An artist’s quixotic attempt to convince the New Yorker to embrace photography

The modern equivalent of this would be to convince the New Yorker to print data graphics such as scatterplots.

You can find instances where they devote an entire paragraph to describing some plot that the subject of an article produced or saw, and which astounded that person or changed their world-view. Surely such a transformative graphic merits more than a paragraph of thin description. This is especially galling in a publication that prides itself on the sophistication of its readers.