades ago I learnt Morse Code, and the process was similar. At first I mentally (and painstakingly) translated each letter. Later I translated each word. But eventually the information just flowed into my head without any intermediate steps.
I need to go back and screen which of futurama episodes are ok-enough for a 9 year old...
Seriously though, I don't really have an inner voice, unless it is maybe something like this where I'm expressing myself and I read in my voice the thoughts I'm trying to express. I was just trying to image accents as I read and this comment sealed it that yes, I can hear accents and a separate voice when I read something.
I have a slightly above average reading speed (with average to above-average retention), mostly because I don't spend as time converting the words to sounds.
Of course, this does mean that I don't always recognize words when said aloud that I've only seen in text before. Less of an issue as I grow older, but hearing some words vocalized was an interesting experience the first time (such as aileron or Qeynos (pronounced as kē-nōs, for those who never played Everquest))
If I either speed up, or consciously suppress it, I can read without the internal voice, but comprehension goes way down. There's some comprehension, but it's pretty ineffective overall.
If I'm in a relatively quiet place, I don't move my lips or tongue. If I'm in a very noisy place, moving my lips/tongue seems to help.
I once knew someone who said she could not read at all without whispering the words to herself.
If you want to turn the voice off (off the text), you can try counting in your head as you read.
Perhaps it is one of those things that happen only for your first language?
Whenever I read English, I don't - I read through skipping syllables. But, I read/write two others, of which in Malayalam, I naturally read aloud in my head.
Which is rather odd, because these days I dream in English too (odd way of saying it, but my fears speak English).
On the reverse side, for anyone who doesn't hear text as they read, I'm really curious how your mind handles the following paragraph. I can't imagine processing it in any way besides taking it one word at a time, but that is likely a limit of my own imagination.
> During winter, and touring the humor, poignant observation to Hobbes, as if to created as an outside action—you can be found him for examples aliens typically The Family Circus, criticized him is the thing through Saturday, December 16, 1995. Mom's first appeared in some newspaper chapeaux during nature is the only babysitter are characters in another.
My (completely unsupported) suspicion is that individuals who don't subvocalize tend to take advantage of common structures in texts to process everything at the sentence level, instead of the word level. The catch is that sentences which don't match their common expected structure tend to get lost in the shuffle. For example, when reading that "the man who hunts ducks out on weekends", individuals who don't sub-vocalize would be more likely to miss the "out" and believe that the hunter hunts ducks.
As part of my hypothesis, I would suspect that the following example, which isn't a Markov chain, but rather a quote from Finnegan's Wake, will also force people to switch to "hearing" when they read, simply because of the unusual sentence structure.
> In the ignorance that implies the impression that knits knowledge that finds the nameform that whets the wits that convey contacts that sweeten sensation that drives desire that adheres to attachment that dogs death that bitches birth that entails the ensuance of existentiality
* "During winter" ok
* "and touring the humor" ok
* "poignant observation to Hobbes" ???
* glance back at "humor", then "touring" for more context, whatever
* "as if to created as an outside action" - I didn't even notice "as if to created" was nonsense
* glance back to "observation", "humor", "during" to reconcile this weird construct
* "you can be found him" segfault, brain realizes this is nonsense and refuses to try to parse anymore
* "for examples" one last chunk it seems like I was processing when my brain realized it was nonsense
What was passed on to the internal voice (maybe? the more I think about this the more it seems inaccurate, but that might just be garbage in garbage out. And the fact that I've read this about 5 times so far). : "During winter, touring humor, poignant observation Hobbes, created outside action - you can be found him for" ... unsure ... "criticized is the thing through Saturday $DATE_HERE$. $PARENT$ first appeared newspaper chapeaux during nature is babysitter characters another"
I do think it's interesting that as I get more confused I start focusing on words that would have been filtered out but at the same time I lose my grasp on the big picture.
This is incredibly anecdotal, but I hope you gain some insight.
But apart from that it's mostly the same, I think.
For your example I read a half sentence, then realise it's cobblers, so go back. I end up grabbing chunks of sentences.
During the winter and touring
the humour
poignant observation to Hobbes as if (to) created
...and so on.
The annoying thing is my inner dialogue is the same for writing and reading (Is this the same for others?). This is bad because my reading dialogue skips words and makes up pronunciations for words that are long or are just a pain to say. I imagine this evolved from the necessity to read faster. So when I write and even sometimes speak about complicated things I will skip words and maybe go lax on pronunciation (especially if its an emotional thing because well.. its hard for me to communicate emotions).
The other annoying thing with inner dialogue is I often screw up homonyms. As seen in this recent comment with brake and break: https://news.ycombinator.com/item?id=11159104 . Its exceedingly embarrassing for me when this happens. Even trivial mistakes like "to", "too", "two", "your" and "you're". This doesn't happen on serious writing but it does on the internet and I feel like an idiot when it happens (as I do know how to use the words correctly).
EDIT: I just noticed I screwed up its and it's again.
I do have an inner dialogue too (I guess I've an inner Socrates which doesn't know to shut up for a second and to stop bothering me with stupid questions), I usually think in a dialectical manner. I haven't experienced your ortographic mistakes, or I haven't recognised yet that I do make them too. But sometimes I think of typing one word and I end up typing a completely different one: I want to type baboon and I end up typing, sth. like trumpet (made up example). This only happens with english though, so maybe it's because english is slowly becoming a sinaitic language with an iconographic ortography.
That said I use my inner dialogue to study languages, and I've succeeded with English and Italian, my L2 and L3. I've perfect english reading writing skills, and in italian high reading skills and good listening comprehension (and I studied it for one and a half year, without native speakers to talk to except for scarce weekly lessons at the uni). What I do is I do my daily thinking in the target language. And if I have to speak in one of the languages (including my mother tongue, turkish), I have to do a context switch, which takes some seconds. If I had to switch from one language to another in the middle of the phrase, my pronunciation will be very very bad, with a very strong turkish accent, whereas if I were in context, I articulate way way better.
One thing is, this method is hard to share, when someone asks me how I study languages, I have to talk about self immersion etc., because I don't want to make people think that I'm nuts.
That is I do have conflicting conversations. I meant to discuss that as well. Basically there is a narrator/actor and pundit on the side when reading. It is sort of annoying at times as I will get distracted reading and fixate on some topic with a long drawn out debate in my head.
http://digest.bps.org.uk/2013/12/the-science-of-how-we-talk-...
It seems that you were actually right in using dialogue.
The voices differ. When reading something from a friend I will hear their voice, my own when reading my own, and my brain will try to create a auditory context if its by an unknown author. For example, Hacker News covers a lot of news from Silicon Valley/San Francisco so reading the comments here I mostly hear an American voice with an Californian accent, mixed together with my own voice.
My brain pairs this together with inner images. So if I read a book about exploding stars, for example, I will hear an inner voice narrating the topic while also seeing images of the things being explained. These voices and images are very weak compared to the real thing though. My inner voices lack clarity and my inner images have no color.
Obviously this is not great for my reading speed. I did a test a while ago and according to that test my reading speed was compared to that of a 5th grader, with high memory retention of general concepts and average memory retention of specific details. I read for several hours every day.
As for numbers, when doing maths in my head, I do it visually. I see the numbers as images. What is strange though, compared to other things I imagine, is that results to math problems manifest themselves as a gut feeling rather than as the logical result from a chain of continuous inner dialogues and imagery. If I try to calculate 5*5 I get a gut feeling to answer 25, often faster than I consciously understand how I arrived at the answer.
Needless to so say I have a very strong imagination, sometimes so strong that I stop paying attention to the real world for a little while.
Given that the scientists link that with auditory hallucinations, I'd expect that for at least some people it's indistinguishable from a real voice (one of the earliest known example would be Socrates' daimonion).
I hear a voice usually when I'm reading but it is of some kind of soundless intensity. I think different characters in books have slightly different voices but it's possible that my brain knows that different characters should have different voices and it just tricks me in believing it.
I only have an inner voice for my thoughts when I try to articulate something. Otherwise I only think in concepts, structures and visualisations.
This is also how I tackle programming or solving problems in general. I visualize the problem and build a "problem structure" and then try to make it collapse into a simpler structure.
> I hear a voice usually when I'm reading but it is of some kind of soundless intensity.
and
> I only have an inner voice for my thoughts when I try to articulate something.
I'm sure just like some people see colours when they hear sounds, other people experience their inner voice as very, very real.
It's called "Charles Bonnet Syndrome". https://en.wikipedia.org/wiki/Visual_release_hallucinations
You can hear about it here: http://www.bbc.co.uk/programmes/b071fs79
It's like with thinking - when you are a kid, you think in some proto-thoughts that aren't really based on a language (something like assembly language of mind) and the older you are and more languages you know, you tend to think in languages instead, except when you are in a creative flow when things just happen automagically.
To those who do not hear an inner voice: I'm really struggling to imagine how the information gets in, how are you actually aware of the information ?
A quick search brought this up on Google Scholar:
Auditory imagery, D Reisberg - 2014 -
books.google.com
"Psychologists have debated the role of inner
speech in silent reading, and clinicians ...."I thought that was normal.
Experimenting with this idea would likely require teaching children with text, which may or may not be ethical. Sign language is different enough from English that it doesn't directly relate.
I realized just now that it is my brain reading me a story and I listen to the voice that reads it to me like a fascinated kid.
This may have something to do with why I can only appreciate poetry when read aloud.
The only experience I can think of that is similar would be sight-reading music before trying to play it.
See also the Independent article here: http://www.independent.co.uk/life-style/health-and-families/...
As I understand it (and I could be wrong) "hearing a voice" pretty much means you hear a voice as if someone was speaking but there's noone there. The paper talked about claimed that 80% of people "hear a voice" when they read.
I find that surprising, and I'd want to know what exactly is meant by "inner reading voices" - are these voices that people hear, or are they something else?
> Why hasn't this topic been studied before? Vilhauer's study hints at an answer because she found that many people assumed that their inner experiences when reading were shared by everyone. This worked both ways, so some of the people who had an inner reading voice were convinced of its normality: "We all hear our voices in our heads at times – even those of others we know – especially while reading," said one Yahoo contributor. Yet others who claimed to have no inner voice felt they were the normal ones. For example, in response to a question posted on the site about whether anyone else hears an inner voice while reading, one responder said "Nooo. You should get that checked out" and another wrote, in capitals: "NO, I'M NOT A FREAK".
The other reason is that until relatively recently everyone freaked the fuck out if you said you heard voices, and hearing voices was a sign of serious severe mental illness. We now know that's probably not true.
I do this sometimes to shut out distractions. For me it's like remembering someone saying what you're reading.
Most books, especially good fiction, I visualize to a high degree which is why I often want to avoid movie adaptations because they cannot match what I experienced while reading.
TL;DR Speed reading :)
This has >10x sped up my reading speed and improved comprehension as my brain takes in the whole picture (gestalt of the paragraph) more times total and more times per second. Try it!
Cool tips on how 2 become a rsercher?
The discussion here on HN is interesting, though.
As a result, I have a high-level ability to spell and be grammatically-correct.
This makes no sense. If you mentally read out every word you are doing it wrong!
That depends.
Some readers do what is known as "subvocalization"[1], where they literally speak the words they're reading, but silently, actuating the muscles in their tongue and throat as if they were speaking aloud. If you're doing that then it does slow you down.
> it's not like you look individually at every word and read them out, you see a larger area of text as a unit.
Of course you do. It is impossible to predict what will be the next word just by looking at one, if you don't look at each one you don't read, you skim. Meaning you won't understand anything.