Experience with the Mergenthaler Linotron 202 Phototypesetter (1980) [pdf]
cs.princeton.edu
cs.princeton.edu
"Since we began using this program instead of Mergenthaler’s
formatter, most of our “hardware” problems have disappeared.
...
There is also a memory diagnostic sufficiently better than
Mergenthaler’s that the repairman asked for a private copy (which we
provided, on paper tape)."
Reading this part made me think, "of course! It was written by some of the most brilliant minds at Bell Labs." Many compaines would be lucky to have had software for them written by Bell Labs.Considering what a piece of junk the 202 and the software running it turned out to be, Mergenthaler would have done better to just give the 202 to Bell Labs for free and opened up all their hardware and software specs to them, on the condition that the Bell Labs team rewrote their software, and made suggestions for improving the hardware, or even paid Bell Labs for the privilege. That would have been a win-win for both companies.
Note the cost of the Linotron 202 is implied to be relatively inexpensive at $45k without options.
Ken Thompson wrote a disassembler on day one so they could examine the machine code.
Read it! It's full of goodies.
1. https://youtu.be/CVxeuwlvf8ww 2. https://youtu.be/XvwNKpDUkiE 3. https://youtu.be/HdModNEK_1UU
Items c and d could repeat a couple of times as necessary, and the customer usually had a look at the product as well ("bluelines" produced from the negatives).
Input was via a magnetic tape drive, and fonts were sequences of strokes. John Langner at Chi wrote a program called Procrustes, which took in fonts in some grid format and turned them into a sequence of vectors. There was no need for reverse engineering; this was done with full cooperation from Harris Intertype. There was also a primitive markup language and layout program, all text-driven. All this ran on an UNIVAC 1108 mainframe. Tapes were written on the mainframe and carried to the phototypesetter. The end result was quite good. I still have some manuals printed from its masters.
We also had the first electrostatic printer, built by Clevite/Brush Instruments.[1] This was a small machine which ran paper over a row of tiny pins which could be turned on and off. This placed an electrostatic charge on the slick coated paper, which was then pulled over a tank of liquid containing toner. The toner was attracted to the charge, and was then somehow fused to the paper. The result was more like dark grey on light grey than black on white. Resolution was under 100DPI. This was a prototype.
Al Misek at Chi built a controller for the thing so that it could talk to the 1108. The controller had an early character generator, so it could print text in one rather bad font. It could also do graphics, I wrote software to do 3D plots with it, and still have some of the printouts. I think that's one of my drawings in the Computerworld article [1]; my 3D graphing program was often used as a demo.
Clevite/Brush didn't intend to build a printer. They built chart recorders (like this [2]) to draw plots on paper from analog input data. (That's how you recorded data from experiments and industrial processes back then.) Those devices moved a pen back and forth mechanically, so they had very low frequency response. The electrostatic printer technology was developed for a faster chart recorder. Then someone realized it could do more than draw lines, so they made up a prototype and let Chi use it.
Clevite never did much with that technology, but Versatec did, and for most of the 1970s, electrostatic printers were a popular output device. Quality never got very good, but the machines were fast and not too expensive. "Troff" supported Versatecs.
[1] https://news.google.com/newspapers?nid=849&dat=19700225&id=Q...
[2] http://www.ebay.com/itm/Clevite-Brush-Instruments-15-6327-10...