Raiders of the Lost Web
theatlantic.com
theatlantic.com
“At this point, if you mean the web when Tim Berners-Lee
invented it, right now that web does not exist,” Scott
said. “Not really. News organizations kill old articles,
YouTube’s old videos go away. And while the Archive and
other entities are saving—quote-unquote saving—these sites,
even those will go to new URLs. They won’t be in the same
place. You’ll have to search for them... There are success
stories. But meanwhile, silently, thousands of useful things
are disappearing. As time goes on, I have even less and less
hope for how long it will last.
I can't find any evidence of TimBL ever having any particularly grand intentions regarding the WWW, especially not anything in the like of content replication. In fact, if you read TimBL and Robert Caillau's 1990 proposal for the "WorldWideWeb" [1], you will find it to be a textbook example of worse-is-better with a limited scope, mostly a way of unifying CERN's documents from a physical hierarchy into a minimum viable networked web of nodes. The project objectives were indeed rather humble, and it overall appeared to be a way of bringing the general gist of TimBL's earlier hypertext research with ENQUIRE over the by-then established TCP/IP and DNS in the absolute quickest way possible.Compare and contrast with Ted Nelson and Xanadu.
I did not make any such claim, and I do not advocate for any view resembling that in the slightest.
I bet when all is said and done we have something that looks a lot closer to Xanadu than the WorldWideWeb
If you have read Nelson's writings (e.g. Xanalogical Structure), you will know the two models are fundamentally irreconcilable.
I see projects like Open Publish and IPFS as piecemeal attempts to build Xanadu-like systems on top of the existing web infrastructure.
https://github.com/blockai/openpublish
"The lesson to be learned from this is that it is often undesirable to go for the right thing first. It is better to get half of the right thing available so that it spreads like a virus. Once people are hooked on it, take the time to improve it to 90% of the right thing." - The Rise of "Worse is Better"
I've always thought that Xanadu was the "right thing" and that the web was "worse-is-better", and that's why the web was successful, but I'm sorry that I put words in your mouth, I was just trying to be agreeable!
OpenPublish just looks like a simple insertion tool for a distributed public ledger (i.e. the blockchain). There's not an actual "system" to it.
Worse-is-better is (ironically) hard to get right, because, as it turns out, designing systems so that they can be properly evolved from 50% of the right thing to 90% of the right thing is almost as difficult as building it correctly in the first place.
(I don't think IPFS is even about hypertext or hypermedia per se, so much as content distribution which then would be interpreted by whatever local reader is relevant. I do not think it has any intrinsic understanding of hypertext.)
There's a whole suite of supporting services for interfacing with the blockchain, parsing the blockchain, creating transactions.
One piece that we're using in production and hopefully publicly releasing soon is the state engine that turns blockchain transactions in to a state of asset ownership. We run our own public access state engine endpoint behind this module so anyone can query about published documents or ownership here:
https://github.com/blockai/openpublish-state
We built another service called Bitstore, a content-addressable cloud storage web service that uses Bitcoin public key infrastructure for authentication and payment, and it pairs nicely.
https://github.com/blockai/bitstore-client
I'm on Freenode as "williamcotton". You can msg me and I'll give you a link to our staging server to show you the full system.
As for how IPFS relates to Xanadu, IPFS is very much interested in the "permanent web":
https://neocities.org/permanent-web
"Where links do not break as versions change; where documents may be closely compared side by side and closely annotated; where it is possible to see the origins of every quotation; and in which there is a valid copyright system-- a literary, legal and business arrangement-- for frictionless, non-negotiated quotation at any time and in any amount."
http://www.xanadu.com.au/ted/XUsurvey/xuDation.html
Open Publish is an attempt to build a content-addressable copyright system that pairs with the content-addressable delivery system that IPFS is building with the hopes to create something along the lines of what Ted Nelson was envisioning.
BTW, BitTorrent is another great example of a related content-addressable delivery system.
Content-addressable systems are at the root of Xanadu-like systems and it seems like the web is headed that way!
This right here is something I wish all the folks building web-apps-to-display-pages would think about. It's straightforward to archive HTTP resources; it's not at all easy (nor, really, practical) to archive every API response used in building these dynamic sites. Web apps are fine, for what they are, but please, please, for posterity's sake: don't use dynamic content if you can use static content instead.
Now I try to do things client side and powered by data in JSON format instead of creating relational databases and requiring web servers for everything. If I can't copy it to a DVD and have it run in a browser without connecting to the internet, I don't consider it to be good enough.
I do have a lot of flash games I need to figure out what to do with now that it's being phased out, though :/.
Basically each demo was presented with a screenshot, a text blurb, and a link that would start the installer.
All of it static pages using frames.
http://www.pulitzer.org/awards/1986
I've thought about going to the library and getting things off of microfiche, but the thought of having to deal with a takedown notice kind of makes me less enthusiastic to try.
A year or two ago I was doing a project about late 1990s gaming and so many of those sites are gone and were around before archive.org was around. And even if they are on archive.org it is often in a broken state. For example, there were all these Real Audio interviews with people like John Carmack and John Romero and they are just gone. (I actually tracked down one of the people that owned the site in question and he said he had them on a computer in storage and wanted to post them some day...)
-The works they are trying to preserve are copyrighted and still trademarked, making it illegal to make copies and distribute them, but a lot of the rights holder themselves see no value in preservation or even reprinting them.
-They use P2P technologies to distribute the scanned copies, since it does not require them to host their content on a server. However the tech they use primarily is DC++ a stopgap between Gnutella and BitTorrent, which has a pro that as long as people keep connecting to each other(even momentarily) the comics can be distributed. However it requires a network of 'hubs' to connect users, creating pseudo-centralization. The secondary tech is of course BitTorrent, which is far more widespread and quite easier to use than DC++, but as with every torrent, there is a huge attrition rates and a lot of preservation comics are sitting with very few or no seeds at all. Most of them have even lost their trackers, Demonoid being the biggest one.
-There is tertiary level of distribution; Cyber-locker sites. People upload these scans to zippyshare, tusfiles, Mega, etc. and post them on forums. Most of these forums have blocked crawlers in their robots.txt. The biggest source of these is the 4chan board /co/. 4chan threads have very short half-lives, doubly so for threads with these links, because the admins want to pay lip-service to copyright holders, and to be frank, most of the links posted there have no preservative value, but are really a source of pure piracy. 4chan does have third-party archives, but just last week I learned that the archive I used to use has folded. Most cyber lockers themselves don't have long life-spans, and Link-rot is more prevalent in their case.
-The fourth level of distribution is imageboards/chans themselves. Some user would 'storytime', post each jpeg in a scaned comic in sequence, a comic if they feel like it, but they too are subject to the imageboard thread half-life.
Despite the effort and complexity, DC++ remains the best way to discover old comics lost to time, but one day maintaining a hub would be too expensive or the imminent crackdown on IP infringement would shut them down.
This is just for American comics. French/Franco-belgian comics, a far more bigger market, face similar problems. Same goes for Manga.
We have the means and mechanisms to save all written work, for everyone, for forever, for negligible cost, and yet we aren't allowed to do it.
:(
Nevermind the technical challenges, there seems to be hardly a culture of this even mattering; other than for transferring page rank to the new location of pages for SEO purposes :/
Has the article, but the link seems to be to different content (Tappy Bird, not Citadel)