Learning to Love Brutalist Architecture
telegraph.co.uk
telegraph.co.uk
In my city, we have an old high school built in 1905 whose interior was refurbished and remains in service as part of a university. The replacement high school, built in the 70s, is a brutalist dump infested with mold and falling apart. The 1970 building will be torn down at great expense soon, while the 1905 building has a good chance of still being in use in some form 100 years from now.
The problem with modern architecture is that it requires a genius to pull off, and the vast majority of architects, and I would say projects by geniuses, do not even come close.
It's an amazing expression of grandeur and power, especially as a model. But in person... it is too big, too ambitious, too set apart from the city it dominates.
This has also been the case for many of Frank Loyd Wright's houses. Many of his "architectural masterpieces" have been wrought with issues almost since they were built:
When researching the engineering defects and customer complaints of Wright-designed residences, I can’t shake the stereotype of a pretentious and bratty artiste abusing the largess of monied patrons who are willing to tolerate such behavior in hopes that their social status will reflect the golden light of artistic genius. This is a commonly accepted personality trait of Great Artists.
http://www.beltstl.com/2006/06/case-against-frank-lloyd-wrig...
The feeling that you're actually browsing someones collection of atonal german techno records is inescapable.
E.g. the kitchen (and the house it is in), the shop, and the bridges in the article are not at all brutalist.
It has a defined style, my absolute favourite is The Barbican Estate in London
https://upload.wikimedia.org/wikipedia/commons/e/eb/London_b... https://en.wikipedia.org/wiki/Barbican_Estate
When done without style it's horribly oppressive though but I don't think any less oppressive than the nasty steel and glass monoliths going up everywhere.
Also I love concrete, when done using high grade materials and polished it leaves a lovely finish approaching marble.
I'd quite like to use it as a material for furniture but for the weight problems.
It's telling though that so few people go there. To walk east from Barbican tube station, you can either go along Beech St (through the tunnel built for motor traffic under the Barbican) or over a footbridge and across the Barbican itself, which is quieter and has better air and doesn't involve waiting to cross any roads. The latter seems the obvious thing to do, but at rush hour the tunnel is busy with pedestrians, while the Barbican pedestrian level is almost empty.
I think a lot of this Brutalist revival comes from people who don't live with these buildings (not all but I think a majority.) Brutalist buildings are impressive and even bracing when you first see them, but if you are in a position to see them every day, that's when they become drab, dull and even an ugly.
There's a reason they developed that reputation over time, and only now when a generation of people who aren't familiar with them and don't live with them finally rediscover these buildings they are the ones who like them. Tell me you still love them if you actually live with them every day and don't just look at it on a desktop, then I might buy that this is more than a retro-nostalgia driven fad.
Build like this again:
http://nesiditsa.ru/wp-content/uploads/2012/09/228.jpg
3-6 floors, organized in blocks, one after anothers, with lot of nice details.
I fail to grasp why architects still propose those hideous buildings nobody want to live near? All kinds of glass blocks? Displayed out of context because they stick out surroundings.
http://www.amazon.com/The-Geography-Nowhere-Americas-Landsca...
http://www.amazon.com/Bauhaus-Our-House-Tom-Wolfe/dp/0312429...
Kunstler is a bit of a crank, but his analysis of the problems with modern architecture and urbanism are very good. Wolfe, of course, is a genius, and his very short book is a fantastic and deeply funny (if depressing) read.
A lot of brutalist buildings are imposing blocky structures but Ando's buildings are poetry in concrete. The looming mass of negative space in the Chikatsu Asuka Museum[1] is one of the spookiest and most awesome architectural experiences I've had (it's dedicated to ancient tombs in the area). I used to love hanging out at Galleria Akka[2] and I treasure the afternoon I spent at the Church of Light[3].
For me a defining feature of Japanese aesthetics is appreciation of the materials from which a thing is made (there's a word for it but I've forgotten). A wooden spoon should not hide the fact that is made of wood. A clay tea bowl should celebrate its "clay-ness" rather than try to cover itself with glazing, unless the point is to celebrate the materiality of the glaze. (This aesthetic is the exact opposite of skuemorphism.) Ando applied this concept to concrete. In some of his buildings the concrete is rough and you can see the stones embedded in it; in other buildings it is smooth as glass.
All that said, I've heard from architects and occupants that his buildings leak like sieves. They're mostly not practical buildings. They're intended to make a visual statement.
[0] https://en.wikipedia.org/wiki/Tadao_Ando [1] https://en.wikipedia.org/wiki/Osaka_Prefectural_Chikatsu_Asu... [2] https://en.wikipedia.org/wiki/File:Galleria_%EF%BD%81%EF%BD%... [3] https://en.wikipedia.org/wiki/Church_of_the_Light
Update: edited for formatting (why can't HN just use Markdown or RestructuredText??)
The typical red of Swedish houses is imitating brick houses: https://en.wikipedia.org/wiki/Falu_red
Timber framing houses were often directly built with a stone facade. Only nowadays we have learned to love timber framing houses.
It is however just a shell and the spaces inside should be bright, inviting, functional and a joy to live in- that's what I find most important about architecture (and I am just a layman).
At least the Ulster Museum architect - whose creation looks like it's in the process of devouring the older building - seems to have had a sense of humour.
Plus, a number of the examples just look very genuinely nice to be around (the Spaghetti Junction, Brunswick Centre, and Zog House in the article all look great)
The Dezeen guide to Brutalist architecture: http://www.dezeen.com/2014/09/10/dezeen-guide-to-brutalist-a...
Architects pick their favourite Brutalist buildings: http://www.dezeen.com/2014/09/19/architects-favourite-brutal...
11 lesser-known Brutalist buildings that helped define the movement: http://www.dezeen.com/2014/09/14/fuckyeahbrutalism-top-11-br...
Brutalist buildings: National Theatre, London by Denys Lasdun: http://www.dezeen.com/2014/10/06/brutalist-buildings-nationa...
Brutalist buildings: Prentice Women's Hospital, Chicago by Bertrand Goldberg & Associates: http://www.dezeen.com/2014/10/02/prentice-womens-hospital-ch...
Brutalist buildings: Yale Art and Architecture Building, Connecticut by Paul Rudolph: http://www.dezeen.com/2014/09/26/yale-art-and-architecture-b...
Brutalist buildings: Pilgrimage Church, Neviges by Gottfried Böhm: http://www.dezeen.com/2014/09/17/brutalist-buildings-pilgrim...
Brutalist buildings: Habitat 67, Montreal by Moshe Safdie: http://www.dezeen.com/2014/09/11/brutalist-buildings-habitat...
The Yale Architecture building is amazing and one of my favorites.
Ugly is ugly. No, I don't need to learn to love it.