Open-Sourced Logos
logodust.com
logodust.com
But they're really adverse to using things without an explicit license. This could really use a CC0 stamp somewhere.
Logos by XX in your credits and you're done.
On the other hand, identifying a good logo is the sort of fuzzy problem that you might be able to train a network for. Use it as a fitness function over some other algorithm.
You could have a generator that combined a variety of operations into a 'logo expression' that generates an image.
Have values and operations in the expression to represent:
a variety of geometric shapes.
composite operations (union, intersection, subtraction etc.)
symmetry operations (reflective, rotational)
Glyph images (possibly with some sort of semantic metadata to enable relationships between multiple glyphs)
Transformations (translatiosn, rotations etc. Possibly just a matrix)
Filters (smooth corners, grow shape, generate outline)
So you get something likesquare(1.5).rotate(45).smooth(30).outline(3).translate(-0.5,0.0).rotationalSymmetry(5).subtract( circle(0.25).translate(0.5,0.5) )
Which if I got it right should be a set of 5 squares with rounded corners and a line thickness of 3 arranges in a circle and a small circle cut out of the bottom right corner of the squares.
It occupies a somewhat similar space, (I believe it does not provide composition operations). Having the ability to define shapes as a probabilistic combination of other shapes gives you a massive variety of possibilities.
something like this would allow for a good variety of base imagery which could then have the layer I posted in the previous comment come after.
Check out the context free art gallery for some amazing (not very logo like) images
Specifically:
Creative Commons Attribution 4.0 International License http://creativecommons.org/licenses/by/4.0/
Does it mean that one can't trademark a logo from this site?
The real risk in a situation like this is not really that you get a C&D from using it on your startup's landing page. The risk is that if you eventually tried to file a trademark for it, you would lose: either because some large firm's lawyers would oppose and have no trouble outspending you; or because, if you tried to file a trademark on an open-source logo you found on HN, you probably got bad legal advice.
If I had a natural-supplement startup, for example, I'd be fine using this open-source logo as a placeholder and developing a new logo once I wanted to start a trademark registration process.
http://enjoykingsheath.com/wp-content/uploads/2012/02/lloyds...
Doesn't a trademark have to be defended if you won't face the risk to lose it? Is the C&D really so unlikely?
Unfortunately for me, this happened to me. I was able to negotiate a coexistence agreement for my logo, but I could have done without the pain. If I were to start over from scratch, I would seriously consider doing the Apple/Google offline foreign filing trick [2].
[1] http://towergatesoftware.com/
[2] http://blog.altlegal.com/tongan-shell-game-how-apple-and-goo...
I still don't understand how it solves the problem. After six months you will have to file at the USPTO and then the scrapers could find you anyway.
These kinds of things devalue the actual work that goes into real branding, like crowdsourcing your logo or Marissa Mayer popping out something that she thinks "looks nice" over a weekend. It also has the effect that any graphic designer who can whip something up in Illustrator thinks they are a brand expert.
So when this site came up a long time ago in /new, I grabbed one of it and put it on - only because my product contains a Chrome Extension, and it needs a small 32x32 icon. And, it is a damn good logo too. I also sent an email asking permission to use it, and even offering to pay (peanuts) for exclusive access, and the founder was extremely courteous and reminded me that it doesn't matter what you start with, you can always change once you get traction.
So there you go. I love my generic logo.
I know a few of the true stories behind the original logos of some of SV's unicorns and this is spot on (unfortunately, I cannot share them because they were shared in confidence). The parent comment is not wrong about the value of a great brand, but it can easily become a huge frivolous distraction after a certain point when you're should be focusing on building something useful for people in their daily lives. You can always perform a full brand refresh later once you can afford to spend a few months and lots of money to do so, and that's exactly what many unicorns eventually do.
I've seen outside designers rationalize some of these well known brands after the fact without knowing the inside and often accidental story and its comical. It's brand design. Like all the other components of a great company and great product, it's contributory like engineering and customer service, but it's not like you're solving World peace. For some products/services and target markets, the brand may be very important. For others, it could be non-consequential. "Worse is better" and "perfect is the enemy of done" apply to brand design as much as in any other aspect. Like other aspects you can always iterate and improve later.
Your pitch is important, and tone of your copy is important in framing and expressing this. For example, if you're asking me to download an executable you need to gain a certain degree of trust on behalf of the user. Trust is an emotion. Good art & copy can go a long way to building trust.
Branding is really the emotional connection you make with your user base, and emotional connections aren't rational things. This is why excellent products sometimes lose to less functionally valuable products - because we've distilled the rational meaning down to something which is irrational.
To "like" Apples products, for example, is not rational - it's emotional. The meaning behind Apples brand is more than the functional value of it's products. It represents something different to each of us, even though we're all using the same product. For some people, Apples brand represents a part of their own identity - this is about as emotional as it gets. Apples brand communication has touched these people in a strong way. Do you think Apple could have built such a loyal following with a MS Paint logo and terrible copy?
To put it another way, branding could also be thought of as packaging - and it's well known that packaging is extremely important to product success.
Spending tons of money on brand design, when you really need a minimum viable product to get you going is not a good plan.
Once you've worked out you have something of value, that people are willing to part with their cash for, then by all means spend tons of money on it.
That's not to say there's no value in well made branding, but it's just not something that an early startup should care about much.
Perhaps you were referring to my comment about Mayer, whose creative output amounted to a collective shrug, as she (and, sure, the design team she micromanaged) produced a logo that did nothing to communicate a new strategy, vision, or purpose.
Which is perhaps appropriate for Yahoo, after all.
I don't see any information about a license, though? This article might be helpful:
https://wiki.creativecommons.org/wiki/Marking_your_work_with...
One the other hand, I suppose a new type of "trademark troll" could hypothetically arise from paying to trademark these, and then suing you for using them. Although I would like to think that a reasonable defense in court would be, "look I just got it for free from this site, and I willing to stop using it". ... and on the third hand, we see actual out of court settlements for patents that have less to stand on than that.
So I guess it's more of a "who gives a damn", and "quit worrying so much" thing.
this is an umbrella plus tear drop: http://www.logodust.com/img/logo18.png
paperclip http://www.logodust.com/img/logo20.png
too complicated to be effective:
http://www.logodust.com/img/logo9.png
ripoff of star trek and anarchy circle
http://www.logodust.com/img/logo2.png
this was the only good one http://www.logodust.com/img/logo1.png
I appreciate some of your other points, but I particularly disagree with that one. Counterexamples right off the top of my head: Apple, Lacoste, Shell, Camel, Pringles, McDonalds, Schwarzkopf, Puma, Interflora....
For a Fortune 500? Sure not.
For someone with problems much bigger than slick branding they are good enough.
The paperclip one would be great for company that gets you paperclips, _fast_.
Why?
> A logo should (...) have some degree of symmetry, simple enough to draw, original, and not readily resembling something in real life or a prior logo.
Symmetry is valued by us humans as a positive aesthetic.
Simplicity aids in recall.
Originality aids in brand recognition.
Those are some whys.
Also probably too close for comfort to the git logo: http://git-scm.com/images/logo.png
Here's a few "no name" companies.
http://www.webdesignerdepot.com/2009/03/40-excellent-logos-c...
Don't get me wrong, I'm not claiming that the logos are cultural artifacts of high calibre. But that what they share with such works is actuality. Their creator can get better in ways that everyone who could but doesn't can't.