Using Visualization to Kill a Hoax
charm.rhul.ac.uk
charm.rhul.ac.uk
"When Brian Ventura, a financial analyst from Mount Vernon, New York, put the recording of Liszt's Transcendental Etudes credited to Hatto into his computer, the Gracenote database used by the iTunes software identified the disc not as a recording by Hatto but as one by László Simon."
http://en.wikipedia.org/wiki/Joyce_Hatto#Recordings_unmasked
Other sources claim this was "almost certainly due to someone deliberately planting the information in the Gracenotes database" because "the track timings are too dissimilar for the software to pluck Simon's BIS recording out of the many 12-track CDs it holds" http://www.pristineclassical.com/HattoHoax.html
Nicely put.
If I understand this correctly, this means that the vertical axis goes from "similarity in large-scale structure" at the top to "similarity at the momentary scale" at the bottom, so the triangle is a sensible way to look at it.
Or at least that's how this musicology-phile interpreted them.
The wikipedia page has some details on how this situation came about:
http://en.wikipedia.org/wiki/Joyce_Hatto#Recordings_unmasked