Japan's Cute Army
newyorker.com
newyorker.com
It's no different than painting pin-up girls on on your B-17. Also, btw, US Cartoons bugs, daffy, woodpecker are not uncommon nose art subjects. google "bugs bunny nose art".
Is it really? How intimate are you with Japanese culture? I am skeptical that Japanese people generally view anime with the same reverence that they view the works of Akira Kurosawa or Natsume Soseki.
edit: okay, anime is serious business.
The difference between intended audiences is more easily observed when you look at manga (comic books, often adapted to anime if successful) rather than just the animated cartoons, since the language used in manga directly reflects the target demographic. Plenty of manga are directed at an older audience and will use harder, more complicated kanji (Chinese characters), with or without furigana (helper text in a simpler alphabet) than those directed toward children.
Edited to add: both her and my parents are roughly the same age and share many interests in art/media/culture. Mine are from the US and were adults by the time Pong came out; despite the explosion of media in recent years I don't think the type of content they look for is much different than it would be otherwise. South Park might be the only exception.
I stayed a couple of nights in an inn as well and there were several shelves of manga (mostly hentai) on the bookshelf in the waiting room.
Also all of my Japanese friends in America (admittedly they were in their teens) were into manga and anime.
I think its a pretty well known and accepted fact that anime and manga are popular among all age groups in Japan.
They also seem to be fine (at least more fine than midwest America) with softcore porn. There was a lot of waste-up porn on news stands and I saw a row of Japanese men looking at more explicit porn mags in a bookstore in front of the magazine rack like it was a sunday paper -- totally nonchalant.
edit: fixed paragraph layout and spelling
Here is a list of the top grossing films in Japan[0] - note that #1, #5, #6 and #10 are anime. Windows in Japan has official anime mascots[1,2] and Mercedes has used anime to sell cars, at least twice[3,4]. Examples abound of anime covering adult (not necessarily pornographic but that too) themes[5], and of being used as a cultural referent to market to adults[6,7].
It's not even that controversial that anime is mainstream in Japan. They put Pikachu on some of their commercial airplanes[8], ffs.
[0]https://en.wikipedia.org/wiki/List_of_highest-grossing_films...
[1]http://www.digitaltrends.com/computing/microsoft-unveils-its...
[2]https://www.youtube.com/watch?v=fNfCEL4M_ac
[3]https://www.youtube.com/watch?v=qv7PodxyyWs
[4]https://www.youtube.com/watch?v=ucTwMQG1vuE
[5]https://www.reddit.com/r/anime/comments/239jkw/what_are_the_...
[6]http://en.rocketnews24.com/2015/10/27/rice-rice-baby-strains...
[7]http://en.rocketnews24.com/2015/10/10/japanese-employment-si...
Yup, my first thought. Then I started googling and found this about how apparently writing on weaponry seems to be an ancient practice.
http://www.britishmuseum.org/research/collection_online/coll...
Relevant reddit thread: https://www.reddit.com/r/AskHistorians/comments/1lmzov/is_th...
An actual commercial for the Japan Maritime Self-Defense force. An actual commercial for the US Navy. Then the same two commercials with the audio switched.
https://www.youtube.com/watch?v=nNdPPEwguDQ
(This highly selectively picked example aside, the main recruitment messages for the JSDF are very similar to that of the armed services in the US: "Preserve the peace. Serve the nation. Learn a useful trade. Enquire within.")
Contrast this to the way [The Culture][0] dealt with their ambivalence over having to tool up to fight a full-scale war (the Idiran War). They specifically designed their warships to be ugly, and gave them ship class names reflecting the ugliness of their roles (e.g. Gangster, Torturer, Psychopath, and Thug). While depicting your weapons as kawaii is very different from depicting them as heroic/inspiring, I think the Culture's lack of euphemism is the better way to go.
It works in the case of the Culture because of their extraordinary degree of self-awareness and anti-militarism; no member of the Culture could possibly lack cognizance of the significance of the names, wheras we, alas, live in somewhat less enlightened times. In the Culture it serves to emphasise the ugliness of their purpose, wheras if applied in our world could be all to easily misinterpreted as unvarnished militarism.
It is interesting to note the degree of anti-militarism in Japan. Though this may be taken to an extreme in the opposition to taking part in international peacekeeping missions, at the very least it means that Japan is very unlikely to be subject to escalating influence and dominance by the military as may be permitted in other countries due to general public apathy. However, I think this also means that any attempt to emphasise the inherent ugliness the the purpose of the military would be prima facie faced with extreme opposition, no matter the intent.
I'm reminded of Star Trek, where the Federation's focus on "peacekeeping and exploration" never stopped it from fitting even the most measly science vessels with phaser banks and maybe some photon torpedo launchers.
On the other hand, Japan is not really doing much fighting at all, and their military is even called the "Self-Defense Force." They can't get rid of their military-industrial complex because they already did and what they've got now is what they were left with at the end. It makes sense for Japan to try and make their people comfortable with the idea of coexisting with the SDF, since they will in fact have to coexist with the SDF indefinitely. It's not going anywhere, and it's not really doing anything particularly ugly just sitting there.
It has its cute moments, but in some ways it's painfully serious. The concept is that a Roman-empire level culture with huge armies tries to invade Tokyo and conquer Japan via a magical inter-world gate in Ginza. Here's the short version.[3]
[1] http://gate-anime.com/ [2] http://www.mod.go.jp/pco/tokyo/tokusetu/tokusetu.html [3] https://www.youtube.com/watch?v=mWi2mYklRl4
[1] http://www.mangahere.co/manga/gate_jietai_kare_no_chi_nite_k...
The vibe that I got off of it is that the creators really, really, really wanted to glorify the Japanese military and imperialism. Unfortunately, Japan having not been in a significant combat role for many decades, there was no actual concrete thing to reference.
So, instead, they had to fabricate a civilization so far backwards that the military could show off uncontested (hence Bronze-age tech) but which could still be portrayed as an aggressor (hence the portal and attempted invasion of Tokyo).
And that's not even touching on the weirdness of the normal harem tropes (things like a gothic lolita demigod, etc.) that interrupt an otherwise entertaining if absurdist portrait of military operations.
The funniest thing in the series is how the other countries are portrayed, especially the United States. Then again, I'd much rather watch a show about the US doing an Iraq peacekeeping mission in fantasyland than what Gate has to offer.
It's pandering.
I found this sentence interesting -- I've been under the impression for some time that preemptive war is not necessarily a traditional doctrine, at least in America, and was introduced in the post-9/11 national security backlash era. But I don't know enough about military history to really know.
I'm not certain what exactly 'preemptive war' is supposed to be, either than war undertaken in order to preempt a worse possibility (which would seem to be the traditional doctrine for going to war in general).
America's first war, the Quasi-War with France, could be seen as a kind of pre-emptive war in order to prevent further seizures of our ships, which was seen as worse than the war itself.
The First Barbary War was waged in order to prevent the Barbary Pirates (of Tunis, Tripoli & Algiers) from seizing & enslaving our merchant sailors. It should stand to reason that war was considered preferable to continued enslavement of American citizens.
The War of 1812, of course, was waged in response to certain British provocations whose continuation was considered worse than war.
The Second Barbary War was again waged in order to prevent the Barbary Pirates from seizing & enslaving our sailors.
Japan's attack on Pearl Harbor was a preemptive move in their eyes.
Imagine how Americans would feel if Russia established a huge military base halfway between Russia and America in the middle of the ocean somewhere. Now imagine that nuclear weapons don't exist.
In that scenario, a preemptive strike might start to make sense to a lot of people in America.
That's pretty much how Japan felt about Hawaii before Pearl Harbor.
I'm not justifying Japan's attack. It was a horrible tragedy. But it's totally understandable, if not laudable.
If not for the threat of nuclear war, I'm sure we would have attacked Cuba. It very nearly happened anyway.
(Of course, without the existence of nuclear weapons, the USSR never would have even attempted that move in the first place)
What was controversial in the Bush Administration was an attempt to expand the concept of preemptive war to include what is also referred to as "preventive war", where the attack is not "imminent" as that concept had been traditionally understood, but a more distant presumed eventuality. This had been traditionally (and generally remains, despite the efforts made by that administration) viewed as a subtype of aggressive war.
("Traditionally", here, means particularly in the post-WWII, under-the-UN-Charter, world in which states are viewed to operate under a regime of international law in which resort to force, except in immediate self-defense -- possibly collective -- or as directly authorized by the Security Council is forbidden. Though this generally follows other theories of war and its legitimate justification that make similar distinctions, such as Catholic Just War doctrine.)
Past 100 years is exception as rifles, machine guns, mines and then antitank missiles have made defense lot easier than assault. If it's lot more effective to dig in and wait, the rhetoric loses credibility. I'm oversimplifying of course.
[0] https://en.wikipedia.org/wiki/Strike_Witches
[1] https://en.wikipedia.org/wiki/Kantai_Collection
[2] https://en.wikipedia.org/wiki/Girls_und_Panzer
Edit: As I read more of the article I see it mentions "Combined Fleet Girls Collection" which is the Kancolle I referenced.
Are Counter Strike, Battlefield and their ilk in the west "recruitment tools"? Nah. Fiction involving military is still just fiction and implies little about its purpose. All those examples are definitely entertaining though.
http://www.cracked.com/article_19329_the-5-craziest-children...
edit: or, for that matter, WWII era Japan itself:
from the article:
"...ongoing debate over the mission of the Japan Self-Defense Forces. Is their role truly one of self-defense, pure and simple? Or does the Japanese constitution allow for preëmptive strikes outside of domestic borders, in the manner of a traditional military?"
This is kind of shocking to read when you think about it:
1) militaries, historically, are for more than self-defense, even pre-emptive self-defense. The article leaves this out, casting the choice as "in-border defense vs out-border defense."
2) In a rare moment of visible doublethink, the article also implies plainly that it is in doubt whether Japan has a military at all: Traditional militaries are the only kind, folks.
How does Japan survive as a sovereign nation without a military? Answer: it doesn't.
Strange times.
Does Japan not govern itself?
(Also, there are a number of microstates with ceremonial armed forces only, and Costa Rica has none at all)